Tatuagem : história e contemporaneidade

Detalhes bibliográficos
Autor(a) principal: Lima, Rodrigo Muniz de Souza
Data de Publicação: 2020
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10451/44715
Resumo: We can agree that three of the major characteristics found out on all big cities across the globe are: the growing freedom and mobility, the easiness to communicate and the unstoppable technology updates, each day that goes by people are less scared of expressing themselves and sharing information. Those are some of the factors that gradually helped making practices like tattooing so popular in the XXI century, transforming it into a vigorous business with huge market potential and it’s still growing further, providing lots of space for new tattooers and apprentices to show up and help supplying the demand for tattoos. Until the end of the 20th century it wasn’t as popular because tattooing was often seen as some underground scene, therefore the tattoo studios back then wouldn’t train a lot of apprentices nor draw themselves too much attention, there weren’t loads of clients like there’s today so the competition between studios could get messy. That scenario only starts to change into a burst growth around 2004 when the world has wide access to the internet and social media, tattoo reality shows are all around and tattoo artists begin to share their lifestyles and work with the society. At this same time a lot of people got interested by the art of tattoing, free tattoo tutorials started to show up on the internet, especially on Youtube, expensive tattoo courses also started to show up. It happened in such a way that it all contributed to some unique historical phenomenon where, for the first time, the situation looks like this: a lot of people (inside the urban context) want to be tattooed; a lot of artists and people without artistic background are becoming tattooers, they’re trying to learn it every way they can; and for reasons that will be enlightened along this research, nowadays it’s a lot easier to do both. Our goal here is to analyze the tattoo history in order to fully understand why it’s becoming something huge in the 21st century and how it’s affecting as well as how it’s being affected by the most recent changes, therefore we’ll discuss elements like: the historical origins of the mass growth experimented recently, it’s effects on contemporary tattooing and society, tattoo concepts, practical details, how people are learning to tattoo and what are the sources of information, as well how serious it’s being taken, and finally the tattoo professional license and regulation.
id RCAP_52308e1c9c0f0cfb9232434118536e9f
oai_identifier_str oai:repositorio.ul.pt:10451/44715
network_acronym_str RCAP
network_name_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
repository_id_str 7160
spelling Tatuagem : história e contemporaneidadeTatuagem - históriaDidáticaTatuadoresDesenhoProblemática contemporâneaTatuagem - aspectos sociaisDomínio/Área Científica::Humanidades::ArtesWe can agree that three of the major characteristics found out on all big cities across the globe are: the growing freedom and mobility, the easiness to communicate and the unstoppable technology updates, each day that goes by people are less scared of expressing themselves and sharing information. Those are some of the factors that gradually helped making practices like tattooing so popular in the XXI century, transforming it into a vigorous business with huge market potential and it’s still growing further, providing lots of space for new tattooers and apprentices to show up and help supplying the demand for tattoos. Until the end of the 20th century it wasn’t as popular because tattooing was often seen as some underground scene, therefore the tattoo studios back then wouldn’t train a lot of apprentices nor draw themselves too much attention, there weren’t loads of clients like there’s today so the competition between studios could get messy. That scenario only starts to change into a burst growth around 2004 when the world has wide access to the internet and social media, tattoo reality shows are all around and tattoo artists begin to share their lifestyles and work with the society. At this same time a lot of people got interested by the art of tattoing, free tattoo tutorials started to show up on the internet, especially on Youtube, expensive tattoo courses also started to show up. It happened in such a way that it all contributed to some unique historical phenomenon where, for the first time, the situation looks like this: a lot of people (inside the urban context) want to be tattooed; a lot of artists and people without artistic background are becoming tattooers, they’re trying to learn it every way they can; and for reasons that will be enlightened along this research, nowadays it’s a lot easier to do both. Our goal here is to analyze the tattoo history in order to fully understand why it’s becoming something huge in the 21st century and how it’s affecting as well as how it’s being affected by the most recent changes, therefore we’ll discuss elements like: the historical origins of the mass growth experimented recently, it’s