Tourists’ walking rhythms: ‘doing’ the Tunis Medina, Tunisia

Detalhes bibliográficos
Autor(a) principal: Sarmento, João
Data de Publicação: 2017
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10451/36124
Resumo: The contemporary medina of Tunis is intimately connected to the various urban development stages of the city at large. Despite its UNESCO status and undisputable attractions, the medina is peripheral to Tunisian tourism development. Yet its maze of streets is walked on a daily basis by numerous tourists, who bring flair, choreographies and rhythms which also constitute the medina. While there are a growing number of studies focusing on tourists’ movements, using technologies that allow for accurate mapping of timespace trajectories, I argue that we have much to learn from the embodied ways in which tourists move in an unknown terrain. Inspired by Lefebvre’s rhythmanalysis, this paper explores tourists’ rhythms and modes of walking, including their performances, body languages, stops and advances, and gaze interactions. Drawing on a combination of mobile methodologies, interviews and online comments, I argue that tourists engage in many different walking rhythms, which shift quickly according to the situation. It is the complex manner in which tourist bodies, rhythms and urban forms intersect within the contemporary city that contributes to the construction of the city itself.
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spelling Tourists’ walking rhythms: ‘doing’ the Tunis Medina, TunisiaRythmes des touristes à pied: promenade dans la Medina à Tunis, en TunisieLos ritmos de caminar de los turistas: ‘haciendo’ la Medina de Túnez, TúnezWalkingrhythmLefebvretouristsTunisiaTunisMedinaThe contemporary medina of Tunis is intimately connected to the various urban development stages of the city at large. Despite its UNESCO status and undisputable attractions, the medina is peripheral to Tunisian tourism development. Yet its maze of streets is walked on a daily basis by numerous tourists, who bring flair, choreographies and rhythms which also constitute the medina. While there are a growing number of studies focusing on tourists’ movements, using technologies that allow for accurate mapping of timespace trajectories, I argue that we have much to learn from the embodied ways in which tourists move in an unknown terrain. Inspired by Lefebvre’s rhythmanalysis, this paper explores tourists’ rhythms and modes of walking, including their performances, body languages, stops and advances, and gaze interactions. Drawing on a combination of mobile methodologies, interviews and online comments, I argue that tourists engage in many different walking rhythms, which shift quickly according to the situation. It is the complex manner in which tourist bodies, rhythms and urban forms intersect within the contemporary city that contributes to the construction of the city itself.La médina contemporaine de Tunis est étroitement liée aux différentes étapes de l’ensemble du développement urbain de la ville. Malgré son statut d’UNESCO et ses attractions touristiques incontestables, la médina est secondaire par rapport au développement touristique tunisien. Pourtant, au quotidien, de nombreux touristes se promènent dans le dédale de ses ruelles et apportent une touche de style, des chorégraphies et des rythmes, qui eux aussi constituent la médina. Bien qu’il y ait un nombre croissant d’études qui se concentrent sur les mouvements des touristes, en utilisant des technologies qui permettent une cartographie exacte des trajectoires spatiotemporelles, je soutiens que nous avons beaucoup à apprendre des façons incarnées dont les touristes se déplacent sur un terrain inconnu. Inspiré de l’analyse du rythme de Lefebvre, cet article explore les rythmes et les modes de promenade des touristes, incluant leurs comportements, langage corporel, arrêts et progrès, ainsi que les interactions de leurs regards. En m’appuyant sur un ensemble de méthodologies modernes, d’entretiens et de commentaires en ligne, je soutiens que les touristes pratiquent de nombreux rythmes de déambulations, qui changent vite selon la situation. C’est la façon complexe dont les corps des touristes, les rythmes et les formes urbaines se croisent dans une grande ville contemporaine qui contribue à la construction de la ville même.La medina de Túnez contemporánea está íntimamente conectada con las diferentes etapas de desarrollo urbano de la ciudad en general. A pesar de haber sido reconocida como patrimonio mundial por la UNESCO y de sus atractivos indiscutibles, la medina se mantiene periférica al desarrollo turístico de Túnez. Sin embargo, su laberinto de calles es transitado diariamente por numerosos turistas, que aportan