EL CLOWN: un desafío metodológico para la formación de los actores y las actrices

Detalhes bibliográficos
Autor(a) principal: Cestau, Victoria
Data de Publicação: 2023
Outros Autores: Mauro, Karina
Tipo de documento: Artigo
Idioma: spa
eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.37334/eras.v14i2.295
Resumo: The objective of this current investigation is to contribute and enrich acting investigations, starting with the methodological study of Clown of Jacques Lecoq and problematizing his introduction and further developing, in the acting field in Buenos Aires, Argentina. Basing on academics studies, the challenge is to clarify actors work, making visible his presence, functions and influences in the education and artistic field. We think his labor is vital, creating alternative worlds and making reality visible. The actor, as an artist and employee, has been relegated in theatrical studies, however, it is common interest in the audience, and many papers had been published, demonstrating his production is indeed necessary.
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spelling EL CLOWN: un desafío metodológico para la formación de los actores y las actricesClownActorPerformanceJacques LecoqBuenos AiresClownActorPerformanceJacques LecoqThe objective of this current investigation is to contribute and enrich acting investigations, starting with the methodological study of Clown of Jacques Lecoq and problematizing his introduction and further developing, in the acting field in Buenos Aires, Argentina. Basing on academics studies, the challenge is to clarify actors work, making visible his presence, functions and influences in the education and artistic field. We think his labor is vital, creating alternative worlds and making reality visible. The actor, as an artist and employee, has been relegated in theatrical studies, however, it is common interest in the audience, and many papers had been published, demonstrating his production is indeed necessary.El objetivo de la presente investigación es contribuir y enriquecer las investigaciones referidas al campo actoral, a partir del estudio de la metodología del clown que propone Jacques Lecoq y problematizar su introducción y posterior desarrollo en el campo teatral porteño actual. Nos proponemos así desde los estudios académicos, aportar y fortalecer el arte teatral, para poder esclarecer el trabajo del actor, visibilizando su presencia, sus funciones y sus influencias en el ámbito educativo y artístico. Entendemos que su labor es vital, ya que dinamiza transformaciones sociales, visibiliza la realidad actual, crea e imagina mundos alternativos. El actor, como artista y como trabajador, ha sido relegado en los estudios teatrales, sin embargo el interés del público en general y los trabajos académicos crecen actualmente, demostrando así su necesaria producción.MUNDIS2023-06-30info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfapplication/pdfhttps://doi.org/10.37334/eras.v14i2.295https://doi.org/10.37334/eras.v14i2.295ERAS | European Review of Artistic Studies; Vol. 14 N.º 2 (2023): 53.ª Edição | ERAS; 1-30ERAS | European Review of Artistic Studies; Vol. 14 No. 2 (2023): 53.ª Edição | ERAS; 1-301647-35582184-2116reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPspaenghttps://eras.mundis.pt/index.php/eras/article/view/295https://eras.mundis.pt/index.php/eras/article/view/295/269https://eras.mundis.pt/index.php/eras/article/view/295/270Direitos de Autor (c) 2023 ERAS | European Review of Artistic Studiesinfo:eu-repo/semantics/openAccessCestau, VictoriaMauro, Karina2023-10-13T12:45:21Zoai:ojs2.eras.mundis.pt:article/295Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T20:33:30.309994Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv EL CLOWN: un desafío metodológico para la formación de los actores y las actrices
title EL CLOWN: un desafío metodológico para la formación de los actores y las actrices
spellingShingle EL CLOWN: un desafío metodológico para la formación de los actores y las actrices
Cestau, Victoria
Clown
Actor
Performance
Jacques Lecoq
Buenos Aires
Clown
Actor
Performance
Jacques Lecoq
title_short EL CLOWN: un desafío metodológico para la formación de los actores y las actrices
title_full EL CLOWN: un desafío metodológico para la formación de los actores y las actrices
title_fullStr EL CLOWN: un desafío metodológico para la formación de los actores y las actrices
title_full_unstemmed EL CLOWN: un desafío metodológico para la formación de los actores y las actrices
title_sort EL CLOWN: un desafío metodológico para la formación de los actores y las actrices
author Cestau, Victoria
author_facet Cestau, Victoria
Mauro, Karina
author_role author
author2 Mauro, Karina
author2_role author
dc.contributor.author.fl_str_mv Cestau, Victoria
Mauro, Karina
dc.subject.por.fl_str_mv Clown
Actor
Performance
Jacques Lecoq
Buenos Aires
Clown
Actor
Performance
Jacques Lecoq
topic Clown
Actor
Performance
Jacques Lecoq
Buenos Aires
Clown
Actor
Performance
Jacques Lecoq
description The objective of this current investigation is to contribute and enrich acting investigations, starting with the methodological study of Clown of Jacques Lecoq and problematizing his introduction and further developing, in the acting field in Buenos Aires, Argentina. Basing on academics studies, the challenge is to clarify actors work, making visible his presence, functions and influences in the education and artistic field. We think his labor is vital, creating alternative worlds and making reality visible. The actor, as an artist and employee, has been relegated in theatrical studies, however, it is common interest in the audience, and many papers had been published, demonstrating his production is indeed necessary.
publishDate 2023
dc.date.none.fl_str_mv 2023-06-30
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://doi.org/10.37334/eras.v14i2.295
https://doi.org/10.37334/eras.v14i2.295
url https://doi.org/10.37334/eras.v14i2.295
dc.language.iso.fl_str_mv spa
eng
language spa
eng
dc.relation.none.fl_str_mv https://eras.mundis.pt/index.php/eras/article/view/295
https://eras.mundis.pt/index.php/eras/article/view/295/269
https://eras.mundis.pt/index.php/eras/article/view/295/270
dc.rights.driver.fl_str_mv Direitos de Autor (c) 2023 ERAS | European Review of Artistic Studies
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Direitos de Autor (c) 2023 ERAS | European Review of Artistic Studies
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.publisher.none.fl_str_mv MUNDIS
publisher.none.fl_str_mv MUNDIS
dc.source.none.fl_str_mv ERAS | European Review of Artistic Studies; Vol. 14 N.º 2 (2023): 53.ª Edição | ERAS; 1-30
ERAS | European Review of Artistic Studies; Vol. 14 No. 2 (2023): 53.ª Edição | ERAS; 1-30
1647-3558
2184-2116
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
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instacron:RCAAP
instname_str Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron_str RCAAP
institution RCAAP
reponame_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
collection Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
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