Information representation in Displaced Archives: a meta-synthesis

Detalhes bibliográficos
Autor(a) principal: Macedo, L. S. Ascensão de
Data de Publicação: 2022
Outros Autores: Silva, Carlos Guardado da, Freitas, Maria Cristina Vieira de
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10451/55976
Resumo: The phenomenon of displaced archives emerges in the scientific literature as a kind of wicked problem. In addition to the conceptual diversity associated with this phenomenon present in the scientific literature from various fields (e.g., removed archives, migrated archives, seized archives, alienated archives, captured archives, diasporic archives, expatriated/repatriated archives, estray archival, disputed archival claims, replevin, etc.), there is a tendency in the scientific community to adopt the concept of displaced archives as a possible hypernym. The most recent definition of displaced archive is found in the report issued by the International Council on Archives through the Expert Group on Shared Archival Heritage, understood as "archives removed from the place of their creation, where the ownership of the archives is disputed by two or more parties" (Lowry 2020, 5). Nevertheless, one of the problems that makes this phenomenon a particular case is whether we can identify archives that are in the condition of displaced without there necessarily having to be claimant party(ies) for that purpose. Although the most recurrent focus in addressing this phenomenon has been around the problems of restitution, repatriation, return or relocation, the identification and, more incisively, the representation of these documentary sets have remained obscured in scientific discourse. According to Winn (2015), one of the limiting factors in the identification of displaced archives consists, among others, in the inexistence of information access tools. For Lowry, "the catalogue is the key" (2017a, 8), not only as an instrument of access to information where the processes of organization and description are materialized with a view to its retrieval and access, but also as a mechanism of information representation that derives from the powers of archival mediation. Studies on information representation suggest that, in the postmodern archival stream, it is not possible to ensure neutrality or impartiality in the representation of the content and structure of a fonds (MacNeil 2012) in finding aids. Such archival descriptions are supported by interpretative approaches that depend on the description and access policies adopted by custodians, which are not unrelated to the political, historical, socio-cultural, and institutional contexts of the environment where they were produced. Considering that the finding aids can be genologically diverse (e.g., catalogues, inventories, guides, scripts, directories, indexes and databases), it is considered more productive to focus on the representation of archival information, from the perspective of how a "fluid, evolving, and socially constructed practice" (Yakel 2003, 2) is constituted as "the core of archival description produced to facilitate access to archival materials in the background of their creation and custodial history" (Zhang 2012, 49). Considering that some of the studies on archival information representation have been problematized with greater incidence, although incipient, in Knowledge Organization and Information Science (Barros and Sousa 2020; Aguiar and Kobashi 2013; Tognoli 2013; Vital, Medeiros, and Brascher 2017; Corujo and Freitas 2021; Tognoli and Guimarães 2011; 2012; Troitiño Rodriguez 2018; Hjørland 2002), these studies have largely confined themselves to material and technical processes, physical (u. g., arrangement) and intellectual (u. g., classification and description), of concepts that conform to the bureaucratic dimension of the producers and/or custodial entities. In what concerns the displaced archives, the phenomenon itself challenges the core concepts of Archival Science, especially how these disputed documentary sets are represented from the point of view of provenance, integrity, organicity and how these representations are (re)constructed or destroyed in the process of archival mediation. Based on these aspects, and given the scarcity of studies on this topic, this article focuses on how the representation of information about archives removed from their original social and territorial contexts has been addressed in the scientific literature. Thus, we intend to conduct a survey of scientific literature that informs about the trajectory of the information representation process from the removal process to the claim by the dispossessed communities that can be theoretically relevant to the scope of Knowledge Organization. Thus, based on the above, it justifies performing a synthesis of knowledge from scientific literature called meta-synthesis (Sandelowski and Barroso 2010; Grant and Booth 2009; Finfgeld-Connett 2018). Thus, this article is structured as follows: section 2.0 formulates the starting question and research objectives; section 3.0 outlines the methodological assumptions for this type of qualitative literature synthesis; section 4.0 presents the results of the empirical investigation; section 5.0 makes concluding remarks around limitations and implications, as well as future lines of research.
