Lyrical singers: duets with anxiety
Autor(a) principal: | |
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Data de Publicação: | 2019 |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | http://hdl.handle.net/10400.19/5538 |
Resumo: | Introduction: This article describes and analyses the partial results of a broad qualitative study, whose goal was to explore how performance anxiety is presented in the everyday life of the lyrical singer. Objectives: The daily life changes before a recital and what strategies are used in the their confrontation by this group of professionals. Methods: The results presented are centered in the production of discourse from three questions covering the experience of anxiety on musical performance, and the eventual strategies applied to overcome it. These data were gathered using a social-professional questionnaire and a semi-structured interview addressed to a group of 8 lyric singers with over 6 years of experience, sampled through the snowball method. Grounded Theory was the procedure chosen to access the emerging constructs in the participants’ discourses, following the routines of analysis unit selection, memorandum generation and categorization on two levels (descriptive and conceptual). Results: The method focuses on the production of the speeches concerning three question about the experience of musical performance anxiety, daily routines adopted in the pre-recital period and the eventual strategies used to overcome anxious symptomatology. Conclusions: The collected results recognize the harmful impact of performance, a constant conviviality with the anxiety and consequent changes in daily life routines at personal and social level, leading to the adoption of strategies for anxiety control. |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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7160 |
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Lyrical singers: duets with anxietyLyric SingersMusical performance anxietyGrounded TheoryIntroduction: This article describes and analyses the partial results of a broad qualitative study, whose goal was to explore how performance anxiety is presented in the everyday life of the lyrical singer. Objectives: The daily life changes before a recital and what strategies are used in the their confrontation by this group of professionals. Methods: The results presented are centered in the production of discourse from three questions covering the experience of anxiety on musical performance, and the eventual strategies applied to overcome it. These data were gathered using a social-professional questionnaire and a semi-structured interview addressed to a group of 8 lyric singers with over 6 years of experience, sampled through the snowball method. Grounded Theory was the procedure chosen to access the emerging constructs in the participants’ discourses, following the routines of analysis unit selection, memorandum generation and categorization on two levels (descriptive and conceptual). Results: The method focuses on the production of the speeches concerning three question about the experience of musical performance anxiety, daily routines adopted in the pre-recital period and the eventual strategies used to overcome anxious symptomatology. Conclusions: The collected results recognize the harmful impact of performance, a constant conviviality with the anxiety and consequent changes in daily life routines at personal and social level, leading to the adoption of strategies for anxiety control.Instituto Politécnico de ViseuRepositório Científico do Instituto Politécnico de ViseuFerreira, Marlene2019-06-11T13:41:08Z20192019-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/10400.19/5538eng10.29352/mill0209.06.00228info:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-01-16T15:28:10Zoai:repositorio.ipv.pt:10400.19/5538Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T16:43:53.070676Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Lyrical singers: duets with anxiety |
title |
Lyrical singers: duets with anxiety |
spellingShingle |
Lyrical singers: duets with anxiety Ferreira, Marlene Lyric Singers Musical performance anxiety Grounded Theory |
title_short |
Lyrical singers: duets with anxiety |
title_full |
Lyrical singers: duets with anxiety |
title_fullStr |
Lyrical singers: duets with anxiety |
title_full_unstemmed |
Lyrical singers: duets with anxiety |
title_sort |
Lyrical singers: duets with anxiety |
author |
Ferreira, Marlene |
author_facet |
Ferreira, Marlene |
author_role |
author |
dc.contributor.none.fl_str_mv |
Repositório Científico do Instituto Politécnico de Viseu |
dc.contributor.author.fl_str_mv |
Ferreira, Marlene |
dc.subject.por.fl_str_mv |
Lyric Singers Musical performance anxiety Grounded Theory |
topic |
Lyric Singers Musical performance anxiety Grounded Theory |
description |
Introduction: This article describes and analyses the partial results of a broad qualitative study, whose goal was to explore how performance anxiety is presented in the everyday life of the lyrical singer. Objectives: The daily life changes before a recital and what strategies are used in the their confrontation by this group of professionals. Methods: The results presented are centered in the production of discourse from three questions covering the experience of anxiety on musical performance, and the eventual strategies applied to overcome it. These data were gathered using a social-professional questionnaire and a semi-structured interview addressed to a group of 8 lyric singers with over 6 years of experience, sampled through the snowball method. Grounded Theory was the procedure chosen to access the emerging constructs in the participants’ discourses, following the routines of analysis unit selection, memorandum generation and categorization on two levels (descriptive and conceptual). Results: The method focuses on the production of the speeches concerning three question about the experience of musical performance anxiety, daily routines adopted in the pre-recital period and the eventual strategies used to overcome anxious symptomatology. Conclusions: The collected results recognize the harmful impact of performance, a constant conviviality with the anxiety and consequent changes in daily life routines at personal and social level, leading to the adoption of strategies for anxiety control. |
publishDate |
2019 |
dc.date.none.fl_str_mv |
2019-06-11T13:41:08Z 2019 2019-01-01T00:00:00Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://hdl.handle.net/10400.19/5538 |
url |
http://hdl.handle.net/10400.19/5538 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
10.29352/mill0209.06.00228 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Instituto Politécnico de Viseu |
publisher.none.fl_str_mv |
Instituto Politécnico de Viseu |
dc.source.none.fl_str_mv |
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
institution |
RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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1799130908455862272 |