Discurso, interpretação e representação : o papel da exposição temporária nas instituições culturais de arte contemporânea

Detalhes bibliográficos
Autor(a) principal: Gonçalves, Juan Carlos Vieira, 1988-
Data de Publicação: 2016
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10451/23605
Resumo: This study is based on a national approach, focusing on the local reality of Lisbon, about the role of temporary exhibitions in the cultural institutions of contemporary art, intending to examine the reality and scale of these corresponding in one hand, on its relationship to the experiences museological, curatorial and museographic of today and, in the other hand, with the social and cultural environment in which they develop. Introducing some problems and possible solutions surrounding the complex activity of temporary exhibitions - such as their meaning and role - we pretend to achieve a practical approach through identification and observation of case studies, not forgetting the theoretical basis for understanding the abstract connections that unite the contemporary art and its institutionalisation. This study starts up as a way of understanding the symbolic system that connects through discourse, interpretation and representation the impact produced by the temporary exhibition, what it produces and its forms of presentation. This research aims to point to a possible construction of the meaning of temporary exhibitions through a deepening of research studies that seek to identify and discuss the relevance of the interrelations between art skills, the exhibitions and cultural institutions of contemporary art. Outlining a picture of the current situation and outline further critical reflection, this study involves an approach whose focus of interest is the survey of the exhibition places of contemporary art in Lisbon - specifically the National Museum of Chiado Contemporary Art (MNAC) and the Centre Modern Art of the Calouste Gulbenkian Foundation (CAM-Calouste), which tend to develop expository function permanently and continuously
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spelling Discurso, interpretação e representação : o papel da exposição temporária nas instituições culturais de arte contemporâneaCuradoriaMuseologiaExposições temporáriasArte contemporâneaInstituições culturaisEstudos de casoMuseologia e museografiaThis study is based on a national approach, focusing on the local reality of Lisbon, about the role of temporary exhibitions in the cultural institutions of contemporary art, intending to examine the reality and scale of these corresponding in one hand, on its relationship to the experiences museological, curatorial and museographic of today and, in the other hand, with the social and cultural environment in which they develop. Introducing some problems and possible solutions surrounding the complex activity of temporary exhibitions - such as their meaning and role - we pretend to achieve a practical approach through identification and observation of case studies, not forgetting the theoretical basis for understanding the abstract connections that unite the contemporary art and its institutionalisation. This study starts up as a way of understanding the symbolic system that connects through discourse, interpretation and representation the impact produced by the temporary exhibition, what it produces and its forms of presentation. This research aims to point to a possible construction of the meaning of temporary exhibitions through a deepening of research studies that seek to identify and discuss the relevance of the interrelations between art skills, the exhibitions and cultural institutions of contemporary art. Outlining a picture of the current situation and outline further critical reflection, this study involves an approach whose focus of interest is the survey of the exhibition places of contemporary art in Lisbon - specifically the National Museum of Chiado Contemporary Art (MNAC) and the Centre Modern Art of the Calouste Gulbenkian Foundation (CAM-Calouste), which tend to develop expository function permanently and continuouslyArruda, Luísa, 1949-Santos, LuisaRepositório da Universidade de LisboaGonçalves, Juan Carlos Vieira, 1988-2016-05-04T17:05:07Z2016-02-102016-05-052016-02-10T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisimage/jpegapplication/pdfhttp://hdl.handle.net/10451/23605TID:201486598porinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-08T16:11:43Zoai:repositorio.ul.pt:10451/23605Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T21:40:55.049366Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Discurso, interpretação e representação : o papel da exposição temporária nas instituições culturais de arte contemporânea
title Discurso, interpretação e representação : o papel da exposição temporária nas instituições culturais de arte contemporânea
spellingShingle Discurso, interpretação e representação : o papel da exposição temporária nas instituições culturais de arte contemporânea
Gonçalves, Juan Carlos Vieira, 1988-
Curadoria
Museologia
Exposições temporárias
Arte contemporânea
Instituições culturais
Estudos de caso
Museologia e museografia
title_short Discurso, interpretação e representação : o papel da exposição temporária nas instituições culturais de arte contemporânea
title_full Discurso, interpretação e representação : o papel da exposição temporária nas instituições culturais de arte contemporânea
title_fullStr Discurso, interpretação e representação : o papel da exposição temporária nas instituições culturais de arte contemporânea
title_full_unstemmed Discurso, interpretação e representação : o papel da exposição temporária nas instituições culturais de arte contemporânea
title_sort Discurso, interpretação e representação : o papel da exposição temporária nas instituições culturais de arte contemporânea
author Gonçalves, Juan Carlos Vieira, 1988-
author_facet Gonçalves, Juan Carlos Vieira, 1988-
author_role author
dc.contributor.none.fl_str_mv Arruda, Luísa, 1949-
Santos, Luisa
Repositório da Universidade de Lisboa
dc.contributor.author.fl_str_mv Gonçalves, Juan Carlos Vieira, 1988-
dc.subject.por.fl_str_mv Curadoria
Museologia
Exposições temporárias
Arte contemporânea
Instituições culturais
Estudos de caso
Museologia e museografia
topic Curadoria
Museologia
Exposições temporárias
Arte contemporânea
Instituições culturais
Estudos de caso
Museologia e museografia
description This study is based on a national approach, focusing on the local reality of Lisbon, about the role of temporary exhibitions in the cultural institutions of contemporary art, intending to examine the reality and scale of these corresponding in one hand, on its relationship to the experiences museological, curatorial and museographic of today and, in the other hand, with the social and cultural environment in which they develop. Introducing some problems and possible solutions surrounding the complex activity of temporary exhibitions - such as their meaning and role - we pretend to achieve a practical approach through identification and observation of case studies, not forgetting the theoretical basis for understanding the abstract connections that unite the contemporary art and its institutionalisation. This study starts up as a way of understanding the symbolic system that connects through discourse, interpretation and representation the impact produced by the temporary exhibition, what it produces and its forms of presentation. This research aims to point to a possible construction of the meaning of temporary exhibitions through a deepening of research studies that seek to identify and discuss the relevance of the interrelations between art skills, the exhibitions and cultural institutions of contemporary art. Outlining a picture of the current situation and outline further critical reflection, this study involves an approach whose focus of interest is the survey of the exhibition places of contemporary art in Lisbon - specifically the National Museum of Chiado Contemporary Art (MNAC) and the Centre Modern Art of the Calouste Gulbenkian Foundation (CAM-Calouste), which tend to develop expository function permanently and continuously
publishDate 2016
dc.date.none.fl_str_mv 2016-05-04T17:05:07Z
2016-02-10
2016-05-05
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