Lyrical singers: duets with anxiety

Detalhes bibliográficos
Autor(a) principal: Ferreira, Marlene
Data de Publicação: 2019
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10400.19/5538
Resumo: Introduction: This article describes and analyses the partial results of a broad qualitative study, whose goal was to explore how performance anxiety is presented in the everyday life of the lyrical singer. Objectives: The daily life changes before a recital and what strategies are used in the their confrontation by this group of professionals. Methods: The results presented are centered in the production of discourse from three questions covering the experience of anxiety on musical performance, and the eventual strategies applied to overcome it. These data were gathered using a social-professional questionnaire and a semi-structured interview addressed to a group of 8 lyric singers with over 6 years of experience, sampled through the snowball method. Grounded Theory was the procedure chosen to access the emerging constructs in the participants’ discourses, following the routines of analysis unit selection, memorandum generation and categorization on two levels (descriptive and conceptual). Results: The method focuses on the production of the speeches concerning three question about the experience of musical performance anxiety, daily routines adopted in the pre-recital period and the eventual strategies used to overcome anxious symptomatology. Conclusions: The collected results recognize the harmful impact of performance, a constant conviviality with the anxiety and consequent changes in daily life routines at personal and social level, leading to the adoption of strategies for anxiety control.
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spelling Lyrical singers: duets with anxietyLyric SingersMusical performance anxietyGrounded TheoryIntroduction: This article describes and analyses the partial results of a broad qualitative study, whose goal was to explore how performance anxiety is presented in the everyday life of the lyrical singer. Objectives: The daily life changes before a recital and what strategies are used in the their confrontation by this group of professionals. Methods: The results presented are centered in the production of discourse from three questions covering the experience of anxiety on musical performance, and the eventual strategies applied to overcome it. These data were gathered using a social-professional questionnaire and a semi-structured interview addressed to a group of 8 lyric singers with over 6 years of experience, sampled through the snowball method. Grounded Theory was the procedure chosen to access the emerging constructs in the participants’ discourses, following the routines of analysis unit selection, memorandum generation and categorization on two levels (descriptive and conceptual). Results: The method focuses on the production of the speeches concerning three question about the experience of musical performance anxiety, daily routines adopted in the pre-recital period and the eventual strategies used to overcome anxious symptomatology. Conclusions: The collected results recognize the harmful impact of performance, a constant conviviality with the anxiety and consequent changes in daily life routines at personal and social level, leading to the adoption of strategies for anxiety control.Instituto Politécnico de ViseuRepositório Científico do Instituto Politécnico de ViseuFerreira, Marlene2019-06-11T13:41:08Z20192019-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/10400.19/5538eng10.29352/mill0209.06.00228info:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-01-16T15:28:10Zoai:repositorio.ipv.pt:10400.19/5538Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T16:43:53.070676Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Lyrical singers: duets with anxiety
title Lyrical singers: duets with anxiety
spellingShingle Lyrical singers: duets with anxiety
Ferreira, Marlene
Lyric Singers
Musical performance anxiety
Grounded Theory
title_short Lyrical singers: duets with anxiety
title_full Lyrical singers: duets with anxiety
title_fullStr Lyrical singers: duets with anxiety
title_full_unstemmed Lyrical singers: duets with anxiety
title_sort Lyrical singers: duets with anxiety
author Ferreira, Marlene
author_facet Ferreira, Marlene
author_role author
dc.contributor.none.fl_str_mv Repositório Científico do Instituto Politécnico de Viseu
dc.contributor.author.fl_str_mv Ferreira, Marlene
dc.subject.por.fl_str_mv Lyric Singers
Musical performance anxiety
Grounded Theory
topic Lyric Singers
Musical performance anxiety
Grounded Theory
description Introduction: This article describes and analyses the partial results of a broad qualitative study, whose goal was to explore how performance anxiety is presented in the everyday life of the lyrical singer. Objectives: The daily life changes before a recital and what strategies are used in the their confrontation by this group of professionals. Methods: The results presented are centered in the production of discourse from three questions covering the experience of anxiety on musical performance, and the eventual strategies applied to overcome it. These data were gathered using a social-professional questionnaire and a semi-structured interview addressed to a group of 8 lyric singers with over 6 years of experience, sampled through the snowball method. Grounded Theory was the procedure chosen to access the emerging constructs in the participants’ discourses, following the routines of analysis unit selection, memorandum generation and categorization on two levels (descriptive and conceptual). Results: The method focuses on the production of the speeches concerning three question about the experience of musical performance anxiety, daily routines adopted in the pre-recital period and the eventual strategies used to overcome anxious symptomatology. Conclusions: The collected results recognize the harmful impact of performance, a constant conviviality with the anxiety and consequent changes in daily life routines at personal and social level, leading to the adoption of strategies for anxiety control.
publishDate 2019
dc.date.none.fl_str_mv 2019-06-11T13:41:08Z
2019
2019-01-01T00:00:00Z
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dc.publisher.none.fl_str_mv Instituto Politécnico de Viseu
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