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spelling Information representation in Displaced Archives: a meta-synthesisArquivos deslocadosThe phenomenon of displaced archives emerges in the scientific literature as a kind of wicked problem. In addition to the conceptual diversity associated with this phenomenon present in the scientific literature from various fields (e.g., removed archives, migrated archives, seized archives, alienated archives, captured archives, diasporic archives, expatriated/repatriated archives, estray archival, disputed archival claims, replevin, etc.), there is a tendency in the scientific community to adopt the concept of displaced archives as a possible hypernym. The most recent definition of displaced archive is found in the report issued by the International Council on Archives through the Expert Group on Shared Archival Heritage, understood as "archives removed from the place of their creation, where the ownership of the archives is disputed by two or more parties" (Lowry 2020, 5). Nevertheless, one of the problems that makes this phenomenon a particular case is whether we can identify archives that are in the condition of displaced without there necessarily having to be claimant party(ies) for that purpose. Although the most recurrent focus in addressing this phenomenon has been around the problems of restitution, repatriation, return or relocation, the identification and, more incisively, the representation of these documentary sets have remained obscured in scientific discourse. According to Winn (2015), one of the limiting factors in the identification of displaced archives consists, among others, in the inexistence of information access tools. For Lowry, "the catalogue is the key" (2017a, 8), not only as an instrument of access to information where the processes of organization and description are materialized with a view to its retrieval and access, but also as a mechanism of information representation that derives from the powers of archival mediation. Studies on information representation suggest that, in the postmodern archival stream, it is not possible to ensure neutrality or impartiality in the representation of the content and structure of a fonds (MacNeil 2012) in finding aids. Such archival descriptions are supported by interpretative approaches that depend on the description and access policies adopted by custodians, which are not unrelated to the political, historical, socio-cultural, and institutional contexts of the environment where they were produced. Considering that the finding aids can be genologically diverse (e.g., catalogues, inventories, guides, scripts, directories, indexes and databases), it is considered more productive to focus on the representation of archival information, from the perspective of how a "fluid, evolving, and socially constructed practice" (Yakel 2003, 2) is constituted as "the core of archival description produced to facilitate access to archival materials in the background of their creation and custodial history" (Zhang 2012, 49). Considering that some of the studies on archival information representation have been problematized with greater incidence, although incipient, in Knowledge Organization and Information Science (Barros and Sousa 2020; Aguiar and Kobashi 2013; Tognoli 2013; Vital, Medeiros, and Brascher 2017; Corujo and Freitas 2021; Tognoli and Guimarães 2011; 2012; Troitiño Rodriguez 2018; Hjørland 2002), these studies have largely confined themselves to material and technical processes, physical (u. g., arrangement) and intellectual (u. g., classification and description), of concepts that conform to the bureaucratic dimension of the producers and/or custodial entities. In what concerns the displaced archives, the phenomenon itself challenges the core concepts of Archival Science, especially how these disputed documentary sets are represented from the point of view of provenance, integrity, organicity and how these representations are (re)constructed or destroyed in the process of archival mediation. Based on these aspects, and given the scarcity of studies on this topic, this article focuses on how the representation of information about archives removed from their original social and territorial contexts has been addressed in the scientific literature. Thus, we intend to conduct a survey of scientific literature that informs about the trajectory of the information representation process from the removal process to the claim by the dispossessed communities that can be theoretically relevant to the scope of Knowledge Organization. Thus, based on the above, it justifies performing a synthesis of knowledge from scientific literature called meta-synthesis (Sandelowski and Barroso 2010; Grant and Booth 2009; Finfgeld-Connett 2018). Thus, this article is structured as follows: section 2.0 formulates the starting question and research objectives; section 3.0 outlines the methodological assumptions for this type of qualitative literature synthesis; section 4.0 presents the results of the empirical investigation; section 5.0 makes concluding remarks around limitations and implications, as well as future lines of research.ISKO - The International Society for Knowledge OrganizationRepositório da Universidade de LisboaMacedo, L. S. Ascensão deSilva, Carlos Guardado daFreitas, Maria Cristina Vieira de2023-01-20T16:55:03Z20222022-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/10451/55976engMacedo, L. S. A., Silva, C. G., & Freitas, M. C. (2022). Information representation in Displaced Archives: A meta-synthesis. Knowledge Organization. 49(5), 329–351.0943-7444https://doi.org/10.5771/0943-7444-2022-5-329info:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-09-04T01:17:58ZPortal AgregadorONG
dc.title.none.fl_str_mv Information representation in Displaced Archives: a meta-synthesis
title Information representation in Displaced Archives: a meta-synthesis
spellingShingle Information representation in Displaced Archives: a meta-synthesis
Macedo, L. S. Ascensão de
Arquivos deslocados
title_short Information representation in Displaced Archives: a meta-synthesis
title_full Information representation in Displaced Archives: a meta-synthesis
