Printed matter, nomad matter: On the ideological possibilities of artist’s publications
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://doi.org/10.21814/diacritica.589 |
Resumo: | In a dictatorial or repressive context, movement can be said to be one of the most fundamental and disruptive forms of (aesthetic) resistance. Through exile, migration, travel or correspondence, bodies, ideas and objects are permanently displaced, searching constantly for lines of flight that are impossible to pin down by any political regime. When associated with art, the elusive and ever-changing nature of movement can transform objects in events, creating anaffective network of images, words, objects, ideas and relations. The ideological potential of movement can be found acutely in artist’s publications, orinart in the form of printed matter, such as artists’books or mail art, which have the potential tocircumvent physical limitations imposed by repressive apparatuses. In addition, movement triggers imagination to put together all the elements of the collaborative network thus constructed and set it inmotion. This article takes a closer look atthe material and historical circumstances of these art objects that become deeply imbedded with ideology. By looking at the triangulation movement-time-space, I aim to investigate some of the ways women artists used printed matter to revise, confront and debunk totalizing narratives, such as women’s role in society, capitalism, slavery, colonialism, etc., narratives thatsustained and were themselves sustainedbythe repressive and dictatorial regimes that operated in Portugal and in Brazil. |
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Printed matter, nomad matter: On the ideological possibilities of artist’s publicationsMatéria impressa, matéria nómada: sobre o potencial ideológico das publicações de artistaPublicações de artistaMovimentoIdeologiaDitaduraArtists' publicationsMovementIdeologyDictatorshipIn a dictatorial or repressive context, movement can be said to be one of the most fundamental and disruptive forms of (aesthetic) resistance. Through exile, migration, travel or correspondence, bodies, ideas and objects are permanently displaced, searching constantly for lines of flight that are impossible to pin down by any political regime. When associated with art, the elusive and ever-changing nature of movement can transform objects in events, creating anaffective network of images, words, objects, ideas and relations. The ideological potential of movement can be found acutely in artist’s publications, orinart in the form of printed matter, such as artists’books or mail art, which have the potential tocircumvent physical limitations imposed by repressive apparatuses. In addition, movement triggers imagination to put together all the elements of the collaborative network thus constructed and set it inmotion. This article takes a closer look atthe material and historical circumstances of these art objects that become deeply imbedded with ideology. By looking at the triangulation movement-time-space, I aim to investigate some of the ways women artists used printed matter to revise, confront and debunk totalizing narratives, such as women’s role in society, capitalism, slavery, colonialism, etc., narratives thatsustained and were themselves sustainedbythe repressive and dictatorial regimes that operated in Portugal and in Brazil.Em contextos de ditadura e repressão, o movimento adquire enorme potencial em termos da sua capacidade de disrupção e de resistência (estética). Através do exílio, da migração, da viagem ou da correspondência, corpos, ideias e objectos são permanentemente deslocados, numa procura incessante de linhas de fuga impossíveis de fixar por qualquer regime político. No campo das artes visuais, a natureza elusiva e mutável do movimento tem a capacidade de transformar objectos em eventos, criando redes afectivas de imagens, palavras, objectos, ideias e relações. O potencial ideológico do movimento encontra-se de forma bastante vívida nas publicações de artista, ou na arte em forma de matéria impressa, tal como livros de artista ou mail art, os quais conseguem contornar as limitações físicas impostas por aparelhos repressivos. Da mesma forma, o movimento activa a imaginação, impele-a a juntar elementos de uma rede de colaborações que é assim construída e posta, também, em movimento. O exercício a que nos propormos com este artigo implica olhar mais de perto certas condições materiais e históricas inerentes a certos objectos artísticos, condições essas que os impregnam de camadas ideológicas diversas. Assim, ao considerar a triangulação movimento-tempo-espaço, tenho o objectivo de investigar a forma como várias artistas, mulheres, usaram diferentes tipos de matéria impressa para rever, confrontar e pôr a nu certas narrativas totalizantes, tais como o papel das mulheres na sociedade, o capitalismo, a escravatura, o colonialismo, etc., que foram sustentadas e simultaneamente sustentaram os regimes repressivos e ditatoriais que vigoraram em Portugal e no Brasil.CEHUM2020-07-31info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.21814/diacritica.589https://doi.org/10.21814/diacritica.589Diacrítica; Vol. 34 N.