On Prisons and Theatres: Santo Stefano and San Carlo

Detalhes bibliográficos
Autor(a) principal: Branco, Patrícia
Data de Publicação: 2010
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10316/43127
Resumo: The interconnection between law and theatre can be seen as having both specular and spectacular functions, in which space acts as a manifestation of power to shape the place or stage where law and theatre come to life and perform their spectacle. To explore this link I will use the example of the eighteenth century prison at Santo Stefano Island in Italy. The curiosity regarding this building arises from the fact that its architectural plan may have been copied from that of the San Carlo Theatre in Naples. Bentham’s Panopticon was published between the date of construction of the theatre and that of the prison. While the two buildings span the publication of the Panopticon, they also mirror each other in the panoptical direction of their gaze. I will explore these mutual influences and inversions.
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spelling On Prisons and Theatres: Santo Stefano and San CarloThe interconnection between law and theatre can be seen as having both specular and spectacular functions, in which space acts as a manifestation of power to shape the place or stage where law and theatre come to life and perform their spectacle. To explore this link I will use the example of the eighteenth century prison at Santo Stefano Island in Italy. The curiosity regarding this building arises from the fact that its architectural plan may have been copied from that of the San Carlo Theatre in Naples. Bentham’s Panopticon was published between the date of construction of the theatre and that of the prison. While the two buildings span the publication of the Panopticon, they also mirror each other in the panoptical direction of their gaze. I will explore these mutual influences and inversions.University of Wollongong2010info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articlehttp://hdl.handle.net/10316/43127http://hdl.handle.net/10316/43127eng1322-9060http://ro.uow.edu.au/ltc/vol14/iss1/15Branco, Patríciainfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2020-05-25T05:29:47Zoai:estudogeral.uc.pt:10316/43127Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T20:50:30.215780Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv On Prisons and Theatres: Santo Stefano and San Carlo
title On Prisons and Theatres: Santo Stefano and San Carlo
spellingShingle On Prisons and Theatres: Santo Stefano and San Carlo
Branco, Patrícia
title_short On Prisons and Theatres: Santo Stefano and San Carlo
title_full On Prisons and Theatres: Santo Stefano and San Carlo
title_fullStr On Prisons and Theatres: Santo Stefano and San Carlo
title_full_unstemmed On Prisons and Theatres: Santo Stefano and San Carlo
title_sort On Prisons and Theatres: Santo Stefano and San Carlo
author Branco, Patrícia
author_facet Branco, Patrícia
author_role author
dc.contributor.author.fl_str_mv Branco, Patrícia
description The interconnection between law and theatre can be seen as having both specular and spectacular functions, in which space acts as a manifestation of power to shape the place or stage where law and theatre come to life and perform their spectacle. To explore this link I will use the example of the eighteenth century prison at Santo Stefano Island in Italy. The curiosity regarding this building arises from the fact that its architectural plan may have been copied from that of the San Carlo Theatre in Naples. Bentham’s Panopticon was published between the date of construction of the theatre and that of the prison. While the two buildings span the publication of the Panopticon, they also mirror each other in the panoptical direction of their gaze. I will explore these mutual influences and inversions.
publishDate 2010
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dc.identifier.uri.fl_str_mv http://hdl.handle.net/10316/43127
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dc.language.iso.fl_str_mv eng
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dc.publisher.none.fl_str_mv University of Wollongong
publisher.none.fl_str_mv University of Wollongong
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