The Glass Figure

Detalhes bibliográficos
Autor(a) principal: Camacho, Sandra
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.21814/2i.4111
Resumo: In this article, I propose to examine how prosopopoeia might be identified in some of André Kertész’s final photographic works, not only in the recourse of a glass figurine, that stood-in for his late-wife, Elizabeth, but also through the analysis of his choice of medium, the Polaroid: an image that holds a distinct material existence, small enough to share, and captivating in its instant development before one’s eyes. Additionally, I will consider the association of prosopopoeia and death, as a literary figure that gives voice to those that have lost it, but also in the very mourning process for Kertész.
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spelling The Glass FigureThe Glass FigureArtigosIn this article, I propose to examine how prosopopoeia might be identified in some of André Kertész’s final photographic works, not only in the recourse of a glass figurine, that stood-in for his late-wife, Elizabeth, but also through the analysis of his choice of medium, the Polaroid: an image that holds a distinct material existence, small enough to share, and captivating in its instant development before one’s eyes. Additionally, I will consider the association of prosopopoeia and death, as a literary figure that gives voice to those that have lost it, but also in the very mourning process for Kertész.In this article, I propose to examine how prosopopoeia might be identified in some of André Kertész’s final photographic works, not only in the recourse of a glass figurine, that stood-in for his late-wife, Elizabeth, but also through the analysis of his choice of medium, the Polaroid: an image that holds a distinct material existence, small enough to share, and captivating in its instant development before one’s eyes. Additionally, I will consider the association of prosopopoeia and death, as a literary figure that gives voice to those that have lost it, but also in the very mourning process for Kertész.UMinho Editora2022-12-06info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articlehttps://doi.org/10.21814/2i.4111eng2184-7010Camacho, Sandrainfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-12-24T08:38:28Zoai:journals.uminho.pt:article/4111Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T00:56:01.314172Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv The Glass Figure
The Glass Figure
title The Glass Figure
spellingShingle The Glass Figure
Camacho, Sandra
Artigos
title_short The Glass Figure
title_full The Glass Figure
title_fullStr The Glass Figure
title_full_unstemmed The Glass Figure
title_sort The Glass Figure
author Camacho, Sandra
author_facet Camacho, Sandra
author_role author
dc.contributor.author.fl_str_mv Camacho, Sandra
dc.subject.por.fl_str_mv Artigos
topic Artigos
description In this article, I propose to examine how prosopopoeia might be identified in some of André Kertész’s final photographic works, not only in the recourse of a glass figurine, that stood-in for his late-wife, Elizabeth, but also through the analysis of his choice of medium, the Polaroid: an image that holds a distinct material existence, small enough to share, and captivating in its instant development before one’s eyes. Additionally, I will consider the association of prosopopoeia and death, as a literary figure that gives voice to those that have lost it, but also in the very mourning process for Kertész.
publishDate 2022
dc.date.none.fl_str_mv 2022-12-06
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dc.language.iso.fl_str_mv eng
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