º 2 (2020): WOMANART - Mulheres, Artes e Ditadura: Os casos de Portugal, Brasil e Países Africanos de Língua Portuguesa; 132-147Diacrítica; Vol. 34 No. 2 (2020): WOMANART - Women, Arts and Dictatorship: The cases of Portugal, Brazil and Portuguese speaking African countries; 132-1472183-91740870-896710.21814/diacritica.34.2reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPporhttps://revistas.uminho.pt/index.php/diacritica/article/view/4985https://revistas.uminho.pt/index.php/diacritica/article/view/4985/5607Direitos de Autor (c) 2023 Márcia Oliveirainfo:eu-repo/semantics/openAccessOliveira, Márcia2023-07-28T07:47:41Zoai:journals.uminho.pt:article/4985Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T18:34:37.673927Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Printed matter, nomad matter: On the ideological possibilities of artist’s publications Matéria impressa, matéria nómada: sobre o potencial ideológico das publicações de artista |
title |
Printed matter, nomad matter: On the ideological possibilities of artist’s publications |
spellingShingle |
Printed matter, nomad matter: On the ideological possibilities of artist’s publications Oliveira, Márcia Publicações de artista Movimento Ideologia Ditadura Artists' publications Movement Ideology Dictatorship |
title_short |
Printed matter, nomad matter: On the ideological possibilities of artist’s publications |
title_full |
Printed matter, nomad matter: On the ideological possibilities of artist’s publications |
title_fullStr |
Printed matter, nomad matter: On the ideological possibilities of artist’s publications |
title_full_unstemmed |
Printed matter, nomad matter: On the ideological possibilities of artist’s publications |
title_sort |
Printed matter, nomad matter: On the ideological possibilities of artist’s publications |
author |
Oliveira, Márcia |
author_facet |
Oliveira, Márcia |
author_role |
author |
dc.contributor.author.fl_str_mv |
Oliveira, Márcia |
dc.subject.por.fl_str_mv |
Publicações de artista Movimento Ideologia Ditadura Artists' publications Movement Ideology Dictatorship |
topic |
Publicações de artista Movimento Ideologia Ditadura Artists' publications Movement Ideology Dictatorship |
description |
In a dictatorial or repressive context, movement can be said to be one of the most fundamental and disruptive forms of (aesthetic) resistance. Through exile, migration, travel or correspondence, bodies, ideas and objects are permanently displaced, searching constantly for lines of flight that are impossible to pin down by any political regime. When associated with art, the elusive and ever-changing nature of movement can transform objects in events, creating anaffective network of images, words, objects, ideas and relations. The ideological potential of movement can be found acutely in artist’s publications, orinart in the form of printed matter, such as artists’books or mail art, which have the potential tocircumvent physical limitations imposed by repressive apparatuses. In addition, movement triggers imagination to put together all the elements of the collaborative network thus constructed and set it inmotion. This article takes a closer look atthe material and historical circumstances of these art objects that become deeply imbedded with ideology. By looking at the triangulation movement-time-space, I aim to investigate some of the ways women artists used printed matter to revise, confront and debunk totalizing narratives, such as women’s role in society, capitalism, slavery, colonialism, etc., narratives thatsustained and were themselves sustainedbythe repressive and dictatorial regimes that operated in Portugal and in Brazil. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-07-31 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://doi.org/10.21814/diacritica.589 https://doi.org/10.21814/diacritica.589 |
url |
https://doi.org/10.21814/diacritica.589 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistas.uminho.pt/index.php/diacritica/article/view/4985 https://revistas.uminho.pt/index.php/diacritica/article/view/4985/5607 |
dc.rights.driver.fl_str_mv |
Direitos de Autor (c) 2023 Márcia Oliveira info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Direitos de Autor (c) 2023 Márcia Oliveira |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
CEHUM |
publisher.none.fl_str_mv |
CEHUM |
dc.source.none.fl_str_mv |
Diacrítica; Vol. 34 N.º 2 (2020): WOMANART - Mulheres, Artes e Ditadura: Os casos de Portugal, Brasil e Países Africanos de Língua Portuguesa; 132-147 Diacrítica; Vol. 34 No. 2 (2020): WOMANART - Women, Arts and Dictatorship: The cases of Portugal, Brazil and Portuguese speaking African countries; 132-147 2183-9174 0870-8967 10.21814/diacritica.34.2 reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
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RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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1799132072710766592 |