Sonic ecologies : a journey through music, space and sensations in jazz live performances
Autor(a) principal: | |
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Data de Publicação: | 2021 |
Tipo de documento: | Dissertação |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | http://hdl.handle.net/10400.14/37019 |
Resumo: | Music has become a dominant and popularised form of culture in the modern world, produced and reproduced by the masses. It seems that the idea of continuous separation of the ‘human’ with the ‘nonhuman’ created a deep gap regarding the conceptualization of organic and harmonious practices for sustainable development of the world’s economic, cultural and social spheres. With this individualistic perspective, the idea of community and the connection between the outside world and humans have fallen into oblivion. Music culture and the music industries, powered by a massive technological and globalised process, have allowed an international travelling of sound with traits and characteristics of different cultures, rituals and ways of making music. Music is a way of connecting with the world. Specifically, the jazz musical genre approaches change in musical and performative practices while preserving its connection to its roots, tradition and rituals. It distinguishes itself from other musical genres through its instrumental characteristics, musical dialogues, and intrinsic traits that refer to its history and sociocultural influence. Aiming to reconcile the environment and civilisation, together with the intersection of the nonhuman and human world, the physical and the cultural spheres all mediated by sound composition, this dissertation explores the musical genre of jazz and its live performances in a given surrounding. Following an extensive literature review, this work delves into the fundamental aspects of sound, music, audience, performance and performativity. It travels through sensations and relationships integrated into the ecological performative system. To question the way the spirit and sensation of a place, through an ecological approach affects the performance of a cultural product such as live jazz, and how this influences the performance/performers and audiences, the work approaches three main blocks: the social cooperation in music and its instrumental relationship, the intersection between actor and audience and the embeddedness of the performance in a specific environment. |
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Sonic ecologies : a journey through music, space and sensations in jazz live performancesSoundMusicSpaceAudiencesPerformancePerformativityJazzEcologySomMúsicaEspaçoPerformancePerformatividadeJazzEcologiaDomínio/Área Científica::Ciências Sociais::SociologiaMusic has become a dominant and popularised form of culture in the modern world, produced and reproduced by the masses. It seems that the idea of continuous separation of the ‘human’ with the ‘nonhuman’ created a deep gap regarding the conceptualization of organic and harmonious practices for sustainable development of the world’s economic, cultural and social spheres. With this individualistic perspective, the idea of community and the connection between the outside world and humans have fallen into oblivion. Music culture and the music industries, powered by a massive technological and globalised process, have allowed an international travelling of sound with traits and characteristics of different cultures, rituals and ways of making music. Music is a way of connecting with the world. Specifically, the jazz musical genre approaches change in musical and performative practices while preserving its connection to its roots, tradition and rituals. It distinguishes itself from other musical genres through its instrumental characteristics, musical dialogues, and intrinsic traits that refer to its history and sociocultural influence. Aiming to reconcile the environment and civilisation, together with the intersection of the nonhuman and human world, the physical and the cultural spheres all mediated by sound composition, this dissertation explores the musical genre of jazz and its live performances in a given surrounding. Following an extensive literature review, this work delves into the fundamental aspects of sound, music, audience, performance and performativity. It travels through sensations and relationships integrated into the ecological performative system. To question the way the spirit and sensation of a place, through an ecological approach affects the performance of a cultural product such as live jazz, and how this influences the performance/performers and audiences, the work approaches three main blocks: the social cooperation in music and its instrumental relationship, the intersection between actor and audience and the embeddedness of the performance in a specific environment.No mundo moderno, a música tem vindo a tornar-se numa forma de cultura dominante e popularizada, produzida e reproduzida pelas massas. Parecer que a ideia de uma separação contínua do humano em relação ao ‘não-humano’ criou um espaçamento profundo relativamente à conceptualização de práticas orgânicas e harmoniosas para um desenvolvimento sustentável das esferas económicas, culturais e sociais do nosso mundo. De acordo com uma perspetiva individualista, parece que a ideia de comunidade e elo entre o mundo exterior e o homem caíram no esquecimento. A cultura e as indústrias musicais, impulsionadas por um grande processo tecnológico global, têm permitido uma viagem internacional de som com traços e características de diferentes culturas, rituais e práticas de conceção musical. A música é uma forma de ligação com o mundo. Especificamente, o género musical jazz aborda a mudança nas práticas musicais e performativas, preservando uma conexão com as suas raízes, tradições e rituais. Distingue-se de outros géneros musicais através das suas características instrumentais, diálogos musicais e traços intrínsecos que se referem à sua história e influência sociocultural. Visando uma reconciliação do meio ambiente e da civilização, juntamente com a intersecção do mundo não humano e humano, as esferas física e cultural