THE USE OF MUSIC IN TURKISH CINEMA: SİNEMACILAR PERIOD

• Autor(a) principal: Karaaslan , Elanur
• Data de Publicação: 2022
• Outros Autores: Leonido, Levi
• Tipo de documento: Artigo
• Idioma: por; eng
• Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
• Texto Completo: https://doi.org/10.37334/eras.v13i1.237
• topic: Banda sonora; trilha sonora no cinema turco; trilha sonora no período Sinemacılar; Soundtrack; soundtrack in Turkish cinema; soundtrack in Sinemacılar period

Cinema appeared in 1895. Even today, it is one of the newest arts that are being discussed. After cinema was invented, the films were shot for 30-35 years without any dialogue. Even during this period, the movies were accompanied by music, externally, with a violin or orchestra. The most important reason for this is the importance of emotion transfer in storytelling. Music, on the other hand, is the easiest way to transmit the senses to the human spirit. There is a stereotypical and universal word. "Music Is the Food of Soul." Cinema and music relationship is a self-existent and must-have relationship.  In this study, in the context of the relationship between music and cinema and the necessity of this relationship, it is aimed to make determinations about how the use of music in Turkish cinema's Sinemacılar era, the value given to the soundtrack and the Turkish soundtrack industry. Cinema writer Nijat Özön divided Turkish cinema into certain periods. One of these periods is the period of Sinemacılar covering the period starting from 1952 until 1960. The reason for choosing this period; Turkish cinema made an effort to create an identity in this period. Some film writers accept the period of the Sinemacılar as the beginning of Turkish cinema. Because, according to them, the main movies of Turkish cinema started to be produced in that period. In the study, the content analysis method will be used by scanning the literature. Contributing to the literature is another goal.