The triumphal cross of the cathedral of Nevers: painting technique and examination
Autor(a) principal: | |
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Data de Publicação: | 2019 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://doi.org/10.4000/medievalista.2321 |
Resumo: | The large polychrome wooden cross preserved in the Saint-Cyr et Sainte-Julitte cathedral in Nevers was badly damaged during the bombing in July 1944. Restored and put on display on a modern cross in front of the choir, the sculpture suffered a new fall in 2015. The conservation of the work, directed by DRAC-CRMH of Burgundy-Franche-Comté, was preceded by a phase of technical study. Micro-stratigraphic, taxonomic and radiometric analyses and the dendrochronology of the cross were carried out. The dendrochronology of the cross of Nevers and the comparison with radiocarbon dating place the elaboration of the work in the last quarter of the 12th century while confirming the contemporaneousness of the cross with the sculpture. The quality of the triumphal cross of Nevers is highlighted even more by this dating which testifies to the richness of the formal contributions in Burgundy in the 12th century. Bibliography Printed sources BALLESTREM, Agnes; PUISSANT, Martine – “La croix triomphale de l’église de Saint-Denis à Forest. Essai d’identification, examen et traitement”. Bulletin IRPA, XIII. Bruxelles, 1971/72. BEER, Manuela – Triumphkreuze des Mittelalters. Ein Beitrag zu Typus und Genese im 12. Und 13. Jahrhundert. Ratisbone, 2005. BERTONI CREN, Nadia; CREN, Stéphane – “Note dal restauro del crocefisso di San Salvatore”. in PREZZOLINI, Carlo (ed.) – Il crocifisso di Abbadia San Salvatore. Catechesi e Arte. Montepulciano (Siena), 2010. CERVINI, Fulvio – “Di alcuni crocifissi trionfali del secolo XII nell’Italia Settentrionale”. Arte Medievale, VII, 2008, 1. CROSNIER, Abbé Augustin Joseph – Monographie de la Cathédrale de Nevers. Société Nivernaise Des Lettres. Nevers, 1854. FRODL, Walter – Kunst in Südtirol. München, 1960. FALK, Birgitta; HÜLSEN-ESCH, Andrea von (ed.) – Mathilde, Glanzzeit des Essener Frauenstifts. Essen, 2011. FRØYSAKER, Tine; KOLLANDSRUD, Kaja – “The Calvary group in Urnes Stave church, Norway: a technological examination”. in NADOLNY, Jilleen (ed.) – Medieval Painting in Northern Europe. Techniques, analysis, art history. London, 2006. HOFFMANN, Konrad (ed.) – The Year 1200. The Centennial exhibition at Metropolitan Museum of Art, the Cloisters. New York, 1970. MOR, Luca – “Anno 1205 circa: la Croce trionfale di Gries”. in CANTONE, Valentina; FUMIAN, Silvia (ed.) – Le Arti a confronto con il Sacro. Metodi di ricerca e nuove prospettive d’indagine in ottica interdisciplinare. Padova, 2009. MÜLLER, Theodor – “Ein romanicher Crocifixus aus Tirol”. Pantheon, LIV, 1974. MÜLLER, Theodor – Gotische Skulptur in Tirol. Bozen-Innsbruck-Wien, 1976. NADOLNY, Jilleen (ed.) – Medieval Painting in Northern Europe. Techniques, analysis, art history. London, 2006. NYBORG, Ebbe – “Danish Panel Painting until c. 1300”. in NADOLNY Jilleen (ed.) – Medieval Painting in Northern Europe. Techniques, analysis, art history. London, 2006. PAWLIK, Anna – “Mathildes Gedächtnisstiftung in Aschaffenburg”. in FALK, Birgitta; HÜLSEN-ESCH, Andrea von (ed.) – Mathilde, Glanzzeit des Essener Frauenstifts. Essen, 2011. PLAHTER, Unn – “The Crucifix from Hemse. Analyses of the Painting Technique”. Maltechnik Restauro, 1. München, 1984. RASMO, Nicolò – “Note sulla scultura medioevale atesina”, Cultura Atesina, I, 1947. RASMO, Nicolò – “La scultura romanica nell’Alto Adige. Note e revisioni”, Cultura Atesina, VII, 1953. SAUERLÄNDER, Willibald – Von Sens bis Strasburg. En beitrag zur kunstgeschichtlichen Stellung der Strasburger Querhausskulpturen. Berlin, 1966. SERK DEWAIDE, Myriam; VERFAILLE, Simone – Le vieux Bon Dieu de Tancrémont. Bruxelles, 1987. SERCK DEWAIDE, Myriam M.; KOCKAERT, Leopold; VAN STRYDONCK, Marc; VERFAILLE, Simone – “Le vieux Bon Dieu de Tancrémont. Histoire et traitement”. Bulletin de l’IRPA, XXIII. Bruxelles. 1991. SERK DEWAIDE, Myriam – “Notre-Dame de Walcourt, une Vierge ottonienne et son revers du XIII° siècle. La statue en bois polychrome”. Bulletin de l’IRPA, 25. Bruxelles, 1993/94 (1996). SPADA PINTARELLI, Silvia – “Anonimo scultore 1205. Crocifisso, Bolzano vecchia parrocchiale di Gries”. in CASTELNUOVO, Enrico (ed.), Imago Lignea. Sculture lignee nel Trentino dal XIII al XVI secolo. Trento, 1989. TÅNGEBERG, Peter – Holzskulptur und Altarschrein. Studien zu Form, Material und Technik. München, 1989. TÅNGEBERG, Peter – “The Crucifix from Hemse”. Maltechnik Restauro 1, München, 1984. THOBY, Paul – Le crucifix des origines au Concile de Trente. Étude iconographique. Nantes, 1959. UGGLAS, Carl R. – Gotlands medeltida träskulptur till och med höggotikens inbrott. Stockholm, 1915. Studies PRINCIVALLE, Alessandro – Christ en croix en bois polychrome et ancienne croix de la cathédrale de Nevers. Rapport des analyses préalables à la restauration. Montagnana, 2017. FRAITURE, Pascale – Rapport de dendrochronologie, Nevers, Cathédrale Saint-Cyr-et-Sainte-Julitte, Croix d’un Christ en croix. IRPA, Bruxelles, 2017. BOUDIN, Mathieu – Radiocarbon dating report, Cathédrale de Nervers, Croix du Christ, Statue du Christ. IRPA, Bruxelles, 2017. |
