REPRESENTATIONS OF PORTUGAL IN HERMANN HESSE, PHILIP ROTH AND PAUL AUSTER

Detalhes bibliográficos
Autor(a) principal: Silva Lopes, Dalila
Data de Publicação: 2019
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.34630/polissema.vi8.3282
Resumo: The aim of my research is to answer the question: How is Portugal seen by non-Portuguese fictionists? The main reason why I chose this research line is the following: Portuguese essayists like Eduardo Lourenço and José Gil (2005) focus their attention on the image or representation of Portugal as conceived by the Portuguese; indeed there is a tendency in Portuguese cultural studies (and, to a certain extent, also in Portuguese philosophical studies) to focus on studying the so-called ‘portugalidade’ (portugueseness), i.e., the essence of being Portuguese. In my view, the problem with the studies I have been referring to is that everything is self-referential, and if ‘portugueseness’ is an issue, then it might be useful, when dealing with it, to separate subject from object of observation. That is the reason why we, in the CEI (Centro de Estudos Interculturais), decided to start this research line, which is an inversion in the current tendency of the studies about ‘portugueseness’: instead of studying the image or representation of Portugal by the Portuguese, my task is to study the image or representation of Portugal by the non-Portuguese, in this case, in non-Portuguese fiction. For the present paper I selected three writers of the 20th century: the German Hermann Hesse and the North-Americans Philip Roth and Paul Auster.
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spelling REPRESENTATIONS OF PORTUGAL IN HERMANN HESSE, PHILIP ROTH AND PAUL AUSTERRepresentações de PortugalPeiceíconesíndicessímbolosHermann HessePhilip RothPaul AusterRepresentations of PortugalPeirceiconsindicessymbolsHermann HessePhilip RothPaul AusterThe aim of my research is to answer the question: How is Portugal seen by non-Portuguese fictionists? The main reason why I chose this research line is the following: Portuguese essayists like Eduardo Lourenço and José Gil (2005) focus their attention on the image or representation of Portugal as conceived by the Portuguese; indeed there is a tendency in Portuguese cultural studies (and, to a certain extent, also in Portuguese philosophical studies) to focus on studying the so-called ‘portugalidade’ (portugueseness), i.e., the essence of being Portuguese. In my view, the problem with the studies I have been referring to is that everything is self-referential, and if ‘portugueseness’ is an issue, then it might be useful, when dealing with it, to separate subject from object of observation. That is the reason why we, in the CEI (Centro de Estudos Interculturais), decided to start this research line, which is an inversion in the current tendency of the studies about ‘portugueseness’: instead of studying the image or representation of Portugal by the Portuguese, my task is to study the image or representation of Portugal by the non-Portuguese, in this case, in non-Portuguese fiction. For the present paper I selected three writers of the 20th century: the German Hermann Hesse and the North-Americans Philip Roth and Paul Auster.O propósito da minha pesquisa é responder à questão: como é Portugal visto pelos escritores de ficção estrangeiros? A principal razão pela qual escolhi esta linha de investigação é o seguinte: ensaístas portugueses, como Eduardo Lourenço e José Gil (2005), centram a sua atenção na imagem ou na representação de Portugal tal como é concebida pelos próprios portugueses. De facto, existe uma tendência nos estudos culturais portugueses (e também, até certo ponto, nos estudos filosóficos) para se centrarem na chamada ‘portugalidade’, ou seja, na essência de ser português. No meu ponto de vista, o problema com os estudos que referi anteriormente é que tudo é auto-referencial. E se a ‘portugalidade’ é uma questão a ter em conta, então pode ser útil, ao estudá-la, separarmos o sujeito do objecto de observação. É esta a razão pela qual nós, no CEI (Centro de Estudos Interculturais), decidimos começar esta linha de investigação, que é uma inversão da tendência corrente dos estudos sobre a ‘portugalidade’: ao invés de estudar a imagem ou a representação de Portugal pelos portugueses, a minha tarefa é estudar a imagem ou a representação de Portugal pelos não-portugueses, neste caso, na ficção não-portuguesa. Para este artigo seleccionei três escritores do século XX: o alemão Hermann Hesse e os norte-americanos Philip Roth e Paul Auster.Instituto Superior de Contabilidade e Administração do Porto2019-08-20info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.34630/polissema.vi8.3282https://doi.org/10.34630/polissema.vi8.3282POLISSEMA – ISCAP Journal of Letters; No. 8 (2008); 65-99POLISSEMA – Revista de Letras do ISCAP; Núm. 8 (2008); 65-99POLISSEMA; No 8 (2008); 65-99POLISSEMA – Revista de Letras do ISCAP; N.