Vocal energy vs. vocal tension
| Autor(a) principal: | |
|---|---|
| Data de Publicação: | 2018 |
| Tipo de documento: | Artigo |
| Idioma: | eng |
| Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
| Texto Completo: | http://hdl.handle.net/10174/27029 |
Resumo: | As both a professional singer and a teacher of singers, I have experienced voice lessons in a great variety of settings worldwide, and it has been my observation that one regularly hears the same concepts and ideas addressed and discussed in many ways. These concepts include breathing technique (diaphragmatic vs. abdominal), position of the soft palate (high and lifted vs. vowel dependent), body posture, relaxation, etc. It is as critically important for singers to avoid tension in their bodies as it is to avoid an overly relaxed body—one which is devoid of the energy necessary to produce a sound that is rich with harmonics and capable of projecting in ensembles or over an orchestra in a large hall. |
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Vocal energy vs. vocal tensionAs both a professional singer and a teacher of singers, I have experienced voice lessons in a great variety of settings worldwide, and it has been my observation that one regularly hears the same concepts and ideas addressed and discussed in many ways. These concepts include breathing technique (diaphragmatic vs. abdominal), position of the soft palate (high and lifted vs. vowel dependent), body posture, relaxation, etc. It is as critically important for singers to avoid tension in their bodies as it is to avoid an overly relaxed body—one which is devoid of the energy necessary to produce a sound that is rich with harmonics and capable of projecting in ensembles or over an orchestra in a large hall.Alex Stoddard2020-02-18T14:34:16Z2020-02-182018-12-30T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articlehttp://hdl.handle.net/10174/27029http://hdl.handle.net/10174/27029enghttps://www.csmusic.net/content/articles/vocal-energy-vs-vocal-tension/Departamento de músicamafs@uevora.pt203Santos, Marcosinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2024-01-03T19:22:09Zoai:dspace.uevora.pt:10174/27029Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T01:17:09.926967Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
| dc.title.none.fl_str_mv |
Vocal energy vs. vocal tension |
| title |
Vocal energy vs. vocal tension |
| spellingShingle |
Vocal energy vs. vocal tension Santos, Marcos |
| title_short |
Vocal energy vs. vocal tension |
| title_full |
Vocal energy vs. vocal tension |
| title_fullStr |
Vocal energy vs. vocal tension |
| title_full_unstemmed |
Vocal energy vs. vocal tension |
| title_sort |
Vocal energy vs. vocal tension |
| author |
Santos, Marcos |
| author_facet |
Santos, Marcos |
| author_role |
author |
| dc.contributor.author.fl_str_mv |
Santos, Marcos |
| description |
As both a professional singer and a teacher of singers, I have experienced voice lessons in a great variety of settings worldwide, and it has been my observation that one regularly hears the same concepts and ideas addressed and discussed in many ways. These concepts include breathing technique (diaphragmatic vs. abdominal), position of the soft palate (high and lifted vs. vowel dependent), body posture, relaxation, etc. It is as critically important for singers to avoid tension in their bodies as it is to avoid an overly relaxed body—one which is devoid of the energy necessary to produce a sound that is rich with harmonics and capable of projecting in ensembles or over an orchestra in a large hall. |
| publishDate |
2018 |
| dc.date.none.fl_str_mv |
2018-12-30T00:00:00Z 2020-02-18T14:34:16Z 2020-02-18 |
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info:eu-repo/semantics/publishedVersion |
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info:eu-repo/semantics/article |
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article |
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publishedVersion |
| dc.identifier.uri.fl_str_mv |
http://hdl.handle.net/10174/27029 http://hdl.handle.net/10174/27029 |
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http://hdl.handle.net/10174/27029 |
| dc.language.iso.fl_str_mv |
eng |
| language |
eng |
| dc.relation.none.fl_str_mv |
https://www.csmusic.net/content/articles/vocal-energy-vs-vocal-tension/ Departamento de música mafs@uevora.pt 203 |
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info:eu-repo/semantics/openAccess |
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openAccess |
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Alex Stoddard |
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Alex Stoddard |
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reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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