Second Wave Ubiquitous Music

Detalhes bibliográficos
Autor(a) principal: Keller, Damián
Data de Publicação: 2020
Outros Autores: Messina, Marcello, Oliveira, Francisco Z. N.
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.34624/jdmi.v3i5.15989
Resumo: This volume features a diversity of proposals gathered around the current efforts in ubiquitous music (or ubimus) research. Three papers provide contributions to timbre interaction involving lay participants. Two proposals target the development of network-based music making, one case features synchronous exchanges of visual code and another case proposes the implementation of musical robots within the context of the Internet of Musical Things. The volume wraps up with an interview on ecocomposition, one of the lines of research that has been nourished by ubimus initiatives.
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spelling Second Wave Ubiquitous MusicThis volume features a diversity of proposals gathered around the current efforts in ubiquitous music (or ubimus) research. Three papers provide contributions to timbre interaction involving lay participants. Two proposals target the development of network-based music making, one case features synchronous exchanges of visual code and another case proposes the implementation of musical robots within the context of the Internet of Musical Things. The volume wraps up with an interview on ecocomposition, one of the lines of research that has been nourished by ubimus initiatives.DigiMedia | University of Aveiro2020-05-12T00:00:00Zjournal articleinfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://doi.org/10.34624/jdmi.v3i5.15989oai:proa.ua.pt:article/15989Journal of Digital Media & Interaction; Vol 3 No 5 (2020): Special Issue on Ubiquitous Music; 5-20Journal of Digital Media & Interaction; vol. 3 n.º 5 (2020): Special Issue on Ubiquitous Music; 5-202184-3120reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://proa.ua.pt/index.php/jdmi/article/view/15989https://doi.org/10.34624/jdmi.v3i5.15989https://proa.ua.pt/index.php/jdmi/article/view/15989/11231Copyright (c) 2020 Damián Keller, Marcello Messina, Francisco Z. N. Oliveirahttp://creativecommons.org/licenses/by-nc-nd/4.0info:eu-repo/semantics/openAccessKeller, DamiánMessina, MarcelloOliveira, Francisco Z. N.2022-09-08T22:15:39Zoai:proa.ua.pt:article/15989Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T15:27:09.703939Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Second Wave Ubiquitous Music
title Second Wave Ubiquitous Music
spellingShingle Second Wave Ubiquitous Music
Keller, Damián
title_short Second Wave Ubiquitous Music
title_full Second Wave Ubiquitous Music
title_fullStr Second Wave Ubiquitous Music
title_full_unstemmed Second Wave Ubiquitous Music
title_sort Second Wave Ubiquitous Music
author Keller, Damián
author_facet Keller, Damián
Messina, Marcello
Oliveira, Francisco Z. N.
author_role author
author2 Messina, Marcello
Oliveira, Francisco Z. N.
author2_role author
author
dc.contributor.author.fl_str_mv Keller, Damián
Messina, Marcello
Oliveira, Francisco Z. N.
description This volume features a diversity of proposals gathered around the current efforts in ubiquitous music (or ubimus) research. Three papers provide contributions to timbre interaction involving lay participants. Two proposals target the development of network-based music making, one case features synchronous exchanges of visual code and another case proposes the implementation of musical robots within the context of the Internet of Musical Things. The volume wraps up with an interview on ecocomposition, one of the lines of research that has been nourished by ubimus initiatives.
publishDate 2020
dc.date.none.fl_str_mv 2020-05-12T00:00:00Z
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status_str publishedVersion
dc.identifier.uri.fl_str_mv https://doi.org/10.34624/jdmi.v3i5.15989
oai:proa.ua.pt:article/15989
url https://doi.org/10.34624/jdmi.v3i5.15989
identifier_str_mv oai:proa.ua.pt:article/15989
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://proa.ua.pt/index.php/jdmi/article/view/15989
https://doi.org/10.34624/jdmi.v3i5.15989
https://proa.ua.pt/index.php/jdmi/article/view/15989/11231
dc.rights.driver.fl_str_mv Copyright (c) 2020 Damián Keller, Marcello Messina, Francisco Z. N. Oliveira
http://creativecommons.org/licenses/by-nc-nd/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Damián Keller, Marcello Messina, Francisco Z. N. Oliveira
http://creativecommons.org/licenses/by-nc-nd/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv DigiMedia | University of Aveiro
publisher.none.fl_str_mv DigiMedia | University of Aveiro
dc.source.none.fl_str_mv Journal of Digital Media & Interaction; Vol 3 No 5 (2020): Special Issue on Ubiquitous Music; 5-20
Journal of Digital Media & Interaction; vol. 3 n.º 5 (2020): Special Issue on Ubiquitous Music; 5-20
2184-3120
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