Foz Velha: The creation of an image of permanencies and transformations

• Autor(a) principal: Gadelho Novais Tavares, João
• Data de Publicação: 2023
• Tipo de documento: Artigo
• Idioma: eng
• Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
• Texto Completo: https://doi.org/10.24840/2183-8976_2023-0008_0001_10
• topic: Foz Velha; Urban perception; RTP documentary; territorial characterisation

The present proposal uses the television documentary Foz Velha (1975)1, from the series As Pedras e o Homem (1973-1976), produced by RTP (Rádiotelevisão Portuguesa2), as a means to understand the image that is linked to the territory of Foz Velha, in Foz do Douro (Porto). Aware of RTP’s will to promote culture and its ability to condition the viewer’s perception of a certain theme, object or space, we intend to analyse this phenomenon at Foz Velha in the aforementioned documentary, to which contribute the script, the selected shots, and the chosen soundtrack. This intermediality helps determining the sensorial and affective experience of the space. It is noteworthy that the study of this urban area has been focused on the architectural and urbanistic characterization that occurred during the eighteenth and nineteenth centuries, associated with the character of villeggiatura inherent to Foz, lacking a holistic view of the transformations that occurred from the second half of the twentieth century and the perception that is being linked to it. In this sense, the documentary will be analysed through the identification of the places filmed and the survey of associated architectural, urban and social characteristics, as these are pointed out both visually and discursively throughout the documentary, as well as considerations, which are made regarding what is considered to be authentic as opposed to contemporary practices. The existing heterogeneity of Foz Velha will also be characterised through the examination of existing typologies, the materials used, and the ornamental elements of the façades, as well as the size of the plots and urban transformations, displayed at different moments in the documentary. In this way, relationships can be established with the different moments of paradigm change in Foz. With the association of Foz Velha with the idea of an old town, marked by a devout community, with strong links to fishing practices, living a simple and serene domestic life, the documentary makes it possible to trace the profile of the area under study in the 1970s-80s, a period marked by radical urban change, understanding the buildings existing at the time and identifying typologies, materials and elements used. Through comparison with the present day, it is also possible to assess subsequent constructions and interventions in the buildings.The research also allows us to understand the perception of contemporary buildings as a poor quality architectural conception that de-characterizes the territory, justifying that «it is hurting the harmony of Foz Velha with awful buildings that mean nothing and care little or nothing to conserve the trait of local architecture»3 [00:12:43 - 00:12:58]. Cover image: Visual contrasts in Foz Velha, 1975 (Source: Arquivo RTP. Caria, José, dir. As Pedras e o Homem: Foz Velha [documentary, digital]. Portugal: RTP, 1975, 00:13:50)