A invaginação da metáfora no autorretrato : uma representação da criação do ser
Autor(a) principal: | |
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Data de Publicação: | 2019 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | http://hdl.handle.net/10451/37738 |
Resumo: | An intrinsic subjectivity focused on self-portrait is sought, reflecting an artistic essence based on psychological questions where self-knowledge takes precedence on creation. It is intended to elevate the marvellous, while making metaphors real, that is, to mix realities and construct new ones, going through the concepts of divinization or destruction of what is not familiar or the destruction of preconceived ideas as instruments of its own creation, discovering the being itself. One being that shows itself in the self and the other, being the other being me, being a revelation of a doubt that arises between reality and shadow, questioning which being is I, not knowing where I fit. There is a duality between the real, which can be directed to the personal being, and the fantastic, possibly focused on the creativity, where both are shown on the artistic making. An analysis is made of the surreal dimension of the personal artistic process, questioning the reality of created metaphors. It is exposed living as a creation, living in creation, learning with creation, being the creation, being the metaphor... An investigation into the interior of the artist that reveals itself through poems and paintings, exposing an automatism that allows a closer approximation to the reality of one's being, questioning what leads to creation, analyzing the construction of one's being, addressing the way it is viewed and learning to deal with their hidden side. On this dissertation, an analysis is made of the importance of the being of the artist on is creation, questioning its reality and the way of looking at it, discovering on the personal interior and on the reality of the work the strange and familiar beings that expose the exteriorities and opposites that belong to them. The themes that constitute the personal work of art and the way in which it is conceived are also revealed. I am a being who builds me through me |
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A invaginação da metáfora no autorretrato : uma representação da criação do serAutoretratoProcesso criativoSerOlharTese de mestrado, Pintura, Universidade de Lisboa, Faculdade de Belas Artes, 2019An intrinsic subjectivity focused on self-portrait is sought, reflecting an artistic essence based on psychological questions where self-knowledge takes precedence on creation. It is intended to elevate the marvellous, while making metaphors real, that is, to mix realities and construct new ones, going through the concepts of divinization or destruction of what is not familiar or the destruction of preconceived ideas as instruments of its own creation, discovering the being itself. One being that shows itself in the self and the other, being the other being me, being a revelation of a doubt that arises between reality and shadow, questioning which being is I, not knowing where I fit. There is a duality between the real, which can be directed to the personal being, and the fantastic, possibly focused on the creativity, where both are shown on the artistic making. An analysis is made of the surreal dimension of the personal artistic process, questioning the reality of created metaphors. It is exposed living as a creation, living in creation, learning with creation, being the creation, being the metaphor... An investigation into the interior of the artist that reveals itself through poems and paintings, exposing an automatism that allows a closer approximation to the reality of one's being, questioning what leads to creation, analyzing the construction of one's being, addressing the way it is viewed and learning to deal with their hidden side. On this dissertation, an analysis is made of the importance of the being of the artist on is creation, questioning its reality and the way of looking at it, discovering on the personal interior and on the reality of the work the strange and familiar beings that expose the exteriorities and opposites that belong to them. The themes that constitute the personal work of art and the way in which it is conceived are also revealed. I am a being who builds me through meVidal, Carlos, 1964-Repositório da Universidade de LisboaPeças, Cheila Raquel Estanqueiro2019-03-28T17:16:16Z2019-03-152019-03-282019-03-15T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisimage/jpegapplication/pdfhttp://hdl.handle.net/10451/37738TID:202197077porinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-08T16:35:03Zoai:repositorio.ul.pt:10451/37738Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T21:51:44.469709Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
A invaginação da metáfora no autorretrato : uma representação da criação do ser |
title |
A invaginação da metáfora no autorretrato : uma representação da criação do ser |
spellingShingle |
A invaginação da metáfora no autorretrato : uma representação da criação do ser Peças, Cheila Raquel Estanqueiro Autoretrato Processo criativo Ser Olhar Tese de mestrado, Pintura, Universidade de Lisboa, Faculdade de Belas Artes, 2019 |
title_short |
A invaginação da metáfora no autorretrato : uma representação da criação do ser |
title_full |
A invaginação da metáfora no autorretrato : uma representação da criação do ser |
title_fullStr |
A invaginação da metáfora no autorretrato : uma representação da criação do ser |
title_full_unstemmed |
A invaginação da metáfora no autorretrato : uma representação da criação do ser |
title_sort |
A invaginação da metáfora no autorretrato : uma representação da criação do ser |
author |
Peças, Cheila Raquel Estanqueiro |
author_facet |
Peças, Cheila Raquel Estanqueiro |
author_role |
author |
dc.contributor.none.fl_str_mv |
Vidal, Carlos, 1964- Repositório da Universidade de Lisboa |
dc.contributor.author.fl_str_mv |
Peças, Cheila Raquel Estanqueiro |
dc.subject.por.fl_str_mv |
Autoretrato Processo criativo Ser Olhar Tese de mestrado, Pintura, Universidade de Lisboa, Faculdade de Belas Artes, 2019 |
topic |
Autoretrato Processo criativo Ser Olhar Tese de mestrado, Pintura, Universidade de Lisboa, Faculdade de Belas Artes, 2019 |
description |
An intrinsic subjectivity focused on self-portrait is sought, reflecting an artistic essence based on psychological questions where self-knowledge takes precedence on creation. It is intended to elevate the marvellous, while making metaphors real, that is, to mix realities and construct new ones, going through the concepts of divinization or destruction of what is not familiar or the destruction of preconceived ideas as instruments of its own creation, discovering the being itself. One being that shows itself in the self and the other, being the other being me, being a revelation of a doubt that arises between reality and shadow, questioning which being is I, not knowing where I fit. There is a duality between the real, which can be directed to the personal being, and the fantastic, possibly focused on the creativity, where both are shown on the artistic making. An analysis is made of the surreal dimension of the personal artistic process, questioning the reality of created metaphors. It is exposed living as a creation, living in creation, learning with creation, being the creation, being the metaphor... An investigation into the interior of the artist that reveals itself through poems and paintings, exposing an automatism that allows a closer approximation to the reality of one's being, questioning what leads to creation, analyzing the construction of one's being, addressing the way it is viewed and learning to deal with their hidden side. On this dissertation, an analysis is made of the importance of the being of the artist on is creation, questioning its reality and the way of looking at it, discovering on the personal interior and on the reality of the work the strange and familiar beings that expose the exteriorities and opposites that belong to them. The themes that constitute the personal work of art and the way in which it is conceived are also revealed. I am a being who builds me through me |
publishDate |
2019 |
dc.date.none.fl_str_mv |
2019-03-28T17:16:16Z 2019-03-15 2019-03-28 2019-03-15T00:00:00Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://hdl.handle.net/10451/37738 TID:202197077 |
url |
http://hdl.handle.net/10451/37738 |
identifier_str_mv |
TID:202197077 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
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image/jpeg application/pdf |
dc.source.none.fl_str_mv |
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
institution |
RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
collection |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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