por intermédio da composição sonora, esta dissertação explora o género musical jazz e suas performances ao vivo num determinado ambiente. Após uma extensa revisão da literária, este trabalho explora os aspetos fundamentais da música, espaço, público, performance e performatividade. O trabalho percorre as sensações e relações que se integram no sistema performativo ecológico. De forma a questionar como o espírito e a sensação de um lugar, por meio de uma abordagem ecológica, afetam a performance de um produto cultural como o jazz ao vivo, e ainda, como isso influencia a performance/atores e o público, o trabalho aborda três blocos principais: a cooperação social na música e sua relação instrumental, a interseção entre ator-performance-público e a inserção da performance num ambiente específico.Gonçalves, Diana Isabel AdrianoVeritati - Repositório Institucional da Universidade Católica PortuguesaCarvalho, Sara Boal Robalo Rosado de2022-03-15T11:14:58Z2022-03-022021-112022-03-02T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisapplication/pdfhttp://hdl.handle.net/10400.14/37019TID:202956849enginfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-07-12T17:42:27Zoai:repositorio.ucp.pt:10400.14/37019Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T18:30:05.830600Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Sonic ecologies : a journey through music, space and sensations in jazz live performances |
title |
Sonic ecologies : a journey through music, space and sensations in jazz live performances |
spellingShingle |
Sonic ecologies : a journey through music, space and sensations in jazz live performances Carvalho, Sara Boal Robalo Rosado de Sound Music Space Audiences Performance Performativity Jazz Ecology Som Música Espaço Performance Performatividade Jazz Ecologia Domínio/Área Científica::Ciências Sociais::Sociologia |
title_short |
Sonic ecologies : a journey through music, space and sensations in jazz live performances |
title_full |
Sonic ecologies : a journey through music, space and sensations in jazz live performances |
title_fullStr |
Sonic ecologies : a journey through music, space and sensations in jazz live performances |
title_full_unstemmed |
Sonic ecologies : a journey through music, space and sensations in jazz live performances |
title_sort |
Sonic ecologies : a journey through music, space and sensations in jazz live performances |
author |
Carvalho, Sara Boal Robalo Rosado de |
author_facet |
Carvalho, Sara Boal Robalo Rosado de |
author_role |
author |
dc.contributor.none.fl_str_mv |
Gonçalves, Diana Isabel Adriano Veritati - Repositório Institucional da Universidade Católica Portuguesa |
dc.contributor.author.fl_str_mv |
Carvalho, Sara Boal Robalo Rosado de |
dc.subject.por.fl_str_mv |
Sound Music Space Audiences Performance Performativity Jazz Ecology Som Música Espaço Performance Performatividade Jazz Ecologia Domínio/Área Científica::Ciências Sociais::Sociologia |
topic |
Sound Music Space Audiences Performance Performativity Jazz Ecology Som Música Espaço Performance Performatividade Jazz Ecologia Domínio/Área Científica::Ciências Sociais::Sociologia |
description |
Music has become a dominant and popularised form of culture in the modern world, produced and reproduced by the masses. It seems that the idea of continuous separation of the ‘human’ with the ‘nonhuman’ created a deep gap regarding the conceptualization of organic and harmonious practices for sustainable development of the world’s economic, cultural and social spheres. With this individualistic perspective, the idea of community and the connection between the outside world and humans have fallen into oblivion. Music culture and the music industries, powered by a massive technological and globalised process, have allowed an international travelling of sound with traits and characteristics of different cultures, rituals and ways of making music. Music is a way of connecting with the world. Specifically, the jazz musical genre approaches change in musical and performative practices while preserving its connection to its roots, tradition and rituals. It distinguishes itself from other musical genres through its instrumental characteristics, musical dialogues, and intrinsic traits that refer to its history and sociocultural influence. Aiming to reconcile the environment and civilisation, together with the intersection of the nonhuman and human world, the physical and the cultural spheres all mediated by sound composition, this dissertation explores the musical genre of jazz and its live performances in a given surrounding. Following an extensive literature review, this work delves into the fundamental aspects of sound, music, audience, performance and performativity. It travels through sensations and relationships integrated into the ecological performative system. To question the way the spirit and sensation of a place, through an ecological approach affects the performance of a cultural product such as live jazz, and how this influences the performance/performers and audiences, the work approaches three main blocks: the social cooperation in music and its instrumental relationship, the intersection between actor and audience and the embeddedness of the performance in a specific environment. |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-11 2022-03-15T11:14:58Z 2022-03-02 2022-03-02T00:00:00Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
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masterThesis |
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publishedVersion |
dc.identifier.uri.fl_str_mv |
http://hdl.handle.net/10400.14/37019 TID:202956849 |
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http://hdl.handle.net/10400.14/37019 |
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TID:202956849 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
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info:eu-repo/semantics/openAccess |
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openAccess |
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application/pdf |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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