O primado da ambivalência corpórea: Eraserhead como dupla alegoria

Detalhes bibliográficos
Autor(a) principal: Chinita, Fátima
Data de Publicação: 2016
Tipo de documento: Artigo
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10400.21/6404
Resumo: Considering the film Eraserhead (David Lynch, 1977) an ode to the body in both its outward and inward manifestations, this article compares the body as it is represented in the film, through the physical and psychical depiction of characters, with the cinematic medium and its conventions. The article presents Eraserhead as having three levels of meaning, all of them connected to the corporeal: one literal and two figurative. These latter two are clearly allegorical and, ultimately, one of them is literal and the other two are figural. In the most complex of them all, which presents the film in general as an artistic body, Eraserhead can be understood as an allegory of spectatorship.
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spelling O primado da ambivalência corpórea: Eraserhead como dupla alegoriaCorporeal ambivalence: Eraserhead as double allegoryPsychologyAestheticsFilm studiesFilm analysisAllegoryCinemaFilm aestheticsDavid LynchFilm and media studiesCinema studiesMetacinemaConsidering the film Eraserhead (David Lynch, 1977) an ode to the body in both its outward and inward manifestations, this article compares the body as it is represented in the film, through the physical and psychical depiction of characters, with the cinematic medium and its conventions. The article presents Eraserhead as having three levels of meaning, all of them connected to the corporeal: one literal and two figurative. These latter two are clearly allegorical and, ultimately, one of them is literal and the other two are figural. In the most complex of them all, which presents the film in general as an artistic body, Eraserhead can be understood as an allegory of spectatorship.DebatevolutionRCIPLChinita, Fátima2016-08-24T09:46:04Z2016-072016-07-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/10400.21/6404porISSN 2182-2158info:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-08-03T09:51:08Zoai:repositorio.ipl.pt:10400.21/6404Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T20:15:32.528471Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv O primado da ambivalência corpórea: Eraserhead como dupla alegoria
Corporeal ambivalence: Eraserhead as double allegory
title O primado da ambivalência corpórea: Eraserhead como dupla alegoria
spellingShingle O primado da ambivalência corpórea: Eraserhead como dupla alegoria
Chinita, Fátima
Psychology
Aesthetics
Film studies
Film analysis
Allegory
Cinema
Film aesthetics
David Lynch
Film and media studies
Cinema studies
Metacinema
title_short O primado da ambivalência corpórea: Eraserhead como dupla alegoria
title_full O primado da ambivalência corpórea: Eraserhead como dupla alegoria
title_fullStr O primado da ambivalência corpórea: Eraserhead como dupla alegoria
title_full_unstemmed O primado da ambivalência corpórea: Eraserhead como dupla alegoria
title_sort O primado da ambivalência corpórea: Eraserhead como dupla alegoria
author Chinita, Fátima
author_facet Chinita, Fátima
author_role author
dc.contributor.none.fl_str_mv RCIPL
dc.contributor.author.fl_str_mv Chinita, Fátima
dc.subject.por.fl_str_mv Psychology
Aesthetics
Film studies
Film analysis
Allegory
Cinema
Film aesthetics
David Lynch
Film and media studies
Cinema studies
Metacinema
topic Psychology
Aesthetics
Film studies
Film analysis
Allegory
Cinema
Film aesthetics
David Lynch
Film and media studies
Cinema studies
Metacinema
description Considering the film Eraserhead (David Lynch, 1977) an ode to the body in both its outward and inward manifestations, this article compares the body as it is represented in the film, through the physical and psychical depiction of characters, with the cinematic medium and its conventions. The article presents Eraserhead as having three levels of meaning, all of them connected to the corporeal: one literal and two figurative. These latter two are clearly allegorical and, ultimately, one of them is literal and the other two are figural. In the most complex of them all, which presents the film in general as an artistic body, Eraserhead can be understood as an allegory of spectatorship.
publishDate 2016
dc.date.none.fl_str_mv 2016-08-24T09:46:04Z
2016-07
2016-07-01T00:00:00Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://hdl.handle.net/10400.21/6404
url http://hdl.handle.net/10400.21/6404
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv ISSN 2182-2158
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Debatevolution
publisher.none.fl_str_mv Debatevolution
dc.source.none.fl_str_mv reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron:RCAAP
instname_str Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron_str RCAAP
institution RCAAP
reponame_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
collection Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
repository.mail.fl_str_mv
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