º 8 (2008); 65-992184-710X1645-1937reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://parc.ipp.pt/index.php/Polissema/article/view/3282https://parc.ipp.pt/index.php/Polissema/article/view/3282/1266Direitos de Autor (c) 2008 POLISSEMA – Revista de Letras do ISCAPinfo:eu-repo/semantics/openAccessSilva Lopes, Dalila2024-02-01T20:17:54Zoai:oai.parc.ipp.pt:article/3282Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T16:00:56.714472Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv REPRESENTATIONS OF PORTUGAL IN HERMANN HESSE, PHILIP ROTH AND PAUL AUSTER
title REPRESENTATIONS OF PORTUGAL IN HERMANN HESSE, PHILIP ROTH AND PAUL AUSTER
spellingShingle REPRESENTATIONS OF PORTUGAL IN HERMANN HESSE, PHILIP ROTH AND PAUL AUSTER
Silva Lopes, Dalila
Representações de Portugal
Peice
ícones
índices
símbolos
Hermann Hesse
Philip Roth
Paul Auster
Representations of Portugal
Peirce
icons
indices
symbols
Hermann Hesse
Philip Roth
Paul Auster
title_short REPRESENTATIONS OF PORTUGAL IN HERMANN HESSE, PHILIP ROTH AND PAUL AUSTER
title_full REPRESENTATIONS OF PORTUGAL IN HERMANN HESSE, PHILIP ROTH AND PAUL AUSTER
title_fullStr REPRESENTATIONS OF PORTUGAL IN HERMANN HESSE, PHILIP ROTH AND PAUL AUSTER
title_full_unstemmed REPRESENTATIONS OF PORTUGAL IN HERMANN HESSE, PHILIP ROTH AND PAUL AUSTER
title_sort REPRESENTATIONS OF PORTUGAL IN HERMANN HESSE, PHILIP ROTH AND PAUL AUSTER
author Silva Lopes, Dalila
author_facet Silva Lopes, Dalila
author_role author
dc.contributor.author.fl_str_mv Silva Lopes, Dalila
dc.subject.por.fl_str_mv Representações de Portugal
Peice
ícones
índices
símbolos
Hermann Hesse
Philip Roth
Paul Auster
Representations of Portugal
Peirce
icons
indices
symbols
Hermann Hesse
Philip Roth
Paul Auster
topic Representações de Portugal
Peice
ícones
índices
símbolos
Hermann Hesse
Philip Roth
Paul Auster
Representations of Portugal
Peirce
icons
indices
symbols
Hermann Hesse
Philip Roth
Paul Auster
description The aim of my research is to answer the question: How is Portugal seen by non-Portuguese fictionists? The main reason why I chose this research line is the following: Portuguese essayists like Eduardo Lourenço and José Gil (2005) focus their attention on the image or representation of Portugal as conceived by the Portuguese; indeed there is a tendency in Portuguese cultural studies (and, to a certain extent, also in Portuguese philosophical studies) to focus on studying the so-called ‘portugalidade’ (portugueseness), i.e., the essence of being Portuguese. In my view, the problem with the studies I have been referring to is that everything is self-referential, and if ‘portugueseness’ is an issue, then it might be useful, when dealing with it, to separate subject from object of observation. That is the reason why we, in the CEI (Centro de Estudos Interculturais), decided to start this research line, which is an inversion in the current tendency of the studies about ‘portugueseness’: instead of studying the image or representation of Portugal by the Portuguese, my task is to study the image or representation of Portugal by the non-Portuguese, in this case, in non-Portuguese fiction. For the present paper I selected three writers of the 20th century: the German Hermann Hesse and the North-Americans Philip Roth and Paul Auster.
publishDate 2019
dc.date.none.fl_str_mv 2019-08-20
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://doi.org/10.34630/polissema.vi8.3282
https://doi.org/10.34630/polissema.vi8.3282
url https://doi.org/10.34630/polissema.vi8.3282
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://parc.ipp.pt/index.php/Polissema/article/view/3282
https://parc.ipp.pt/index.php/Polissema/article/view/3282/1266
dc.rights.driver.fl_str_mv Direitos de Autor (c) 2008 POLISSEMA – Revista de Letras do ISCAP
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Direitos de Autor (c) 2008 POLISSEMA – Revista de Letras do ISCAP
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Instituto Superior de Contabilidade e Administração do Porto
publisher.none.fl_str_mv Instituto Superior de Contabilidade e Administração do Porto
dc.source.none.fl_str_mv POLISSEMA – ISCAP Journal of Letters; No. 8 (2008); 65-99
POLISSEMA – Revista de Letras do ISCAP; Núm. 8 (2008); 65-99
POLISSEMA; No 8 (2008); 65-99
POLISSEMA – Revista de Letras do ISCAP; N.º 8 (2008); 65-99
2184-710X
1645-1937
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