Discurso, interpretação e representação : o papel da exposição temporária nas instituições culturais de arte contemporânea
Autor(a) principal: | |
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Data de Publicação: | 2016 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | http://hdl.handle.net/10451/23605 |
Resumo: | This study is based on a national approach, focusing on the local reality of Lisbon, about the role of temporary exhibitions in the cultural institutions of contemporary art, intending to examine the reality and scale of these corresponding in one hand, on its relationship to the experiences museological, curatorial and museographic of today and, in the other hand, with the social and cultural environment in which they develop. Introducing some problems and possible solutions surrounding the complex activity of temporary exhibitions - such as their meaning and role - we pretend to achieve a practical approach through identification and observation of case studies, not forgetting the theoretical basis for understanding the abstract connections that unite the contemporary art and its institutionalisation. This study starts up as a way of understanding the symbolic system that connects through discourse, interpretation and representation the impact produced by the temporary exhibition, what it produces and its forms of presentation. This research aims to point to a possible construction of the meaning of temporary exhibitions through a deepening of research studies that seek to identify and discuss the relevance of the interrelations between art skills, the exhibitions and cultural institutions of contemporary art. Outlining a picture of the current situation and outline further critical reflection, this study involves an approach whose focus of interest is the survey of the exhibition places of contemporary art in Lisbon - specifically the National Museum of Chiado Contemporary Art (MNAC) and the Centre Modern Art of the Calouste Gulbenkian Foundation (CAM-Calouste), which tend to develop expository function permanently and continuously |
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Discurso, interpretação e representação : o papel da exposição temporária nas instituições culturais de arte contemporâneaCuradoriaMuseologiaExposições temporáriasArte contemporâneaInstituições culturaisEstudos de casoMuseologia e museografiaThis study is based on a national approach, focusing on the local reality of Lisbon, about the role of temporary exhibitions in the cultural institutions of contemporary art, intending to examine the reality and scale of these corresponding in one hand, on its relationship to the experiences museological, curatorial and museographic of today and, in the other hand, with the social and cultural environment in which they develop. Introducing some problems and possible solutions surrounding the complex activity of temporary exhibitions - such as their meaning and role - we pretend to achieve a practical approach through identification and observation of case studies, not forgetting the theoretical basis for understanding the abstract connections that unite the contemporary art and its institutionalisation. This study starts up as a way of understanding the symbolic system that connects through discourse, interpretation and representation the impact produced by the temporary exhibition, what it produces and its forms of presentation. This research aims to point to a possible construction of the meaning of temporary exhibitions through a deepening of research studies that seek to identify and discuss the relevance of the interrelations between art skills, the exhibitions and cultural institutions of contemporary art. Outlining a picture of the current situation and outline further critical reflection, this study involves an approach whose focus of interest is the survey of the exhibition places of contemporary art in Lisbon - specifically the National Museum of Chiado Contemporary Art (MNAC) and the Centre Modern Art of the Calouste Gulbenkian Foundation (CAM-Calouste), which tend to develop expository function permanently and continuouslyArruda, Luísa, 1949-Santos, LuisaRepositório da Universidade de LisboaGonçalves, Juan Carlos Vieira, 1988-2016-05-04T17:05:07Z2016-02-102016-05-052016-02-10T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisimage/jpegapplication/pdfhttp://hdl.handle.net/10451/23605TID:201486598porinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-08T16:11:43Zoai:repositorio.ul.pt:10451/23605Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T21:40:55.049366Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Discurso, interpretação e representação : o papel da exposição temporária nas instituições culturais de arte contemporânea |
title |
Discurso, interpretação e representação : o papel da exposição temporária nas instituições culturais de arte contemporânea |
spellingShingle |
Discurso, interpretação e representação : o papel da exposição temporária nas instituições culturais de arte contemporânea Gonçalves, Juan Carlos Vieira, 1988- Curadoria Museologia Exposições temporárias Arte contemporânea Instituições culturais Estudos de caso Museologia e museografia |
title_short |
Discurso, interpretação e representação : o papel da exposição temporária nas instituições culturais de arte contemporânea |
title_full |
Discurso, interpretação e representação : o papel da exposição temporária nas instituições culturais de arte contemporânea |
title_fullStr |
Discurso, interpretação e representação : o papel da exposição temporária nas instituições culturais de arte contemporânea |
title_full_unstemmed |
Discurso, interpretação e representação : o papel da exposição temporária nas instituições culturais de arte contemporânea |
title_sort |
Discurso, interpretação e representação : o papel da exposição temporária nas instituições culturais de arte contemporânea |
author |
Gonçalves, Juan Carlos Vieira, 1988- |
author_facet |
Gonçalves, Juan Carlos Vieira, 1988- |
author_role |
author |
dc.contributor.none.fl_str_mv |
Arruda, Luísa, 1949- Santos, Luisa Repositório da Universidade de Lisboa |
dc.contributor.author.fl_str_mv |
Gonçalves, Juan Carlos Vieira, 1988- |
dc.subject.por.fl_str_mv |
Curadoria Museologia Exposições temporárias Arte contemporânea Instituições culturais Estudos de caso Museologia e museografia |
topic |
Curadoria Museologia Exposições temporárias Arte contemporânea Instituições culturais Estudos de caso Museologia e museografia |
description |
This study is based on a national approach, focusing on the local reality of Lisbon, about the role of temporary exhibitions in the cultural institutions of contemporary art, intending to examine the reality and scale of these corresponding in one hand, on its relationship to the experiences museological, curatorial and museographic of today and, in the other hand, with the social and cultural environment in which they develop. Introducing some problems and possible solutions surrounding the complex activity of temporary exhibitions - such as their meaning and role - we pretend to achieve a practical approach through identification and observation of case studies, not forgetting the theoretical basis for understanding the abstract connections that unite the contemporary art and its institutionalisation. This study starts up as a way of understanding the symbolic system that connects through discourse, interpretation and representation the impact produced by the temporary exhibition, what it produces and its forms of presentation. This research aims to point to a possible construction of the meaning of temporary exhibitions through a deepening of research studies that seek to identify and discuss the relevance of the interrelations between art skills, the exhibitions and cultural institutions of contemporary art. Outlining a picture of the current situation and outline further critical reflection, this study involves an approach whose focus of interest is the survey of the exhibition places of contemporary art in Lisbon - specifically the National Museum of Chiado Contemporary Art (MNAC) and the Centre Modern Art of the Calouste Gulbenkian Foundation (CAM-Calouste), which tend to develop expository function permanently and continuously |
publishDate |
2016 |
dc.date.none.fl_str_mv |
2016-05-04T17:05:07Z 2016-02-10 2016-05-05 2016-02-10T00:00:00Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://hdl.handle.net/10451/23605 TID:201486598 |
url |
http://hdl.handle.net/10451/23605 |
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TID:201486598 |
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por |
language |
por |
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info:eu-repo/semantics/openAccess |
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openAccess |
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image/jpeg application/pdf |
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RCAAP |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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