Arte como vanguarda da vida : esculpir o mundo
Autor(a) principal: | |
---|---|
Data de Publicação: | 2022 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | http://hdl.handle.net/10451/52627 |
Resumo: | The work project starts with an analysis on the art system and the 'cultural industry' in a critical approach to its fraudulent trade as identified by Theodor Adorno and Max Horkheimer in the book 'The Dialectic of Enlightenment', seeking to confront the thesis originated at the Frankfurt School with other contemporary thinkers. Giorgio Agamben's definition of ‘contemporary’ is used to synthesize the artist's role by demonstrating its importance in the construction and configuration of the real as being the ‘expanded field of the expanded field of sculpture: life’. The focus will be on what defines an artist in activity, the importance of concrete experience for the genesis of a creator (academy), their respective processes of creation in Art and consequent reified artistic manifestations. The potential of art as a catalyst for change in the world is analyzed using works by artists already consecrated in the history of the arts throughout the twentieth century. This same potential is also translated by analyzing the work of contemporary artists whose projects have some conceptual similarities and repercussions in the real. The transfer of these analyzes into contemporary times results in an explanatory and self-referential approach to the project developed under the artistic pseudonym Segismundo, with particular emphasis on art research processes, in order to create a disruptive situation in the real as it was defined by the Situationist International and therefore highlighting the role of the artist in society and his ability to intervene in the real (World). Art as creation of possibilities. Aletheia: the unveiling of the real. The contemporary samizdat. About the total work of art as a collective work. Creation of a myth. |
id |
RCAP_5b11a2600bd76c765aac2cdf24b5075b |
---|---|
oai_identifier_str |
oai:repositorio.ul.pt:10451/52627 |
network_acronym_str |
RCAP |
network_name_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository_id_str |
7160 |
spelling |
Arte como vanguarda da vida : esculpir o mundoEsculturaResistênciaSubversãoCrítica institucionalObra de arte totalMitoProjeto Heracles Contemporâneo Task #12Projeto Samizdat Contemporâneo - o mito de SegismundoSegismundo, pseudBroodthaers, Marcel, 1924-1976Duchamp, Marcel, 1887-1968Kosuth, Joseph, 1945-Domínio/Área Científica::Humanidades::ArtesThe work project starts with an analysis on the art system and the 'cultural industry' in a critical approach to its fraudulent trade as identified by Theodor Adorno and Max Horkheimer in the book 'The Dialectic of Enlightenment', seeking to confront the thesis originated at the Frankfurt School with other contemporary thinkers. Giorgio Agamben's definition of ‘contemporary’ is used to synthesize the artist's role by demonstrating its importance in the construction and configuration of the real as being the ‘expanded field of the expanded field of sculpture: life’. The focus will be on what defines an artist in activity, the importance of concrete experience for the genesis of a creator (academy), their respective processes of creation in Art and consequent reified artistic manifestations. The potential of art as a catalyst for change in the world is analyzed using works by artists already consecrated in the history of the arts throughout the twentieth century. This same potential is also translated by analyzing the work of contemporary artists whose projects have some conceptual similarities and repercussions in the real. The transfer of these analyzes into contemporary times results in an explanatory and self-referential approach to the project developed under the artistic pseudonym Segismundo, with particular emphasis on art research processes, in order to create a disruptive situation in the real as it was defined by the Situationist International and therefore highlighting the role of the artist in society and his ability to intervene in the real (World). Art as creation of possibilities. Aletheia: the unveiling of the real. The contemporary samizdat. About the total work of art as a collective work. Creation of a myth.Matos, António José Santos deRepositório da Universidade de LisboaSilva, Hugo Alexandre Varela Segismundo2022-05-02T15:49:23Z2022-04-202022-04-20T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisimage/jpegapplication/pdfhttp://hdl.handle.net/10451/52627TID:202999653porinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-08T16:57:59Zoai:repositorio.ul.pt:10451/52627Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T22:03:42.755087Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Arte como vanguarda da vida : esculpir o mundo |
