Civilizational dissent at late 1990's: body, fashion and club cultures in contemporary society

Detalhes bibliográficos
Autor(a) principal: Guerra, Paula
Data de Publicação: 2022
Outros Autores: Figueredo, Henrique Grimaldi
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://hdl.handle.net/10216/147538
Resumo: British fashion of the 1990s manifests a fin-de-siècle social anxiety. Facing a systemic crisis of culture, some designers embodied the sociological concepts of risk and carnivalization in their creations. This attitude is reflected in the emergence of themes such as the wasted look and abject aesthetics, epistemological solutions arising from a legacy of grunge experiences. Based on a documental approach, materialized in media and art works, to some British fashion shows of the 1990s, we will discuss in this article several aspects of the relationships between body, risk, carnival and fashion, focusing on the works of British designers and its manifestation in the hidden economies (club cultures scenes included), in which Alexander McQueen played a central role
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spelling Civilizational dissent at late 1990's: body, fashion and club cultures in contemporary societyBritish fashion of the 1990s manifests a fin-de-siècle social anxiety. Facing a systemic crisis of culture, some designers embodied the sociological concepts of risk and carnivalization in their creations. This attitude is reflected in the emergence of themes such as the wasted look and abject aesthetics, epistemological solutions arising from a legacy of grunge experiences. Based on a documental approach, materialized in media and art works, to some British fashion shows of the 1990s, we will discuss in this article several aspects of the relationships between body, risk, carnival and fashion, focusing on the works of British designers and its manifestation in the hidden economies (club cultures scenes included), in which Alexander McQueen played a central role20222022-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://hdl.handle.net/10216/147538eng10.5429/2079-3871(2022) v12i1.9enGuerra, PaulaFigueredo, Henrique Grimaldiinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-29T13:52:28Zoai:repositorio-aberto.up.pt:10216/147538Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T23:49:24.323272Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Civilizational dissent at late 1990's: body, fashion and club cultures in contemporary society
title Civilizational dissent at late 1990's: body, fashion and club cultures in contemporary society
spellingShingle Civilizational dissent at late 1990's: body, fashion and club cultures in contemporary society
Guerra, Paula
title_short Civilizational dissent at late 1990's: body, fashion and club cultures in contemporary society
title_full Civilizational dissent at late 1990's: body, fashion and club cultures in contemporary society
title_fullStr Civilizational dissent at late 1990's: body, fashion and club cultures in contemporary society
title_full_unstemmed Civilizational dissent at late 1990's: body, fashion and club cultures in contemporary society
title_sort Civilizational dissent at late 1990's: body, fashion and club cultures in contemporary society
author Guerra, Paula
author_facet Guerra, Paula
Figueredo, Henrique Grimaldi
author_role author
author2 Figueredo, Henrique Grimaldi
author2_role author
dc.contributor.author.fl_str_mv Guerra, Paula
Figueredo, Henrique Grimaldi
description British fashion of the 1990s manifests a fin-de-siècle social anxiety. Facing a systemic crisis of culture, some designers embodied the sociological concepts of risk and carnivalization in their creations. This attitude is reflected in the emergence of themes such as the wasted look and abject aesthetics, epistemological solutions arising from a legacy of grunge experiences. Based on a documental approach, materialized in media and art works, to some British fashion shows of the 1990s, we will discuss in this article several aspects of the relationships between body, risk, carnival and fashion, focusing on the works of British designers and its manifestation in the hidden economies (club cultures scenes included), in which Alexander McQueen played a central role
publishDate 2022
dc.date.none.fl_str_mv 2022
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