From the ruins of Beirut by the reflexions on some Ray-Bans to the visionary experiences in the stereoscopic photographs by Francisco Afonso Chaves (1857-1926)
Autor(a) principal: | |
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Data de Publicação: | 2016 |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://doi.org/10.24840/2183-8976_2016-0001_0001_04 |
Resumo: | From a photograph (2007 World Press Photo Award) taken in the Summer of 2006 by the photojournalist Spencer Platt (1970- ) in a ruined Beirut, after Israeli bombings, the text tries, through the concept(s) of visual representation, to discuss the disintegration of the boundaries between the visible and the invisible in photographic images and to demonstrate how this disintegration leads the viewer to operate the construction of the visual. In this process he builds himself up as something more than the visual subject: a seer subject capable of visionary perceptive experiences. Divided into three parts: presence /apparition, vision/clairvoyance and image/reflection, the present essay goes back to the unknown stereoscopic photographic work of the Portuguese naturalist Francisco Afonso Chaves (1857-1926) and, in particular, to his experience regarding the fusion of different images, with the intention of comprehending how, in Portugal, these constitute one of the pioneer cases of visual extension through photography. |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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7160 |
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From the ruins of Beirut by the reflexions on some Ray-Bans to the visionary experiences in the stereoscopic photographs by Francisco Afonso Chaves (1857-1926)visible and the invisible in photographic imagesstereoscopicFrom a photograph (2007 World Press Photo Award) taken in the Summer of 2006 by the photojournalist Spencer Platt (1970- ) in a ruined Beirut, after Israeli bombings, the text tries, through the concept(s) of visual representation, to discuss the disintegration of the boundaries between the visible and the invisible in photographic images and to demonstrate how this disintegration leads the viewer to operate the construction of the visual. In this process he builds himself up as something more than the visual subject: a seer subject capable of visionary perceptive experiences. Divided into three parts: presence /apparition, vision/clairvoyance and image/reflection, the present essay goes back to the unknown stereoscopic photographic work of the Portuguese naturalist Francisco Afonso Chaves (1857-1926) and, in particular, to his experience regarding the fusion of different images, with the intention of comprehending how, in Portugal, these constitute one of the pioneer cases of visual extension through photography.CITYSCOPIO, CULTURAL ASSOCIATION2016-12-01info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.24840/2183-8976_2016-0001_0001_04https://doi.org/10.24840/2183-8976_2016-0001_0001_04Sophia Journal ; Vol. 1 No. 1 (2016): Crossing Borders, Shifting Boundaries: The Aura of the ImageSophia Journal ; Vol. 1 N.º 1 (2016): Crossing Borders, Shifting Boundaries: The Aura of the Image2183-94682183-897610.24840/2183-8976_2016-0001_0001reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://www.up.pt/revistas/index.php/sophia/article/view/202https://www.up.pt/revistas/index.php/sophia/article/view/202/188Copyright (c) 2016 Victor dos Reisinfo:eu-repo/semantics/openAccessdos Reis, Victor2023-12-09T05:10:48Zoai:www.up.pt/revistas:article/202Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T00:41:41.573551Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
From the ruins of Beirut by the reflexions on some Ray-Bans to the visionary experiences in the stereoscopic photographs by Francisco Afonso Chaves (1857-1926) |
title |
From the ruins of Beirut by the reflexions on some Ray-Bans to the visionary experiences in the stereoscopic photographs by Francisco Afonso Chaves (1857-1926) |
spellingShingle |
From the ruins of Beirut by the reflexions on some Ray-Bans to the visionary experiences in the stereoscopic photographs by Francisco Afonso Chaves (1857-1926) dos Reis, Victor visible and the invisible in photographic images stereoscopic |
title_short |
From the ruins of Beirut by the reflexions on some Ray-Bans to the visionary experiences in the stereoscopic photographs by Francisco Afonso Chaves (1857-1926) |
title_full |
From the ruins of Beirut by the reflexions on some Ray-Bans to the visionary experiences in the stereoscopic photographs by Francisco Afonso Chaves (1857-1926) |
title_fullStr |
From the ruins of Beirut by the reflexions on some Ray-Bans to the visionary experiences in the stereoscopic photographs by Francisco Afonso Chaves (1857-1926) |
title_full_unstemmed |
From the ruins of Beirut by the reflexions on some Ray-Bans to the visionary experiences in the stereoscopic photographs by Francisco Afonso Chaves (1857-1926) |
title_sort |
From the ruins of Beirut by the reflexions on some Ray-Bans to the visionary experiences in the stereoscopic photographs by Francisco Afonso Chaves (1857-1926) |
author |
dos Reis, Victor |
author_facet |
dos Reis, Victor |
author_role |
author |
dc.contributor.author.fl_str_mv |
dos Reis, Victor |
dc.subject.por.fl_str_mv |
visible and the invisible in photographic images stereoscopic |
topic |
visible and the invisible in photographic images stereoscopic |
description |
From a photograph (2007 World Press Photo Award) taken in the Summer of 2006 by the photojournalist Spencer Platt (1970- ) in a ruined Beirut, after Israeli bombings, the text tries, through the concept(s) of visual representation, to discuss the disintegration of the boundaries between the visible and the invisible in photographic images and to demonstrate how this disintegration leads the viewer to operate the construction of the visual. In this process he builds himself up as something more than the visual subject: a seer subject capable of visionary perceptive experiences. Divided into three parts: presence /apparition, vision/clairvoyance and image/reflection, the present essay goes back to the unknown stereoscopic photographic work of the Portuguese naturalist Francisco Afonso Chaves (1857-1926) and, in particular, to his experience regarding the fusion of different images, with the intention of comprehending how, in Portugal, these constitute one of the pioneer cases of visual extension through photography. |
publishDate |
2016 |
dc.date.none.fl_str_mv |
2016-12-01 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://doi.org/10.24840/2183-8976_2016-0001_0001_04 https://doi.org/10.24840/2183-8976_2016-0001_0001_04 |
url |
https://doi.org/10.24840/2183-8976_2016-0001_0001_04 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
https://www.up.pt/revistas/index.php/sophia/article/view/202 https://www.up.pt/revistas/index.php/sophia/article/view/202/188 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2016 Victor dos Reis info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2016 Victor dos Reis |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
CITYSCOPIO, CULTURAL ASSOCIATION |
publisher.none.fl_str_mv |
CITYSCOPIO, CULTURAL ASSOCIATION |
dc.source.none.fl_str_mv |
Sophia Journal ; Vol. 1 No. 1 (2016): Crossing Borders, Shifting Boundaries: The Aura of the Image Sophia Journal ; Vol. 1 N.º 1 (2016): Crossing Borders, Shifting Boundaries: The Aura of the Image 2183-9468 2183-8976 10.24840/2183-8976_2016-0001_0001 reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
instname_str |
Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
instacron_str |
RCAAP |
institution |
RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
collection |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository.name.fl_str_mv |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
repository.mail.fl_str_mv |
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1799136319451955200 |