title |
Arte como vanguarda da vida : esculpir o mundo |
spellingShingle |
Arte como vanguarda da vida : esculpir o mundo Silva, Hugo Alexandre Varela Segismundo Escultura Resistência Subversão Crítica institucional Obra de arte total Mito Projeto Heracles Contemporâneo Task #12 Projeto Samizdat Contemporâneo - o mito de Segismundo Segismundo, pseud Broodthaers, Marcel, 1924-1976 Duchamp, Marcel, 1887-1968 Kosuth, Joseph, 1945- Domínio/Área Científica::Humanidades::Artes |
title_short |
Arte como vanguarda da vida : esculpir o mundo |
title_full |
Arte como vanguarda da vida : esculpir o mundo |
title_fullStr |
Arte como vanguarda da vida : esculpir o mundo |
title_full_unstemmed |
Arte como vanguarda da vida : esculpir o mundo |
title_sort |
Arte como vanguarda da vida : esculpir o mundo |
author |
Silva, Hugo Alexandre Varela Segismundo |
author_facet |
Silva, Hugo Alexandre Varela Segismundo |
author_role |
author |
dc.contributor.none.fl_str_mv |
Matos, António José Santos de Repositório da Universidade de Lisboa |
dc.contributor.author.fl_str_mv |
Silva, Hugo Alexandre Varela Segismundo |
dc.subject.por.fl_str_mv |
Escultura Resistência Subversão Crítica institucional Obra de arte total Mito Projeto Heracles Contemporâneo Task #12 Projeto Samizdat Contemporâneo - o mito de Segismundo Segismundo, pseud Broodthaers, Marcel, 1924-1976 Duchamp, Marcel, 1887-1968 Kosuth, Joseph, 1945- Domínio/Área Científica::Humanidades::Artes |
topic |
Escultura Resistência Subversão Crítica institucional Obra de arte total Mito Projeto Heracles Contemporâneo Task #12 Projeto Samizdat Contemporâneo - o mito de Segismundo Segismundo, pseud Broodthaers, Marcel, 1924-1976 Duchamp, Marcel, 1887-1968 Kosuth, Joseph, 1945- Domínio/Área Científica::Humanidades::Artes |
description |
The work project starts with an analysis on the art system and the 'cultural industry' in a critical approach to its fraudulent trade as identified by Theodor Adorno and Max Horkheimer in the book 'The Dialectic of Enlightenment', seeking to confront the thesis originated at the Frankfurt School with other contemporary thinkers. Giorgio Agamben's definition of ‘contemporary’ is used to synthesize the artist's role by demonstrating its importance in the construction and configuration of the real as being the ‘expanded field of the expanded field of sculpture: life’. The focus will be on what defines an artist in activity, the importance of concrete experience for the genesis of a creator (academy), their respective processes of creation in Art and consequent reified artistic manifestations. The potential of art as a catalyst for change in the world is analyzed using works by artists already consecrated in the history of the arts throughout the twentieth century. This same potential is also translated by analyzing the work of contemporary artists whose projects have some conceptual similarities and repercussions in the real. The transfer of these analyzes into contemporary times results in an explanatory and self-referential approach to the project developed under the artistic pseudonym Segismundo, with particular emphasis on art research processes, in order to create a disruptive situation in the real as it was defined by the Situationist International and therefore highlighting the role of the artist in society and his ability to intervene in the real (World). Art as creation of possibilities. Aletheia: the unveiling of the real. The contemporary samizdat. About the total work of art as a collective work. Creation of a myth. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-05-02T15:49:23Z 2022-04-20 2022-04-20T00:00:00Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://hdl.handle.net/10451/52627 TID:202999653 |
url |
http://hdl.handle.net/10451/52627 |
identifier_str_mv |
TID:202999653 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
image/jpeg application/pdf |
dc.source.none.fl_str_mv |
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
instname_str |
Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
instacron_str |
RCAAP |
institution |
RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
collection |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository.name.fl_str_mv |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
repository.mail.fl_str_mv |
|
_version_ |
1799134587933163520 |