They’re Heading West : Post-Apocalyptic Visions on the Road

Detalhes bibliográficos
Autor(a) principal: Duarte, José
Data de Publicação: 2015
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10451/27802
Resumo: ‘Hitting the road’ has always been a significant act in the American culture, since it represents the opportunity for a new life. In most road movies, the road is often depicted either in a positive way or, in contrast, as the escape route for outlaws. Nevertheless, the road can similarly represent a place of violence and destruction, functioning ‘either as a utopian fantasy of homogeneity and national coherence, or as a dystopic nightmare’ (Cohan and Hark 1997: 3). The aim of this article is to analyze (post) apocalyptic road movies as critical dystopian narratives that present a horrific future while simultaneously functioning as a metaphor for the present, by pointing to dreadful, but possible alternative realities that, nonetheless, are not devoid of hope.
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spelling They’re Heading West : Post-Apocalyptic Visions on the RoadJourneyRoad movies(Post) apocalyptic cinemaScience fiction‘Hitting the road’ has always been a significant act in the American culture, since it represents the opportunity for a new life. In most road movies, the road is often depicted either in a positive way or, in contrast, as the escape route for outlaws. Nevertheless, the road can similarly represent a place of violence and destruction, functioning ‘either as a utopian fantasy of homogeneity and national coherence, or as a dystopic nightmare’ (Cohan and Hark 1997: 3). The aim of this article is to analyze (post) apocalyptic road movies as critical dystopian narratives that present a horrific future while simultaneously functioning as a metaphor for the present, by pointing to dreadful, but possible alternative realities that, nonetheless, are not devoid of hope.Repositório da Universidade de LisboaDuarte, José2017-05-25T12:59:12Z20152015-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/10451/27802engBELLS – Belgrade English Language and Literature Studies. Vol. VII. Belgrade. 2015. 75-931821-313810.18485/bells.2015.7.4info:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-08T16:18:38Zoai:repositorio.ul.pt:10451/27802Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T21:43:58.983993Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv They’re Heading West : Post-Apocalyptic Visions on the Road
title They’re Heading West : Post-Apocalyptic Visions on the Road
spellingShingle They’re Heading West : Post-Apocalyptic Visions on the Road
Duarte, José
Journey
Road movies
(Post) apocalyptic cinema
Science fiction
title_short They’re Heading West : Post-Apocalyptic Visions on the Road
title_full They’re Heading West : Post-Apocalyptic Visions on the Road
title_fullStr They’re Heading West : Post-Apocalyptic Visions on the Road
title_full_unstemmed They’re Heading West : Post-Apocalyptic Visions on the Road
title_sort They’re Heading West : Post-Apocalyptic Visions on the Road
author Duarte, José
author_facet Duarte, José
author_role author
dc.contributor.none.fl_str_mv Repositório da Universidade de Lisboa
dc.contributor.author.fl_str_mv Duarte, José
dc.subject.por.fl_str_mv Journey
Road movies
(Post) apocalyptic cinema
Science fiction
topic Journey
Road movies
(Post) apocalyptic cinema
Science fiction
description ‘Hitting the road’ has always been a significant act in the American culture, since it represents the opportunity for a new life. In most road movies, the road is often depicted either in a positive way or, in contrast, as the escape route for outlaws. Nevertheless, the road can similarly represent a place of violence and destruction, functioning ‘either as a utopian fantasy of homogeneity and national coherence, or as a dystopic nightmare’ (Cohan and Hark 1997: 3). The aim of this article is to analyze (post) apocalyptic road movies as critical dystopian narratives that present a horrific future while simultaneously functioning as a metaphor for the present, by pointing to dreadful, but possible alternative realities that, nonetheless, are not devoid of hope.
publishDate 2015
dc.date.none.fl_str_mv 2015
2015-01-01T00:00:00Z
2017-05-25T12:59:12Z
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dc.identifier.uri.fl_str_mv http://hdl.handle.net/10451/27802
url http://hdl.handle.net/10451/27802
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv BELLS – Belgrade English Language and Literature Studies. Vol. VII. Belgrade. 2015. 75-93
1821-3138
10.18485/bells.2015.7.4
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repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
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