effects on contemporary tattooing and society, tattoo concepts, practical details, how people are learning to tattoo and what are the sources of information, as well how serious it’s being taken, and finally the tattoo professional license and regulation.Trindade, António de Oriol Pena Vazão eRepositório da Universidade de LisboaLima, Rodrigo Muniz de Souza2020-10-29T16:02:36Z2020-10-142020-10-14T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisimage/jpegapplication/pdfhttp://hdl.handle.net/10451/44715TID:202526674porinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-08T16:45:57Zoai:repositorio.ul.pt:10451/44715Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T21:57:14.865173Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Tatuagem : história e contemporaneidade
title Tatuagem : história e contemporaneidade
spellingShingle Tatuagem : história e contemporaneidade
Lima, Rodrigo Muniz de Souza
Tatuagem - história
Didática
Tatuadores
Desenho
Problemática contemporânea
Tatuagem - aspectos sociais
Domínio/Área Científica::Humanidades::Artes
title_short Tatuagem : história e contemporaneidade
title_full Tatuagem : história e contemporaneidade
title_fullStr Tatuagem : história e contemporaneidade
title_full_unstemmed Tatuagem : história e contemporaneidade
title_sort Tatuagem : história e contemporaneidade
author Lima, Rodrigo Muniz de Souza
author_facet Lima, Rodrigo Muniz de Souza
author_role author
dc.contributor.none.fl_str_mv Trindade, António de Oriol Pena Vazão e
Repositório da Universidade de Lisboa
dc.contributor.author.fl_str_mv Lima, Rodrigo Muniz de Souza
dc.subject.por.fl_str_mv Tatuagem - história
Didática
Tatuadores
Desenho
Problemática contemporânea
Tatuagem - aspectos sociais
Domínio/Área Científica::Humanidades::Artes
topic Tatuagem - história
Didática
Tatuadores
Desenho
Problemática contemporânea
Tatuagem - aspectos sociais
Domínio/Área Científica::Humanidades::Artes
description We can agree that three of the major characteristics found out on all big cities across the globe are: the growing freedom and mobility, the easiness to communicate and the unstoppable technology updates, each day that goes by people are less scared of expressing themselves and sharing information. Those are some of the factors that gradually helped making practices like tattooing so popular in the XXI century, transforming it into a vigorous business with huge market potential and it’s still growing further, providing lots of space for new tattooers and apprentices to show up and help supplying the demand for tattoos. Until the end of the 20th century it wasn’t as popular because tattooing was often seen as some underground scene, therefore the tattoo studios back then wouldn’t train a lot of apprentices nor draw themselves too much attention, there weren’t loads of clients like there’s today so the competition between studios could get messy. That scenario only starts to change into a burst growth around 2004 when the world has wide access to the internet and social media, tattoo reality shows are all around and tattoo artists begin to share their lifestyles and work with the society. At this same time a lot of people got interested by the art of tattoing, free tattoo tutorials started to show up on the internet, especially on Youtube, expensive tattoo courses also started to show up. It happened in such a way that it all contributed to some unique historical phenomenon where, for the first time, the situation looks like this: a lot of people (inside the urban context) want to be tattooed; a lot of artists and people without artistic background are becoming tattooers, they’re trying to learn it every way they can; and for reasons that will be enlightened along this research, nowadays it’s a lot easier to do both. Our goal here is to analyze the tattoo history in order to fully understand why it’s becoming something huge in the 21st century and how it’s affecting as well as how it’s being affected by the most recent changes, therefore we’ll discuss elements like: the historical origins of the mass growth experimented recently, it’s effects on contemporary tattooing and society, tattoo concepts, practical details, how people are learning to tattoo and what are the sources of information, as well how serious it’s being taken, and finally the tattoo professional license and regulation.
publishDate 2020
dc.date.none.fl_str_mv 2020-10-29T16:02:36Z
2020-10-14
2020-10-14T00:00:00Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
format masterThesis
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://hdl.handle.net/10451/44715
TID:202526674
url http://hdl.handle.net/10451/44715
identifier_str_mv TID:202526674
dc.language.iso.fl_str_mv por
language por
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv image/jpeg
application/pdf
dc.source.none.fl_str_mv reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron:RCAAP
instname_str Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron_str RCAAP
institution RCAAP
reponame_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
collection Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
repository.mail.fl_str_mv
_version_ 1799134515308789760