The object matter of museums: designing otherwise

Detalhes bibliográficos
Autor(a) principal: Semedo, Alice
Data de Publicação: 2023
Tipo de documento: Livro
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://hdl.handle.net/10216/152424
Resumo: The contemporary theoretical and ethical debate on museums is deeply entangled in the world and built from an intra-active engagement with it. As a consequence, the museum tends to address the emergent and the urgent through situated practices that collectively analyse and respond to circumstances in the world. In doing so, the contemporary museum seeks to create conditions for visitor engagement by empowering their unmediated voices to be heard. This text aims to explore the critical space between the apparent decolonial vitality of the museum and how diffractive practices may be designed in a postcritical and postrepresentational context, arguing that approaches based on artistic and design processes of speculative fabulation (as Design Culture) are helpful for thinking and acting in these spaces of experience. Pragmatically, it highlights three modes of speculative (moderated) design engagement with the present and the future to help museums to break out of their ontological blindness and fulfil their critical and transformative potential.
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spelling The object matter of museums: designing otherwiseThe contemporary theoretical and ethical debate on museums is deeply entangled in the world and built from an intra-active engagement with it. As a consequence, the museum tends to address the emergent and the urgent through situated practices that collectively analyse and respond to circumstances in the world. In doing so, the contemporary museum seeks to create conditions for visitor engagement by empowering their unmediated voices to be heard. This text aims to explore the critical space between the apparent decolonial vitality of the museum and how diffractive practices may be designed in a postcritical and postrepresentational context, arguing that approaches based on artistic and design processes of speculative fabulation (as Design Culture) are helpful for thinking and acting in these spaces of experience. Pragmatically, it highlights three modes of speculative (moderated) design engagement with the present and the future to help museums to break out of their ontological blindness and fulfil their critical and transformative potential.20232023-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/bookapplication/pdfhttps://hdl.handle.net/10216/152424engSemedo, Aliceinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-29T13:05:31Zoai:repositorio-aberto.up.pt:10216/152424Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T23:33:20.637683Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv The object matter of museums: designing otherwise
title The object matter of museums: designing otherwise
spellingShingle The object matter of museums: designing otherwise
Semedo, Alice
title_short The object matter of museums: designing otherwise
title_full The object matter of museums: designing otherwise
title_fullStr The object matter of museums: designing otherwise
title_full_unstemmed The object matter of museums: designing otherwise
title_sort The object matter of museums: designing otherwise
author Semedo, Alice
author_facet Semedo, Alice
author_role author
dc.contributor.author.fl_str_mv Semedo, Alice
description The contemporary theoretical and ethical debate on museums is deeply entangled in the world and built from an intra-active engagement with it. As a consequence, the museum tends to address the emergent and the urgent through situated practices that collectively analyse and respond to circumstances in the world. In doing so, the contemporary museum seeks to create conditions for visitor engagement by empowering their unmediated voices to be heard. This text aims to explore the critical space between the apparent decolonial vitality of the museum and how diffractive practices may be designed in a postcritical and postrepresentational context, arguing that approaches based on artistic and design processes of speculative fabulation (as Design Culture) are helpful for thinking and acting in these spaces of experience. Pragmatically, it highlights three modes of speculative (moderated) design engagement with the present and the future to help museums to break out of their ontological blindness and fulfil their critical and transformative potential.
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