The Venus of our anxiety. The first art was visceral.
Autor(a) principal: | |
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Data de Publicação: | 2021 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | http://hdl.handle.net/10174/29761 https://doi.org/Cabeça, P.T. (2021). The Venus of our anxiety. The first art was visceral. Academia Letters, Article 454. https://doi.org/10.20935/AL454. https://doi.org/10.20935/AL454 |
Resumo: | This work continues the investigation published and aims to demonstrate the phenomenon of artistic creativity in clay as a process of the conscious and subconscious. To this end we will analyze aspects of this Art from its manifestations in the Paleolithic to the present day. Why did the paleolithic man elaborate so many “Venus” female figures in stone, bone and clay? What is the secret of the Paleolithic Venus? |
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The Venus of our anxiety. The first art was visceral.Creativityprimitive artconscioussubconsciousceramicclayart philosophyThis work continues the investigation published and aims to demonstrate the phenomenon of artistic creativity in clay as a process of the conscious and subconscious. To this end we will analyze aspects of this Art from its manifestations in the Paleolithic to the present day. Why did the paleolithic man elaborate so many “Venus” female figures in stone, bone and clay? What is the secret of the Paleolithic Venus?Academia Letters2021-04-23T15:29:37Z2021-04-232021-03-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articlehttp://hdl.handle.net/10174/29761https://doi.org/Cabeça, P.T. (2021). The Venus of our anxiety. The first art was visceral. Academia Letters, Article 454. https://doi.org/10.20935/AL454.http://hdl.handle.net/10174/29761https://doi.org/10.20935/AL454porhttps://www.academia.edu/s/785d44fbea?source=newstgcabeca@uevora.pt713Cabeca, Pauloinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2024-01-03T19:26:30Zoai:dspace.uevora.pt:10174/29761Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T01:19:03.010432Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
The Venus of our anxiety. The first art was visceral. |
title |
The Venus of our anxiety. The first art was visceral. |
spellingShingle |
The Venus of our anxiety. The first art was visceral. Cabeca, Paulo Creativity primitive art conscious subconscious ceramic clay art philosophy |
title_short |
The Venus of our anxiety. The first art was visceral. |
title_full |
The Venus of our anxiety. The first art was visceral. |
title_fullStr |
The Venus of our anxiety. The first art was visceral. |
title_full_unstemmed |
The Venus of our anxiety. The first art was visceral. |
title_sort |
The Venus of our anxiety. The first art was visceral. |
author |
Cabeca, Paulo |
author_facet |
Cabeca, Paulo |
author_role |
author |
dc.contributor.author.fl_str_mv |
Cabeca, Paulo |
dc.subject.por.fl_str_mv |
Creativity primitive art conscious subconscious ceramic clay art philosophy |
topic |
Creativity primitive art conscious subconscious ceramic clay art philosophy |
description |
This work continues the investigation published and aims to demonstrate the phenomenon of artistic creativity in clay as a process of the conscious and subconscious. To this end we will analyze aspects of this Art from its manifestations in the Paleolithic to the present day. Why did the paleolithic man elaborate so many “Venus” female figures in stone, bone and clay? What is the secret of the Paleolithic Venus? |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-04-23T15:29:37Z 2021-04-23 2021-03-01T00:00:00Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://hdl.handle.net/10174/29761 https://doi.org/Cabeça, P.T. (2021). The Venus of our anxiety. The first art was visceral. Academia Letters, Article 454. https://doi.org/10.20935/AL454. http://hdl.handle.net/10174/29761 https://doi.org/10.20935/AL454 |
url |
http://hdl.handle.net/10174/29761 https://doi.org/Cabeça, P.T. (2021). The Venus of our anxiety. The first art was visceral. Academia Letters, Article 454. https://doi.org/10.20935/AL454. https://doi.org/10.20935/AL454 |
dc.language.iso.fl_str_mv |
por |
language |
por |
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https://www.academia.edu/s/785d44fbea?source=news tgcabeca@uevora.pt 713 |
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info:eu-repo/semantics/openAccess |
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openAccess |
dc.publisher.none.fl_str_mv |
Academia Letters |
publisher.none.fl_str_mv |
Academia Letters |
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reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
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RCAAP |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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