Crafting a doll and a film: challenges in filming a doll-in-the-making

Detalhes bibliográficos
Autor(a) principal: Ponte, Ines
Data de Publicação: 2017
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10451/32497
Resumo: This article looks into Making a Living in the Dry Season, a research film grounded in a long-term stay at a highland agro-pastoralist village in Namibe province, Angola. The film is an intimate portrait of the day-to-day life of a family examining through the practice of doll-making a twofold notion of labour, that is, the labour in crafting and the labour in making a living. I explore insights acquired by the process of making this film and its relation with the end result, discussing the challenges of using filmmaking as a research method, and as an outcome into a film. I look at the knowledge generated in filming, and its subsequent editing and re-editing, paying attention to the role of differing partnerships in the overall production process and in shaping the finished film.
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spelling Crafting a doll and a film: challenges in filming a doll-in-the-makingFazer uma boneca e um filme: desafios em filmar uma boneca-sendo-feitaethnographyvisual anthropologyAngolamaterialityfilmmakingThis article looks into Making a Living in the Dry Season, a research film grounded in a long-term stay at a highland agro-pastoralist village in Namibe province, Angola. The film is an intimate portrait of the day-to-day life of a family examining through the practice of doll-making a twofold notion of labour, that is, the labour in crafting and the labour in making a living. I explore insights acquired by the process of making this film and its relation with the end result, discussing the challenges of using filmmaking as a research method, and as an outcome into a film. I look at the knowledge generated in filming, and its subsequent editing and re-editing, paying attention to the role of differing partnerships in the overall production process and in shaping the finished film.Repositório da Universidade de LisboaPonte, Ines2018-03-27T15:59:34Z20172017-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/10451/32497engPonte, I. (2017). Crafting a doll and a film: challenges in filming a doll-in-the-making, Etnográfica 21 (3), 449-462. DOI : 10.4000/etnografica.4977.2182-289110.4000/etnografica.4977info:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-08T16:26:50Zoai:repositorio.ul.pt:10451/32497Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T21:47:47.683606Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Crafting a doll and a film: challenges in filming a doll-in-the-making
Fazer uma boneca e um filme: desafios em filmar uma boneca-sendo-feita
title Crafting a doll and a film: challenges in filming a doll-in-the-making
spellingShingle Crafting a doll and a film: challenges in filming a doll-in-the-making
Ponte, Ines
ethnography
visual anthropology
Angola
materiality
filmmaking
title_short Crafting a doll and a film: challenges in filming a doll-in-the-making
title_full Crafting a doll and a film: challenges in filming a doll-in-the-making
title_fullStr Crafting a doll and a film: challenges in filming a doll-in-the-making
title_full_unstemmed Crafting a doll and a film: challenges in filming a doll-in-the-making
title_sort Crafting a doll and a film: challenges in filming a doll-in-the-making
author Ponte, Ines
author_facet Ponte, Ines
author_role author
dc.contributor.none.fl_str_mv Repositório da Universidade de Lisboa
dc.contributor.author.fl_str_mv Ponte, Ines
dc.subject.por.fl_str_mv ethnography
visual anthropology
Angola
materiality
filmmaking
topic ethnography
visual anthropology
Angola
materiality
filmmaking
description This article looks into Making a Living in the Dry Season, a research film grounded in a long-term stay at a highland agro-pastoralist village in Namibe province, Angola. The film is an intimate portrait of the day-to-day life of a family examining through the practice of doll-making a twofold notion of labour, that is, the labour in crafting and the labour in making a living. I explore insights acquired by the process of making this film and its relation with the end result, discussing the challenges of using filmmaking as a research method, and as an outcome into a film. I look at the knowledge generated in filming, and its subsequent editing and re-editing, paying attention to the role of differing partnerships in the overall production process and in shaping the finished film.
publishDate 2017
dc.date.none.fl_str_mv 2017
2017-01-01T00:00:00Z
2018-03-27T15:59:34Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://hdl.handle.net/10451/32497
url http://hdl.handle.net/10451/32497
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv Ponte, I. (2017). Crafting a doll and a film: challenges in filming a doll-in-the-making, Etnográfica 21 (3), 449-462. DOI : 10.4000/etnografica.4977.
2182-2891
10.4000/etnografica.4977
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collection Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
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