The object matter of museums: designing otherwise
Autor(a) principal: | |
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Data de Publicação: | 2023 |
Tipo de documento: | Livro |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://hdl.handle.net/10216/152424 |
Resumo: | The contemporary theoretical and ethical debate on museums is deeply entangled in the world and built from an intra-active engagement with it. As a consequence, the museum tends to address the emergent and the urgent through situated practices that collectively analyse and respond to circumstances in the world. In doing so, the contemporary museum seeks to create conditions for visitor engagement by empowering their unmediated voices to be heard. This text aims to explore the critical space between the apparent decolonial vitality of the museum and how diffractive practices may be designed in a postcritical and postrepresentational context, arguing that approaches based on artistic and design processes of speculative fabulation (as Design Culture) are helpful for thinking and acting in these spaces of experience. Pragmatically, it highlights three modes of speculative (moderated) design engagement with the present and the future to help museums to break out of their ontological blindness and fulfil their critical and transformative potential. |
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The object matter of museums: designing otherwiseThe contemporary theoretical and ethical debate on museums is deeply entangled in the world and built from an intra-active engagement with it. As a consequence, the museum tends to address the emergent and the urgent through situated practices that collectively analyse and respond to circumstances in the world. In doing so, the contemporary museum seeks to create conditions for visitor engagement by empowering their unmediated voices to be heard. This text aims to explore the critical space between the apparent decolonial vitality of the museum and how diffractive practices may be designed in a postcritical and postrepresentational context, arguing that approaches based on artistic and design processes of speculative fabulation (as Design Culture) are helpful for thinking and acting in these spaces of experience. Pragmatically, it highlights three modes of speculative (moderated) design engagement with the present and the future to help museums to break out of their ontological blindness and fulfil their critical and transformative potential.20232023-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/bookapplication/pdfhttps://hdl.handle.net/10216/152424engSemedo, Aliceinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-29T13:05:31Zoai:repositorio-aberto.up.pt:10216/152424Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T23:33:20.637683Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
The object matter of museums: designing otherwise |
title |
The object matter of museums: designing otherwise |
spellingShingle |
The object matter of museums: designing otherwise Semedo, Alice |
title_short |
The object matter of museums: designing otherwise |
title_full |
The object matter of museums: designing otherwise |
title_fullStr |
The object matter of museums: designing otherwise |
title_full_unstemmed |
The object matter of museums: designing otherwise |
title_sort |
The object matter of museums: designing otherwise |
author |
Semedo, Alice |
author_facet |
Semedo, Alice |
author_role |
author |
dc.contributor.author.fl_str_mv |
Semedo, Alice |
description |
The contemporary theoretical and ethical debate on museums is deeply entangled in the world and built from an intra-active engagement with it. As a consequence, the museum tends to address the emergent and the urgent through situated practices that collectively analyse and respond to circumstances in the world. In doing so, the contemporary museum seeks to create conditions for visitor engagement by empowering their unmediated voices to be heard. This text aims to explore the critical space between the apparent decolonial vitality of the museum and how diffractive practices may be designed in a postcritical and postrepresentational context, arguing that approaches based on artistic and design processes of speculative fabulation (as Design Culture) are helpful for thinking and acting in these spaces of experience. Pragmatically, it highlights three modes of speculative (moderated) design engagement with the present and the future to help museums to break out of their ontological blindness and fulfil their critical and transformative potential. |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023 2023-01-01T00:00:00Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/book |
format |
book |
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publishedVersion |
dc.identifier.uri.fl_str_mv |
https://hdl.handle.net/10216/152424 |
url |
https://hdl.handle.net/10216/152424 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
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info:eu-repo/semantics/openAccess |
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openAccess |
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application/pdf |
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reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
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RCAAP |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
collection |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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1799135644741533696 |