That's also how it happened

Detalhes bibliográficos
Autor(a) principal: Lança, Marta
Data de Publicação: 2016
Tipo de documento: Artigo
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.51427/cet.sdc.2016.0006
Resumo: This paper will address the issue of transmission of memory and its relationship with the Portuguese recent history, from the performative lecture of Joana Craveiro Um Museu Vivo de Memórias Pequenas e Esquecidas [A Living Museum of Small and Forgotten Memories] (2014). We tried to articulate the concepts of cultural memory with the small memory (which makes us unique in contrast with the large and widespread memory), from a narration of the post-memory generation, following the creative process of this work. In line with the artistic productions of Teatro do Vestido (the theatre company owned by Joana Craveiro), which since 2001 has worked exclusively with original texts of autobiographical nature, A Living Museum is built on several starting points, articulates various strands of a complex history and allows filling the blanks in the conventional narrative about Portuguese recent history. The macrostructure follows the chronological order – the dictatorship, the re-enactment of the day of the revolution, and finally, after the (celebratory) popular dinner, comes the subsequent revolutionary process (PREC).The material comes from a repository, and according to the artistic perspective of Craveiro’s and her selection criteria, is turned into an interpretative monologue that calls many other voices through an inclusive construction: “The Museum is mine, but it’s also of the people who had never had a voice and whose voice I wanted to hear.”   POST-MEMORY / POLITICS / TRANSMISSION / HISTORY / REVOLUTION / LECTURE PERFORMANCE
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spelling That's also how it happenedTambém foi assim que as coisas se passaramPost-memoryPoliticsTransmissionHistoryRevolutionLecture performancePós-memóriaPolíticaTransmissãoHistóriaRevoluçãoPalestra-performanceThis paper will address the issue of transmission of memory and its relationship with the Portuguese recent history, from the performative lecture of Joana Craveiro Um Museu Vivo de Memórias Pequenas e Esquecidas [A Living Museum of Small and Forgotten Memories] (2014). We tried to articulate the concepts of cultural memory with the small memory (which makes us unique in contrast with the large and widespread memory), from a narration of the post-memory generation, following the creative process of this work. In line with the artistic productions of Teatro do Vestido (the theatre company owned by Joana Craveiro), which since 2001 has worked exclusively with original texts of autobiographical nature, A Living Museum is built on several starting points, articulates various strands of a complex history and allows filling the blanks in the conventional narrative about Portuguese recent history. The macrostructure follows the chronological order – the dictatorship, the re-enactment of the day of the revolution, and finally, after the (celebratory) popular dinner, comes the subsequent revolutionary process (PREC).The material comes from a repository, and according to the artistic perspective of Craveiro’s and her selection criteria, is turned into an interpretative monologue that calls many other voices through an inclusive construction: “The Museum is mine, but it’s also of the people who had never had a voice and whose voice I wanted to hear.”   POST-MEMORY / POLITICS / TRANSMISSION / HISTORY / REVOLUTION / LECTURE PERFORMANCEEste documento abordará a questão da transmissão da memória e a sua relação com história recente portuguesa, da palestra performativa de Joana Craveiro Um Museu Vivo de Memórias Pequenas e Esquecidas] [Um Museu Vivo de Memórias Pequenas e Esquecidas (2014). Tentámos articular os conceitos de memória cultural com a pequena memória (que nos torna únicos, em contraste com a grande e generalizada memória), a partir de uma narração do geração pós-memória, seguindo o processo criativo deste trabalho. Em consonância com a geração artística produções do Teatro do Vestido (a companhia de teatro pertencente a Joana Craveiro), que desde 2001 trabalhou exclusivamente com textos originais de natureza autobiográfica, A Living Museum é construído sobre vários pontos de partida, articula várias vertentes de uma história complexa e permite preencher os espaços em branco na narrativa convencional sobre a história recente portuguesa. A macroestrutura segue a ordem cronológica - a ditadura, a reencenação do dia da revolução, e finalmente, após o jantar (comemorativo) popular, vem o subsequente O material provém de um repositório, e de acordo com o processo revolucionário (PREC). perspectiva artística de Craveiro e dos seus critérios de selecção, é transformada numa perspectiva interpretativa monólogo que chama muitas outras vozes através de uma construção inclusiva: "O Museu é minha, mas é também das pessoas que nunca tinham tido uma voz e cuja voz eu queria ouvir".   