The Battle of Poetry against Itself: On Jim Andrews's Digital Poetry

Detalhes bibliográficos
Autor(a) principal: Portela, Manuel
Data de Publicação: 2011
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10316/23868
Resumo: Jim Andrews, a Canadian artist and programmer based in Victoria, British Columbia, has been developing new digital web-based forms and genres since 1995. His works investigate computer programming code as an expressive means for integrating image, sound, and word. In this article I look at the electronic poetry of Jim Andrews as a reflection upon the materiality of digital media and also as an exploration of the World Wide Web as writing and reading space. Jim Andrews’s digital poetics transforms interactive, kinetic and multimedia features of digital literacy into poetical tropes. Feedback loops between reader’s interventions and textual displays highlight the co-dependence between the poem as algorithmic machine and the interpretative operations of reading as part of the signifying field. The selected cybertexts are analysed as models for semiotic and interpretive processes.
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spelling The Battle of Poetry against Itself: On Jim Andrews's Digital PoetryJim Andrewsdigital poetrycybertextelectronic literaturetextual instrumentJim Andrews, a Canadian artist and programmer based in Victoria, British Columbia, has been developing new digital web-based forms and genres since 1995. His works investigate computer programming code as an expressive means for integrating image, sound, and word. In this article I look at the electronic poetry of Jim Andrews as a reflection upon the materiality of digital media and also as an exploration of the World Wide Web as writing and reading space. Jim Andrews’s digital poetics transforms interactive, kinetic and multimedia features of digital literacy into poetical tropes. Feedback loops between reader’s interventions and textual displays highlight the co-dependence between the poem as algorithmic machine and the interpretative operations of reading as part of the signifying field. The selected cybertexts are analysed as models for semiotic and interpretive processes.Centro de Estudos Anglísticos da Universidade de Lisboa2011info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articlehttp://hdl.handle.net/10316/23868http://hdl.handle.net/10316/23868eng0873-0628http://www.ulices.org/anglo-saxonica/serie-iii-no-2-2011.htmlPortela, Manuelinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2019-12-03T12:22:10Zoai:estudogeral.uc.pt:10316/23868Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T20:42:41.953274Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv The Battle of Poetry against Itself: On Jim Andrews's Digital Poetry
title The Battle of Poetry against Itself: On Jim Andrews's Digital Poetry
spellingShingle The Battle of Poetry against Itself: On Jim Andrews's Digital Poetry
Portela, Manuel
Jim Andrews
digital poetry
cybertext
electronic literature
textual instrument
title_short The Battle of Poetry against Itself: On Jim Andrews's Digital Poetry
title_full The Battle of Poetry against Itself: On Jim Andrews's Digital Poetry
title_fullStr The Battle of Poetry against Itself: On Jim Andrews's Digital Poetry
title_full_unstemmed The Battle of Poetry against Itself: On Jim Andrews's Digital Poetry
title_sort The Battle of Poetry against Itself: On Jim Andrews's Digital Poetry
author Portela, Manuel
author_facet Portela, Manuel
author_role author
dc.contributor.author.fl_str_mv Portela, Manuel
dc.subject.por.fl_str_mv Jim Andrews
digital poetry
cybertext
electronic literature
textual instrument
topic Jim Andrews
digital poetry
cybertext
electronic literature
textual instrument
description Jim Andrews, a Canadian artist and programmer based in Victoria, British Columbia, has been developing new digital web-based forms and genres since 1995. His works investigate computer programming code as an expressive means for integrating image, sound, and word. In this article I look at the electronic poetry of Jim Andrews as a reflection upon the materiality of digital media and also as an exploration of the World Wide Web as writing and reading space. Jim Andrews’s digital poetics transforms interactive, kinetic and multimedia features of digital literacy into poetical tropes. Feedback loops between reader’s interventions and textual displays highlight the co-dependence between the poem as algorithmic machine and the interpretative operations of reading as part of the signifying field. The selected cybertexts are analysed as models for semiotic and interpretive processes.
publishDate 2011
dc.date.none.fl_str_mv 2011
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dc.identifier.uri.fl_str_mv http://hdl.handle.net/10316/23868
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dc.language.iso.fl_str_mv eng
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dc.relation.none.fl_str_mv 0873-0628
http://www.ulices.org/anglo-saxonica/serie-iii-no-2-2011.html
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dc.publisher.none.fl_str_mv Centro de Estudos Anglísticos da Universidade de Lisboa
publisher.none.fl_str_mv Centro de Estudos Anglísticos da Universidade de Lisboa
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