The “rather devout image” of Saint Mary of Africa

Detalhes bibliográficos
Autor(a) principal: Pereira, Diana Rafaela Martins
Data de Publicação: 2015
Tipo de documento: Artigo
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.48751/CAM-2015-4267
Resumo: The gothic image of Saint Mary of Africa, representing the Pietà, was sent to Ceuta by Prince Henry (the Navigator) at an uncertain date but, it is believed that it was shortly after Ceuta was taken in 1415. Shrouded in legends about its origins, it was elected patron and protector of Ceuta, after defending the city from the Muslims and the plague. On an also undetermined date, people started to dress this image, a tradition that was recently called into question because of the risks to its preservation. This paper, as part of a wider investigation about devotional dressed sculptures, intends to clarify the several misconceptions about the origin of this miraculous sculpture, and understand how the deep devotion towards it, insists in watching it in processions and adorned with mantles.
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spelling The “rather devout image” of Saint Mary of AfricaA “ymagem assaz deuota” de Santa Maria de ÁfricaNossa Senhora de ÁfricaInfante D. HenriqueDevoção MarianaEsculturaImagens de vestirOur Lady of AfricaPrince Henry the NavigatorMarian DevotionSculptureDevotional Dressed SculpturesThe gothic image of Saint Mary of Africa, representing the Pietà, was sent to Ceuta by Prince Henry (the Navigator) at an uncertain date but, it is believed that it was shortly after Ceuta was taken in 1415. Shrouded in legends about its origins, it was elected patron and protector of Ceuta, after defending the city from the Muslims and the plague. On an also undetermined date, people started to dress this image, a tradition that was recently called into question because of the risks to its preservation. This paper, as part of a wider investigation about devotional dressed sculptures, intends to clarify the several misconceptions about the origin of this miraculous sculpture, and understand how the deep devotion towards it, insists in watching it in processions and adorned with mantles.A imagem gótica de Santa Maria de África, representando a Pietà, foi enviada para Ceuta pelo infante D. Henrique em data incerta mas, crê-se, pouco depois da tomada em 1415. Envolta em lendas quanto à sua origem, foi eleita padroeira e protetora de Ceuta, após defender a cidade dos mouros e da peste. Em data também incerta, começaram a vesti-la, tradição recentemente posta em causa devido aos riscos colocados à sua conservação. Este artigo, inserido numa investigação mais alargada sobre Imagens de Vestir, pretende aclarar os vários equívocos acerca da origem desta escultura milagrosa e perceber como a profunda devoção de que é alvo insiste em vê-la em procissão e adornada com mantos.Câmara Municipal de Lisboa2015-12-10info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.48751/CAM-2015-4267https://doi.org/10.48751/CAM-2015-4267Cadernos do Arquivo Municipal; No. 4 (2015): Ceuta Lisboa 600 years; 155-182Cadernos do Arquivo Municipal; Núm. 4 (2015): Ceuta Lisboa 600 años; 155-182Cadernos do Arquivo Municipal; No 4 (2015): Ceuta Lisbonne 600 ans; 155-182Cadernos do Arquivo Municipal; N.º 4 (2015): Ceuta Lisboa 600 anos; 155-1822183-3176reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPporhttps://cadernosarquivo.cm-lisboa.pt/index.php/am/article/view/267https://cadernosarquivo.cm-lisboa.pt/index.php/am/article/view/267/224Direitos de Autor (c) 2015 Diana Rafaela Martins Pereirainfo:eu-repo/semantics/openAccessPereira, Diana Rafaela Martins2023-04-22T08:30:46Zoai:ojscadernosarquivo.cm-lisboa.pt:article/267Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T17:50:07.682256Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv The “rather devout image” of Saint Mary of Africa
A “ymagem assaz deuota” de Santa Maria de África
title The “rather devout image” of Saint Mary of Africa
spellingShingle The “rather devout image” of Saint Mary of Africa
Pereira, Diana Rafaela Martins
Nossa Senhora de África
Infante D. Henrique
Devoção Mariana
Escultura
Imagens de vestir
Our Lady of Africa
Prince Henry the Navigator
Marian Devotion
Sculpture
Devotional Dressed Sculptures
title_short The “rather devout image” of Saint Mary of Africa
title_full The “rather devout image” of Saint Mary of Africa
title_fullStr The “rather devout image” of Saint Mary of Africa
title_full_unstemmed The “rather devout image” of Saint Mary of Africa
title_sort The “rather devout image” of Saint Mary of Africa
author Pereira, Diana Rafaela Martins
author_facet Pereira, Diana Rafaela Martins
author_role author
dc.contributor.author.fl_str_mv Pereira, Diana Rafaela Martins
dc.subject.por.fl_str_mv Nossa Senhora de África
Infante D. Henrique
Devoção Mariana
Escultura
Imagens de vestir
Our Lady of Africa
Prince Henry the Navigator
Marian Devotion
Sculpture
Devotional Dressed Sculptures
topic Nossa Senhora de África
Infante D. Henrique
Devoção Mariana
Escultura
Imagens de vestir
Our Lady of Africa
Prince Henry the Navigator
Marian Devotion
Sculpture
Devotional Dressed Sculptures
description The gothic image of Saint Mary of Africa, representing the Pietà, was sent to Ceuta by Prince Henry (the Navigator) at an uncertain date but, it is believed that it was shortly after Ceuta was taken in 1415. Shrouded in legends about its origins, it was elected patron and protector of Ceuta, after defending the city from the Muslims and the plague. On an also undetermined date, people started to dress this image, a tradition that was recently called into question because of the risks to its preservation. This paper, as part of a wider investigation about devotional dressed sculptures, intends to clarify the several misconceptions about the origin of this miraculous sculpture, and understand how the deep devotion towards it, insists in watching it in processions and adorned with mantles.
publishDate 2015
dc.date.none.fl_str_mv 2015-12-10
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://doi.org/10.48751/CAM-2015-4267
https://doi.org/10.48751/CAM-2015-4267
url https://doi.org/10.48751/CAM-2015-4267
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://cadernosarquivo.cm-lisboa.pt/index.php/am/article/view/267
https://cadernosarquivo.cm-lisboa.pt/index.php/am/article/view/267/224
dc.rights.driver.fl_str_mv Direitos de Autor (c) 2015 Diana Rafaela Martins Pereira
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Direitos de Autor (c) 2015 Diana Rafaela Martins Pereira
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Câmara Municipal de Lisboa
publisher.none.fl_str_mv Câmara Municipal de Lisboa
dc.source.none.fl_str_mv Cadernos do Arquivo Municipal; No. 4 (2015): Ceuta Lisboa 600 years; 155-182
Cadernos do Arquivo Municipal; Núm. 4 (2015): Ceuta Lisboa 600 años; 155-182
Cadernos do Arquivo Municipal; No 4 (2015): Ceuta Lisbonne 600 ans; 155-182
Cadernos do Arquivo Municipal; N.º 4 (2015): Ceuta Lisboa 600 anos; 155-182
2183-3176
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
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instacron:RCAAP
instname_str Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron_str RCAAP
institution RCAAP
reponame_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
collection Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
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