PÓS-MEMÓRIA / POLÍTICA / TRANSMISSÃO / HISTÓRIA / REVOLUÇÃO / PERFORMANCE DE PALESTRACentro de Estudos de Teatro da Faculdade de Letras da Universidade de Lisboa2016-06-01info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.51427/cet.sdc.2016.0006https://doi.org/10.51427/cet.sdc.2016.0006Sinais de Cena; 2nd series, nr. 1 (2016); 64-74Sinais de Cena; 2e série, n°1 (2016); 64-74Sinais de Cena; 2.ª série, n.º 1 (2016); 64-742184-95521646-0715reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPporhttps://revistas.rcaap.pt/sdc/article/view/16607https://revistas.rcaap.pt/sdc/article/view/16607/17872Direitos de Autor (c) 2016 Marta Lançainfo:eu-repo/semantics/openAccessLança, Marta2023-09-23T05:42:18Zoai:ojs.revistas.rcaap.pt:article/16607Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T15:37:54.519103Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv That's also how it happened
Também foi assim que as coisas se passaram
title That's also how it happened
spellingShingle That's also how it happened
Lança, Marta
Post-memory
Politics
Transmission
History
Revolution
Lecture performance
Pós-memória
Política
Transmissão
História
Revolução
Palestra-performance
title_short That's also how it happened
title_full That's also how it happened
title_fullStr That's also how it happened
title_full_unstemmed That's also how it happened
title_sort That's also how it happened
author Lança, Marta
author_facet Lança, Marta
author_role author
dc.contributor.author.fl_str_mv Lança, Marta
dc.subject.por.fl_str_mv Post-memory
Politics
Transmission
History
Revolution
Lecture performance
Pós-memória
Política
Transmissão
História
Revolução
Palestra-performance
topic Post-memory
Politics
Transmission
History
Revolution
Lecture performance
Pós-memória
Política
Transmissão
História
Revolução
Palestra-performance
description This paper will address the issue of transmission of memory and its relationship with the Portuguese recent history, from the performative lecture of Joana Craveiro Um Museu Vivo de Memórias Pequenas e Esquecidas [A Living Museum of Small and Forgotten Memories] (2014). We tried to articulate the concepts of cultural memory with the small memory (which makes us unique in contrast with the large and widespread memory), from a narration of the post-memory generation, following the creative process of this work. In line with the artistic productions of Teatro do Vestido (the theatre company owned by Joana Craveiro), which since 2001 has worked exclusively with original texts of autobiographical nature, A Living Museum is built on several starting points, articulates various strands of a complex history and allows filling the blanks in the conventional narrative about Portuguese recent history. The macrostructure follows the chronological order – the dictatorship, the re-enactment of the day of the revolution, and finally, after the (celebratory) popular dinner, comes the subsequent revolutionary process (PREC).The material comes from a repository, and according to the artistic perspective of Craveiro’s and her selection criteria, is turned into an interpretative monologue that calls many other voices through an inclusive construction: “The Museum is mine, but it’s also of the people who had never had a voice and whose voice I wanted to hear.”   POST-MEMORY / POLITICS / TRANSMISSION / HISTORY / REVOLUTION / LECTURE PERFORMANCE
publishDate 2016
dc.date.none.fl_str_mv 2016-06-01
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://doi.org/10.51427/cet.sdc.2016.0006
https://doi.org/10.51427/cet.sdc.2016.0006
url https://doi.org/10.51427/cet.sdc.2016.0006
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.rcaap.pt/sdc/article/view/16607
https://revistas.rcaap.pt/sdc/article/view/16607/17872
dc.rights.driver.fl_str_mv Direitos de Autor (c) 2016 Marta Lança
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Direitos de Autor (c) 2016 Marta Lança
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Centro de Estudos de Teatro da Faculdade de Letras da Universidade de Lisboa
publisher.none.fl_str_mv Centro de Estudos de Teatro da Faculdade de Letras da Universidade de Lisboa
dc.source.none.fl_str_mv Sinais de Cena; 2nd series, nr. 1 (2016); 64-74
Sinais de Cena; 2e série, n°1 (2016); 64-74
Sinais de Cena; 2.ª série, n.º 1 (2016); 64-74
2184-9552
1646-0715
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron:RCAAP
instname_str Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron_str RCAAP
institution RCAAP
reponame_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
collection Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
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