estilo, coreografías y ritmos que también constituyen la medina. Si bien hay un número creciente de estudios que se centran en los movimientos de turistas, utilizando tecnologías que permiten obtener una cartografía precisa de las trayectorias de espacio y tiempo, se argumenta que tenemos mucho que aprender de las formas corporales en la que los turistas se mueven en un terreno desconocido. Inspirado por el análisis del ritmo de Lefebvre, este trabajo explora los ritmos y modos de caminar de los turistas, incluyendo sus actuaciones, lenguajes corporales, paradas y avances e interacciones de miradas. Sobre la base de una combinación de metodologías móviles, entrevistas y comentarios en línea, se argumenta que los turistas se involucran en muchos ritmos para caminar diferentes, que cambian rápidamente de acuerdo a la situación. Es la manera compleja en la que los cuerpos de los turistas, los ritmos y las formas urbanas se cruzan dentro de la ciudad contemporánea lo que contribuye a la construcción de la propia ciudad.Taylor & FrancisRepositório da Universidade de LisboaSarmento, João2019-06-30T00:30:28Z20172017-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/10451/36124engSarmento, João (2017). Tourists’ walking rhythms: ‘doing’ the Tunis Medina, Tunisia, Social & Cultural Geography, 18:3, 295-314, DOI: 10.1080/14649365.2016.1174283.1464-936510.1080/14649365.2016.1174283info:eu-repo/semantics/embargoedAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-08T16:32:33Zoai:repositorio.ul.pt:10451/36124Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T21:50:26.712897Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Tourists’ walking rhythms: ‘doing’ the Tunis Medina, Tunisia
Rythmes des touristes à pied: promenade dans la Medina à Tunis, en Tunisie
Los ritmos de caminar de los turistas: ‘haciendo’ la Medina de Túnez, Túnez
title Tourists’ walking rhythms: ‘doing’ the Tunis Medina, Tunisia
spellingShingle Tourists’ walking rhythms: ‘doing’ the Tunis Medina, Tunisia
Sarmento, João
Walking
rhythm
Lefebvre
tourists
Tunisia
Tunis
Medina
title_short Tourists’ walking rhythms: ‘doing’ the Tunis Medina, Tunisia
title_full Tourists’ walking rhythms: ‘doing’ the Tunis Medina, Tunisia
title_fullStr Tourists’ walking rhythms: ‘doing’ the Tunis Medina, Tunisia
title_full_unstemmed Tourists’ walking rhythms: ‘doing’ the Tunis Medina, Tunisia
title_sort Tourists’ walking rhythms: ‘doing’ the Tunis Medina, Tunisia
author Sarmento, João
author_facet Sarmento, João
author_role author
dc.contributor.none.fl_str_mv Repositório da Universidade de Lisboa
dc.contributor.author.fl_str_mv Sarmento, João
dc.subject.por.fl_str_mv Walking
rhythm
Lefebvre
tourists
Tunisia
Tunis
Medina
topic Walking
rhythm
Lefebvre
tourists
Tunisia
Tunis
Medina
description The contemporary medina of Tunis is intimately connected to the various urban development stages of the city at large. Despite its UNESCO status and undisputable attractions, the medina is peripheral to Tunisian tourism development. Yet its maze of streets is walked on a daily basis by numerous tourists, who bring flair, choreographies and rhythms which also constitute the medina. While there are a growing number of studies focusing on tourists’ movements, using technologies that allow for accurate mapping of timespace trajectories, I argue that we have much to learn from the embodied ways in which tourists move in an unknown terrain. Inspired by Lefebvre’s rhythmanalysis, this paper explores tourists’ rhythms and modes of walking, including their performances, body languages, stops and advances, and gaze interactions. Drawing on a combination of mobile methodologies, interviews and online comments, I argue that tourists engage in many different walking rhythms, which shift quickly according to the situation. It is the complex manner in which tourist bodies, rhythms and urban forms intersect within the contemporary city that contributes to the construction of the city itself.
publishDate 2017
dc.date.none.fl_str_mv 2017
2017-01-01T00:00:00Z
2019-06-30T00:30:28Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
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dc.identifier.uri.fl_str_mv http://hdl.handle.net/10451/36124
url http://hdl.handle.net/10451/36124
dc.language.iso.fl_str_mv eng
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dc.relation.none.fl_str_mv Sarmento, João (2017). Tourists’ walking rhythms: ‘doing’ the Tunis Medina, Tunisia, Social & Cultural Geography, 18:3, 295-314, DOI: 10.1080/14649365.2016.1174283.
1464-9365
10.1080/14649365.2016.1174283
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dc.publisher.none.fl_str_mv Taylor & Francis
publisher.none.fl_str_mv Taylor & Francis
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