Das representações da cidade no cinema brasileiro.

Detalhes bibliográficos
Autor(a) principal: Mariana Lucena Duarte Lopes
Data de Publicação: 2011
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://hdl.handle.net/10216/150389
Resumo: Since his dawn in the late nineteenth century, cinema has been intrinsically related on several levels to the city. On a thematic level, it represented different spaces, lifestyles and human conditions since the Lumiére brothers' 1850 Paris, demonstrating the ability to capture and express the spatial complexity, the diversity and social dynamism of the city, which, for turn, provided an important imagery source for both the first productions and the sequent ones, contributing to the the cities' image and readability. By monitoring the film representations of the city within the specific context of Brazil, one seeks to reflect on the films that bring a closer look at the urban space, and to understand the way they used geography, specific spatial constructs and symbolism for weaving sociological, political, ideological and cultural observations on the specific context in which they were produced during the twentieth and early twenty-first century.
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spelling Das representações da cidade no cinema brasileiro.ArtesArtsSince his dawn in the late nineteenth century, cinema has been intrinsically related on several levels to the city. On a thematic level, it represented different spaces, lifestyles and human conditions since the Lumiére brothers' 1850 Paris, demonstrating the ability to capture and express the spatial complexity, the diversity and social dynamism of the city, which, for turn, provided an important imagery source for both the first productions and the sequent ones, contributing to the the cities' image and readability. By monitoring the film representations of the city within the specific context of Brazil, one seeks to reflect on the films that bring a closer look at the urban space, and to understand the way they used geography, specific spatial constructs and symbolism for weaving sociological, political, ideological and cultural observations on the specific context in which they were produced during the twentieth and early twenty-first century.2011-12-132011-12-13T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisapplication/pdfhttps://hdl.handle.net/10216/150389porMariana Lucena Duarte Lopesinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-29T12:26:55Zoai:repositorio-aberto.up.pt:10216/150389Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T23:20:31.907563Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Das representações da cidade no cinema brasileiro.
title Das representações da cidade no cinema brasileiro.
spellingShingle Das representações da cidade no cinema brasileiro.
Mariana Lucena Duarte Lopes
Artes
Arts
title_short Das representações da cidade no cinema brasileiro.
title_full Das representações da cidade no cinema brasileiro.
title_fullStr Das representações da cidade no cinema brasileiro.
title_full_unstemmed Das representações da cidade no cinema brasileiro.
title_sort Das representações da cidade no cinema brasileiro.
author Mariana Lucena Duarte Lopes
author_facet Mariana Lucena Duarte Lopes
author_role author
dc.contributor.author.fl_str_mv Mariana Lucena Duarte Lopes
dc.subject.por.fl_str_mv Artes
Arts
topic Artes
Arts
description Since his dawn in the late nineteenth century, cinema has been intrinsically related on several levels to the city. On a thematic level, it represented different spaces, lifestyles and human conditions since the Lumiére brothers' 1850 Paris, demonstrating the ability to capture and express the spatial complexity, the diversity and social dynamism of the city, which, for turn, provided an important imagery source for both the first productions and the sequent ones, contributing to the the cities' image and readability. By monitoring the film representations of the city within the specific context of Brazil, one seeks to reflect on the films that bring a closer look at the urban space, and to understand the way they used geography, specific spatial constructs and symbolism for weaving sociological, political, ideological and cultural observations on the specific context in which they were produced during the twentieth and early twenty-first century.
publishDate 2011
dc.date.none.fl_str_mv 2011-12-13
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