Empíroca: uma experiência não clandestina pelos jardins de Príapo

Detalhes bibliográficos
Autor(a) principal: Vasconcelos, Rafael Cabral de
Data de Publicação: 2020
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10451/42105
Resumo: The present Master Project in Sculpture, Specialization in Sculpture Studies, resides in the theme of Gender Diversity and Sexuality and investigates the limits of the potential of dangerousness of the manly man in society; it deals with the practical elaboration of public sculptures named Empírocas. EMPÍROCA is a theoreticalpractical investigation and consists of a series of installations representing The Gardens of Priapus. Through sculptural actions ranging from the elaboration of phallic sound sculptures in ceramics to various three-dimensional interdicted actions that shape human genitals throughout situations of risk and threat. In order to reflect on the problematic of situations of recurrent abuse by and through male chauvinism/machismo and on the limits of the prejudices suffered by the diverse gender identities, orientations and sexual behaviors, it observes how the clandestinity of such theme is broken down by its aesthetic fruition. Through the deconstruction of macho and decapitalization of phallus, this work has as main referential cornerstone the Parque das Esculturas Francisco Brennand in Recife, Pernambuco, Brazil; and it aims at the protection of every body that recognizes itself in situations of physical, moral and ethical abuse. It is characterized by the analysis of how the symbol of phallus power has been transformed from the time of ancient Greece until contemporary times andand its main epistemological focus is the formation of the Man of Cangaço originated from the Brazilian northeastern Sertão of twentieth century.
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spelling Empíroca: uma experiência não clandestina pelos jardins de PríapoEsculturaGéneroDiversidadeFalosMachismoMasculinidadeSexualidadeParque das Esculturas Francisco Brennand (Recife, Brasil)Domínio/Área Científica::Humanidades::ArtesThe present Master Project in Sculpture, Specialization in Sculpture Studies, resides in the theme of Gender Diversity and Sexuality and investigates the limits of the potential of dangerousness of the manly man in society; it deals with the practical elaboration of public sculptures named Empírocas. EMPÍROCA is a theoreticalpractical investigation and consists of a series of installations representing The Gardens of Priapus. Through sculptural actions ranging from the elaboration of phallic sound sculptures in ceramics to various three-dimensional interdicted actions that shape human genitals throughout situations of risk and threat. In order to reflect on the problematic of situations of recurrent abuse by and through male chauvinism/machismo and on the limits of the prejudices suffered by the diverse gender identities, orientations and sexual behaviors, it observes how the clandestinity of such theme is broken down by its aesthetic fruition. Through the deconstruction of macho and decapitalization of phallus, this work has as main referential cornerstone the Parque das Esculturas Francisco Brennand in Recife, Pernambuco, Brazil; and it aims at the protection of every body that recognizes itself in situations of physical, moral and ethical abuse. It is characterized by the analysis of how the symbol of phallus power has been transformed from the time of ancient Greece until contemporary times andand its main epistemological focus is the formation of the Man of Cangaço originated from the Brazilian northeastern Sertão of twentieth century.Matos, AntónioRepositório da Universidade de LisboaVasconcelos, Rafael Cabral de2020-03-02T17:20:14Z2020-02-052020-02-05T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisimage/jpegapplication/pdfapplication/pdfhttp://hdl.handle.net/10451/42105TID:202437639porinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-08T16:41:49Zoai:repositorio.ul.pt:10451/42105Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T21:55:13.145436Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Empíroca: uma experiência não clandestina pelos jardins de Príapo
title Empíroca: uma experiência não clandestina pelos jardins de Príapo
spellingShingle Empíroca: uma experiência não clandestina pelos jardins de Príapo
Vasconcelos, Rafael Cabral de
Escultura
Género
Diversidade
Falos
Machismo
Masculinidade
Sexualidade
Parque das Esculturas Francisco Brennand (Recife, Brasil)
Domínio/Área Científica::Humanidades::Artes
title_short Empíroca: uma experiência não clandestina pelos jardins de Príapo
title_full Empíroca: uma experiência não clandestina pelos jardins de Príapo
title_fullStr Empíroca: uma experiência não clandestina pelos jardins de Príapo
title_full_unstemmed Empíroca: uma experiência não clandestina pelos jardins de Príapo
title_sort Empíroca: uma experiência não clandestina pelos jardins de Príapo
author Vasconcelos, Rafael Cabral de
author_facet Vasconcelos, Rafael Cabral de
author_role author
dc.contributor.none.fl_str_mv Matos, António
Repositório da Universidade de Lisboa
dc.contributor.author.fl_str_mv Vasconcelos, Rafael Cabral de
dc.subject.por.fl_str_mv Escultura
Género
Diversidade
Falos
Machismo
Masculinidade
Sexualidade
Parque das Esculturas Francisco Brennand (Recife, Brasil)
Domínio/Área Científica::Humanidades::Artes
topic Escultura
Género
Diversidade
Falos
Machismo
Masculinidade
Sexualidade
Parque das Esculturas Francisco Brennand (Recife, Brasil)
Domínio/Área Científica::Humanidades::Artes
description The present Master Project in Sculpture, Specialization in Sculpture Studies, resides in the theme of Gender Diversity and Sexuality and investigates the limits of the potential of dangerousness of the manly man in society; it deals with the practical elaboration of public sculptures named Empírocas. EMPÍROCA is a theoreticalpractical investigation and consists of a series of installations representing The Gardens of Priapus. Through sculptural actions ranging from the elaboration of phallic sound sculptures in ceramics to various three-dimensional interdicted actions that shape human genitals throughout situations of risk and threat. In order to reflect on the problematic of situations of recurrent abuse by and through male chauvinism/machismo and on the limits of the prejudices suffered by the diverse gender identities, orientations and sexual behaviors, it observes how the clandestinity of such theme is broken down by its aesthetic fruition. Through the deconstruction of macho and decapitalization of phallus, this work has as main referential cornerstone the Parque das Esculturas Francisco Brennand in Recife, Pernambuco, Brazil; and it aims at the protection of every body that recognizes itself in situations of physical, moral and ethical abuse. It is characterized by the analysis of how the symbol of phallus power has been transformed from the time of ancient Greece until contemporary times andand its main epistemological focus is the formation of the Man of Cangaço originated from the Brazilian northeastern Sertão of twentieth century.
publishDate 2020
dc.date.none.fl_str_mv 2020-03-02T17:20:14Z
2020-02-05
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