Contrasting (power of) visual and textual discourses in art studies: a critical perspective
Autor(a) principal: | |
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Data de Publicação: | 2016 |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | http://hdl.handle.net/10071/12171 |
Resumo: | This article begins with the assumption that analysing visual discourse is a question of exploring the hermeneutic potentials and epistemological emergence of images as depending on individual perception, ways of seeing and social interaction, strengthening their agency, to ascertain their significance and recognition as aesthetical symbols, as meaning-making processes. The article presents a case study based on two world-renowned Portuguese artists (Helena Almeida and Jorge Molder) in which the authors understand the notion of the agency of image as an original means of interpreting social and cultural experiences, studying how artists transform their visual representations in ambiguous narratives about images. Starting from a critical and phenomenological perspective, the authors developed an image-based analysis, contrasting artists’ visual representations with their textual readings and recognizing the central meanings of self-representation in both cases. |
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Contrasting (power of) visual and textual discourses in art studies: a critical perspectiveAgencyHelena AlmeidaImage based analysisJorge MolderMeaningPerceptionTextual discourseVisual discourseThis article begins with the assumption that analysing visual discourse is a question of exploring the hermeneutic potentials and epistemological emergence of images as depending on individual perception, ways of seeing and social interaction, strengthening their agency, to ascertain their significance and recognition as aesthetical symbols, as meaning-making processes. The article presents a case study based on two world-renowned Portuguese artists (Helena Almeida and Jorge Molder) in which the authors understand the notion of the agency of image as an original means of interpreting social and cultural experiences, studying how artists transform their visual representations in ambiguous narratives about images. Starting from a critical and phenomenological perspective, the authors developed an image-based analysis, contrasting artists’ visual representations with their textual readings and recognizing the central meanings of self-representation in both cases.SAGE Publications2016-12-06T16:30:59Z2016-01-01T00:00:00Z20162019-03-07T14:27:35Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/10071/12171eng1470-357210.1177/1470357215608550Pereira, A. C.info:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-09T17:58:05Zoai:repositorio.iscte-iul.pt:10071/12171Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T22:30:09.623845Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Contrasting (power of) visual and textual discourses in art studies: a critical perspective |
title |
Contrasting (power of) visual and textual discourses in art studies: a critical perspective |
spellingShingle |
Contrasting (power of) visual and textual discourses in art studies: a critical perspective Pereira, A. C. Agency Helena Almeida Image based analysis Jorge Molder Meaning Perception Textual discourse Visual discourse |
title_short |
Contrasting (power of) visual and textual discourses in art studies: a critical perspective |
title_full |
Contrasting (power of) visual and textual discourses in art studies: a critical perspective |
title_fullStr |
Contrasting (power of) visual and textual discourses in art studies: a critical perspective |
title_full_unstemmed |
Contrasting (power of) visual and textual discourses in art studies: a critical perspective |
title_sort |
Contrasting (power of) visual and textual discourses in art studies: a critical perspective |
author |
Pereira, A. C. |
author_facet |
Pereira, A. C. |
author_role |
author |
dc.contributor.author.fl_str_mv |
Pereira, A. C. |
dc.subject.por.fl_str_mv |
Agency Helena Almeida Image based analysis Jorge Molder Meaning Perception Textual discourse Visual discourse |
topic |
Agency Helena Almeida Image based analysis Jorge Molder Meaning Perception Textual discourse Visual discourse |
description |
This article begins with the assumption that analysing visual discourse is a question of exploring the hermeneutic potentials and epistemological emergence of images as depending on individual perception, ways of seeing and social interaction, strengthening their agency, to ascertain their significance and recognition as aesthetical symbols, as meaning-making processes. The article presents a case study based on two world-renowned Portuguese artists (Helena Almeida and Jorge Molder) in which the authors understand the notion of the agency of image as an original means of interpreting social and cultural experiences, studying how artists transform their visual representations in ambiguous narratives about images. Starting from a critical and phenomenological perspective, the authors developed an image-based analysis, contrasting artists’ visual representations with their textual readings and recognizing the central meanings of self-representation in both cases. |
publishDate |
2016 |
dc.date.none.fl_str_mv |
2016-12-06T16:30:59Z 2016-01-01T00:00:00Z 2016 2019-03-07T14:27:35Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://hdl.handle.net/10071/12171 |
url |
http://hdl.handle.net/10071/12171 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
1470-3572 10.1177/1470357215608550 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
SAGE Publications |
publisher.none.fl_str_mv |
SAGE Publications |
dc.source.none.fl_str_mv |
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
instname_str |
Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
instacron_str |
RCAAP |
institution |
RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
collection |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository.name.fl_str_mv |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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1799134863628959744 |