It's online, it's news: appropriation of viral narratives by the digital press

Detalhes bibliográficos
Autor(a) principal: Martins, Ana
Data de Publicação: 2019
Outros Autores: Novoa Fernández, Olivia, Aguaded, Ignacio, Tavares, Mirian
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.7559/citarj.v11i1.597
Resumo: At the border between information and entertainment, memes and newsgames aresome of the news formats that, made viral in social networks, complement the informational experience and compete with the traditional news media in constructing alternative readings of the real. If in the light of Bakhtine (apud Ponte, 2004) journalism can be understood as a secondary discursive genre that feeds on primary genres, how to understand the circulation of these discourses produced from journalistic events in social networks? On the other hand, how are these narratives appropriated by the media? What functions do they play in media discourse? In this article we present some examples of products created from events of political impact for than register, by the analysis of a set of news stories, how the digital press, in the Iberian context, make use of them. The purpose of this article is to contribute to the reflection on how the information media relate to these new narratives. 
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spelling It's online, it's news: appropriation of viral narratives by the digital pressAt the border between information and entertainment, memes and newsgames aresome of the news formats that, made viral in social networks, complement the informational experience and compete with the traditional news media in constructing alternative readings of the real. If in the light of Bakhtine (apud Ponte, 2004) journalism can be understood as a secondary discursive genre that feeds on primary genres, how to understand the circulation of these discourses produced from journalistic events in social networks? On the other hand, how are these narratives appropriated by the media? What functions do they play in media discourse? In this article we present some examples of products created from events of political impact for than register, by the analysis of a set of news stories, how the digital press, in the Iberian context, make use of them. The purpose of this article is to contribute to the reflection on how the information media relate to these new narratives. Universidade Católica Portuguesa2019-01-01T00:00:00Zjournal articleinfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://doi.org/10.7559/citarj.v11i1.597oai:ojs.revistas.ucp.pt:article/7326Journal of Science and Technology of the Arts; Vol 11 No 1 (2019): Marginalized Narratives; 61-68Journal of Science and Technology of the Arts; v. 11 n. 1 (2019): Marginalized Narratives; 61-682183-00881646-979810.34632/citarj.2019.11.1reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://revistas.ucp.pt/index.php/jsta/article/view/7326https://doi.org/10.7559/citarj.v11i1.597https://revistas.ucp.pt/index.php/jsta/article/view/7326/7106Copyright (c) 2019 Ana Martins, Olivia Novoa Fernández, Ignacio Aguahttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessMartins, AnaNovoa Fernández, OliviaAguaded, IgnacioTavares, Mirian2022-09-22T16:19:24Zoai:ojs.revistas.ucp.pt:article/7326Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T15:59:04.161820Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv It's online, it's news: appropriation of viral narratives by the digital press
title It's online, it's news: appropriation of viral narratives by the digital press
spellingShingle It's online, it's news: appropriation of viral narratives by the digital press
Martins, Ana
title_short It's online, it's news: appropriation of viral narratives by the digital press
title_full It's online, it's news: appropriation of viral narratives by the digital press
title_fullStr It's online, it's news: appropriation of viral narratives by the digital press
title_full_unstemmed It's online, it's news: appropriation of viral narratives by the digital press
title_sort It's online, it's news: appropriation of viral narratives by the digital press
author Martins, Ana
author_facet Martins, Ana
Novoa Fernández, Olivia
Aguaded, Ignacio
Tavares, Mirian
author_role author
author2 Novoa Fernández, Olivia
Aguaded, Ignacio
Tavares, Mirian
author2_role author
author
author
dc.contributor.author.fl_str_mv Martins, Ana
Novoa Fernández, Olivia
Aguaded, Ignacio
Tavares, Mirian
description At the border between information and entertainment, memes and newsgames aresome of the news formats that, made viral in social networks, complement the informational experience and compete with the traditional news media in constructing alternative readings of the real. If in the light of Bakhtine (apud Ponte, 2004) journalism can be understood as a secondary discursive genre that feeds on primary genres, how to understand the circulation of these discourses produced from journalistic events in social networks? On the other hand, how are these narratives appropriated by the media? What functions do they play in media discourse? In this article we present some examples of products created from events of political impact for than register, by the analysis of a set of news stories, how the digital press, in the Iberian context, make use of them. The purpose of this article is to contribute to the reflection on how the information media relate to these new narratives. 
publishDate 2019
dc.date.none.fl_str_mv 2019-01-01T00:00:00Z
dc.type.driver.fl_str_mv journal article
info:eu-repo/semantics/article
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://doi.org/10.7559/citarj.v11i1.597
oai:ojs.revistas.ucp.pt:article/7326
url https://doi.org/10.7559/citarj.v11i1.597
identifier_str_mv oai:ojs.revistas.ucp.pt:article/7326
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://revistas.ucp.pt/index.php/jsta/article/view/7326
https://doi.org/10.7559/citarj.v11i1.597
https://revistas.ucp.pt/index.php/jsta/article/view/7326/7106
dc.rights.driver.fl_str_mv Copyright (c) 2019 Ana Martins, Olivia Novoa Fernández, Ignacio Agua
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2019 Ana Martins, Olivia Novoa Fernández, Ignacio Agua
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Católica Portuguesa
publisher.none.fl_str_mv Universidade Católica Portuguesa
dc.source.none.fl_str_mv Journal of Science and Technology of the Arts; Vol 11 No 1 (2019): Marginalized Narratives; 61-68
Journal of Science and Technology of the Arts; v. 11 n. 1 (2019): Marginalized Narratives; 61-68
2183-0088
1646-9798
10.34632/citarj.2019.11.1
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