title_fullStr Information representation in Displaced Archives: a meta-synthesis
title_full_unstemmed Information representation in Displaced Archives: a meta-synthesis
title_sort Information representation in Displaced Archives: a meta-synthesis
author Macedo, L. S. Ascensão de
author_facet Macedo, L. S. Ascensão de
Silva, Carlos Guardado da
Freitas, Maria Cristina Vieira de
author_role author
author2 Silva, Carlos Guardado da
Freitas, Maria Cristina Vieira de
author2_role author
author
dc.contributor.none.fl_str_mv Repositório da Universidade de Lisboa
dc.contributor.author.fl_str_mv Macedo, L. S. Ascensão de
Silva, Carlos Guardado da
Freitas, Maria Cristina Vieira de
dc.subject.por.fl_str_mv Arquivos deslocados
topic Arquivos deslocados
description The phenomenon of displaced archives emerges in the scientific literature as a kind of wicked problem. In addition to the conceptual diversity associated with this phenomenon present in the scientific literature from various fields (e.g., removed archives, migrated archives, seized archives, alienated archives, captured archives, diasporic archives, expatriated/repatriated archives, estray archival, disputed archival claims, replevin, etc.), there is a tendency in the scientific community to adopt the concept of displaced archives as a possible hypernym. The most recent definition of displaced archive is found in the report issued by the International Council on Archives through the Expert Group on Shared Archival Heritage, understood as "archives removed from the place of their creation, where the ownership of the archives is disputed by two or more parties" (Lowry 2020, 5). Nevertheless, one of the problems that makes this phenomenon a particular case is whether we can identify archives that are in the condition of displaced without there necessarily having to be claimant party(ies) for that purpose. Although the most recurrent focus in addressing this phenomenon has been around the problems of restitution, repatriation, return or relocation, the identification and, more incisively, the representation of these documentary sets have remained obscured in scientific discourse. According to Winn (2015), one of the limiting factors in the identification of displaced archives consists, among others, in the inexistence of information access tools. For Lowry, "the catalogue is the key" (2017a, 8), not only as an instrument of access to information where the processes of organization and description are materialized with a view to its retrieval and access, but also as a mechanism of information representation that derives from the powers of archival mediation. Studies on information representation suggest that, in the postmodern archival stream, it is not possible to ensure neutrality or impartiality in the representation of the content and structure of a fonds (MacNeil 2012) in finding aids. Such archival descriptions are supported by interpretative approaches that depend on the description and access policies adopted by custodians, which are not unrelated to the political, historical, socio-cultural, and institutional contexts of the environment where they were produced. Considering that the finding aids can be genologically diverse (e.g., catalogues, inventories, guides, scripts, directories, indexes and databases), it is considered more productive to focus on the representation of archival information, from the perspective of how a "fluid, evolving, and socially constructed practice" (Yakel 2003, 2) is constituted as "the core of archival description produced to facilitate access to archival materials in the background of their creation and custodial history" (Zhang 2012, 49). Considering that some of the studies on archival information representation have been problematized with greater incidence, although incipient, in Knowledge Organization and Information Science (Barros and Sousa 2020; Aguiar and Kobashi 2013; Tognoli 2013; Vital, Medeiros, and Brascher 2017; Corujo and Freitas 2021; Tognoli and Guimarães 2011; 2012; Troitiño Rodriguez 2018; Hjørland 2002), these studies have largely confined themselves to material and technical processes, physical (u. g., arrangement) and intellectual (u. g., classification and description), of concepts that conform to the bureaucratic dimension of the producers and/or custodial entities. In what concerns the displaced archives, the phenomenon itself challenges the core concepts of Archival Science, especially how these disputed documentary sets are represented from the point of view of provenance, integrity, organicity and how these representations are (re)constructed or destroyed in the process of archival mediation. Based on these aspects, and given the scarcity of studies on this topic, this article focuses on how the representation of information about archives removed from their original social and territorial contexts has been addressed in the scientific literature. Thus, we intend to conduct a survey of scientific literature that informs about the trajectory of the information representation process from the removal process to the claim by the dispossessed communities that can be theoretically relevant to the scope of Knowledge Organization. Thus, based on the above, it justifies performing a synthesis of knowledge from scientific literature called meta-synthesis (Sandelowski and Barroso 2010; Grant and Booth 2009; Finfgeld-Connett 2018). Thus, this article is structured as follows: section 2.0 formulates the starting question and research objectives; section 3.0 outlines the methodological assumptions for this type of qualitative literature synthesis; section 4.0 presents the results of the empirical investigation; section 5.0 makes concluding remarks around limitations and implications, as well as future lines of research.
publishDate 2022
dc.date.none.fl_str_mv 2022
2022-01-01T00:00:00Z
2023-01-20T16:55:03Z
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dc.relation.none.fl_str_mv Macedo, L. S. A., Silva, C. G., & Freitas, M. C. (2022). Information representation in Displaced Archives: A meta-synthesis. Knowledge Organization. 49(5), 329–351.
0943-7444
https://doi.org/10.5771/0943-7444-2022-5-329
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