(Un)making Femininity on the Walls of Tehran

Detalhes bibliográficos
Autor(a) principal: Zojaji, Negar
Data de Publicação: 2021
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.25765/sauc.v7i2.457
Resumo: This article explores how a series of street art in Tehran that address the restriction of the right of women to stadium, challenge the official discourse of femininity in the semiotic landscape of Tehran. It investigates how through techniques of carnivalistic satire, these imageries subvert the gender orders that dominate the official visual discourse of femininity in the urban space. The article proposes that the function of this street art series as a form of resistance, is enacted both by their internal generic structure, and in relation to the official mural landscape of the city.
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spelling (Un)making Femininity on the Walls of TehranThis article explores how a series of street art in Tehran that address the restriction of the right of women to stadium, challenge the official discourse of femininity in the semiotic landscape of Tehran. It investigates how through techniques of carnivalistic satire, these imageries subvert the gender orders that dominate the official visual discourse of femininity in the urban space. The article proposes that the function of this street art series as a form of resistance, is enacted both by their internal generic structure, and in relation to the official mural landscape of the city.AP22021-12-30info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.25765/sauc.v7i2.457https://doi.org/10.25765/sauc.v7i2.457SAUC - Street Art and Urban Creativity; Vol 7 No 2 (2021): The Future of Urban Creative Studies; 34 - 472183-99562183-3869reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://journals.ap2.pt/index.php/sauc/article/view/457https://journals.ap2.pt/index.php/sauc/article/view/457/280Zojaji, Negarinfo:eu-repo/semantics/openAccess2024-01-26T14:15:39Zoai:journals.ap2.pt:article/457Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T01:57:51.870233Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv (Un)making Femininity on the Walls of Tehran
title (Un)making Femininity on the Walls of Tehran
spellingShingle (Un)making Femininity on the Walls of Tehran
Zojaji, Negar
title_short (Un)making Femininity on the Walls of Tehran
title_full (Un)making Femininity on the Walls of Tehran
title_fullStr (Un)making Femininity on the Walls of Tehran
title_full_unstemmed (Un)making Femininity on the Walls of Tehran
title_sort (Un)making Femininity on the Walls of Tehran
author Zojaji, Negar
author_facet Zojaji, Negar
author_role author
dc.contributor.author.fl_str_mv Zojaji, Negar
description This article explores how a series of street art in Tehran that address the restriction of the right of women to stadium, challenge the official discourse of femininity in the semiotic landscape of Tehran. It investigates how through techniques of carnivalistic satire, these imageries subvert the gender orders that dominate the official visual discourse of femininity in the urban space. The article proposes that the function of this street art series as a form of resistance, is enacted both by their internal generic structure, and in relation to the official mural landscape of the city.
publishDate 2021
dc.date.none.fl_str_mv 2021-12-30
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dc.language.iso.fl_str_mv eng
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