The construction of the museological object

Detalhes bibliográficos
Autor(a) principal: Moutinho, Mário Caneva
Data de Publicação: 1994
Tipo de documento: Artigo
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10437/3532
Resumo: "Exhibiting is or should be to work against ignorance, especially against the most refractory of all ignorance: the pre-conceived idea of stereo typed culture. To exhibit is to take a calculated risk of disorientation - in the etymological sense : ( to lose your bearings), disturbs the harmony, the evident , and the consensus, that constitutes the common place ( the banal). Needless to say however it is obvious that an exhibition that deliberately tries to scandalise will create an inverted perversion which results in an obscurantist pseudo-luxury - culture ... between demagogy and provocation, one has to find visual communication's subtle itinerary. Even though an intermediary route is not so stimulating : as Gaston Bachelard said "All the roads lead to Rome, except the roads of compromise."
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spelling The construction of the museological objectMUSEOLOGIASOCIOMUSEOLOGIAOBJETOS MUSEOLÓGICOSMUSEOLOGYSOCIOMUSEOLOGYMUSEOLOGICAL OBJECTS"Exhibiting is or should be to work against ignorance, especially against the most refractory of all ignorance: the pre-conceived idea of stereo typed culture. To exhibit is to take a calculated risk of disorientation - in the etymological sense : ( to lose your bearings), disturbs the harmony, the evident , and the consensus, that constitutes the common place ( the banal). Needless to say however it is obvious that an exhibition that deliberately tries to scandalise will create an inverted perversion which results in an obscurantist pseudo-luxury - culture ... between demagogy and provocation, one has to find visual communication's subtle itinerary. Even though an intermediary route is not so stimulating : as Gaston Bachelard said "All the roads lead to Rome, except the roads of compromise."Edições Universitárias Lusófonas2013-06-05T16:57:31Z1994-01-01T00:00:00Z1994info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/10437/3532por972-8296-35-5Moutinho, Mário Canevainfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-03-09T14:06:05Zoai:recil.ensinolusofona.pt:10437/3532Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T17:13:42.140522Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv The construction of the museological object
title The construction of the museological object
spellingShingle The construction of the museological object
Moutinho, Mário Caneva
MUSEOLOGIA
SOCIOMUSEOLOGIA
OBJETOS MUSEOLÓGICOS
MUSEOLOGY
SOCIOMUSEOLOGY
MUSEOLOGICAL OBJECTS
title_short The construction of the museological object
title_full The construction of the museological object
title_fullStr The construction of the museological object
title_full_unstemmed The construction of the museological object
title_sort The construction of the museological object
author Moutinho, Mário Caneva
author_facet Moutinho, Mário Caneva
author_role author
dc.contributor.author.fl_str_mv Moutinho, Mário Caneva
dc.subject.por.fl_str_mv MUSEOLOGIA
SOCIOMUSEOLOGIA
OBJETOS MUSEOLÓGICOS
MUSEOLOGY
SOCIOMUSEOLOGY
MUSEOLOGICAL OBJECTS
topic MUSEOLOGIA
SOCIOMUSEOLOGIA
OBJETOS MUSEOLÓGICOS
MUSEOLOGY
SOCIOMUSEOLOGY
MUSEOLOGICAL OBJECTS
description "Exhibiting is or should be to work against ignorance, especially against the most refractory of all ignorance: the pre-conceived idea of stereo typed culture. To exhibit is to take a calculated risk of disorientation - in the etymological sense : ( to lose your bearings), disturbs the harmony, the evident , and the consensus, that constitutes the common place ( the banal). Needless to say however it is obvious that an exhibition that deliberately tries to scandalise will create an inverted perversion which results in an obscurantist pseudo-luxury - culture ... between demagogy and provocation, one has to find visual communication's subtle itinerary. Even though an intermediary route is not so stimulating : as Gaston Bachelard said "All the roads lead to Rome, except the roads of compromise."
publishDate 1994
dc.date.none.fl_str_mv 1994-01-01T00:00:00Z
1994
2013-06-05T16:57:31Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
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status_str publishedVersion
dc.identifier.uri.fl_str_mv http://hdl.handle.net/10437/3532
url http://hdl.handle.net/10437/3532
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv 972-8296-35-5
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eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Edições Universitárias Lusófonas
publisher.none.fl_str_mv Edições Universitárias Lusófonas
dc.source.none.fl_str_mv reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
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collection Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
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