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The triumphal cross of the cathedral of Nevers: painting technique and examinationA cruz triunfal da Catedral de Nevers: técnica e exame de pinturaWooden cross, Sculpture, Polychromy, Walnut, AzuriteCruz de madeira, Escultura, Policromia, Nogueira, AzuriteThe large polychrome wooden cross preserved in the Saint-Cyr et Sainte-Julitte cathedral in Nevers was badly damaged during the bombing in July 1944. Restored and put on display on a modern cross in front of the choir, the sculpture suffered a new fall in 2015. The conservation of the work, directed by DRAC-CRMH of Burgundy-Franche-Comté, was preceded by a phase of technical study. Micro-stratigraphic, taxonomic and radiometric analyses and the dendrochronology of the cross were carried out. The dendrochronology of the cross of Nevers and the comparison with radiocarbon dating place the elaboration of the work in the last quarter of the 12th century while confirming the contemporaneousness of the cross with the sculpture. The quality of the triumphal cross of Nevers is highlighted even more by this dating which testifies to the richness of the formal contributions in Burgundy in the 12th century. Bibliography Printed sources BALLESTREM, Agnes; PUISSANT, Martine – “La croix triomphale de l’église de Saint-Denis à Forest. Essai d’identification, examen et traitement”. Bulletin IRPA, XIII. Bruxelles, 1971/72. BEER, Manuela – Triumphkreuze des Mittelalters. Ein Beitrag zu Typus und Genese im 12. Und 13. Jahrhundert. Ratisbone, 2005. BERTONI CREN, Nadia; CREN, Stéphane – “Note dal restauro del crocefisso di San Salvatore”. in PREZZOLINI, Carlo (ed.) – Il crocifisso di Abbadia San Salvatore. Catechesi e Arte. Montepulciano (Siena), 2010. CERVINI, Fulvio – “Di alcuni crocifissi trionfali del secolo XII nell’Italia Settentrionale”. Arte Medievale, VII, 2008, 1. CROSNIER, Abbé Augustin Joseph – Monographie de la Cathédrale de Nevers. Société Nivernaise Des Lettres. Nevers, 1854. FRODL, Walter – Kunst in Südtirol. München, 1960. FALK, Birgitta; HÜLSEN-ESCH, Andrea von (ed.) – Mathilde, Glanzzeit des Essener Frauenstifts. Essen, 2011. FRØYSAKER, Tine; KOLLANDSRUD, Kaja – “The Calvary group in Urnes Stave church, Norway: a technological examination”. in NADOLNY, Jilleen (ed.) – Medieval Painting in Northern Europe. Techniques, analysis, art history. London, 2006. HOFFMANN, Konrad (ed.) – The Year 1200. The Centennial exhibition at Metropolitan Museum of Art, the Cloisters. New York, 1970. MOR, Luca – “Anno 1205 circa: la Croce trionfale di Gries”. in CANTONE, Valentina; FUMIAN, Silvia (ed.) – Le Arti a confronto con il Sacro. Metodi di ricerca e nuove prospettive d’indagine in ottica interdisciplinare. Padova, 2009. MÜLLER, Theodor – “Ein romanicher Crocifixus aus Tirol”. Pantheon, LIV, 1974. MÜLLER, Theodor – Gotische Skulptur in Tirol. Bozen-Innsbruck-Wien, 1976. NADOLNY, Jilleen (ed.) – Medieval Painting in Northern Europe. Techniques, analysis, art history. London, 2006. NYBORG, Ebbe – “Danish Panel Painting until c. 1300”. in NADOLNY Jilleen (ed.) – Medieval Painting in Northern Europe. Techniques, analysis, art history. London, 2006. PAWLIK, Anna – “Mathildes Gedächtnisstiftung in Aschaffenburg”. in FALK, Birgitta; HÜLSEN-ESCH, Andrea von (ed.) – Mathilde, Glanzzeit des Essener Frauenstifts. Essen, 2011. PLAHTER, Unn – “The Crucifix from Hemse. Analyses of the Painting Technique”. Maltechnik Restauro, 1. München, 1984. RASMO, Nicolò – “Note sulla scultura medioevale atesina”, Cultura Atesina, I, 1947. RASMO, Nicolò – “La scultura romanica nell’Alto Adige. Note e revisioni”, Cultura Atesina, VII, 1953. SAUERLÄNDER, Willibald – Von Sens bis Strasburg. En beitrag zur kunstgeschichtlichen Stellung der Strasburger Querhausskulpturen. Berlin, 1966. SERK DEWAIDE, Myriam; VERFAILLE, Simone – Le vieux Bon Dieu de Tancrémont. Bruxelles, 1987. SERCK DEWAIDE, Myriam M.; KOCKAERT, Leopold; VAN STRYDONCK, Marc; VERFAILLE, Simone – “Le vieux Bon Dieu de Tancrémont. Histoire et traitement”. Bulletin de l’IRPA, XXIII. Bruxelles. 1991. SERK DEWAIDE, Myriam – “Notre-Dame de Walcourt, une Vierge ottonienne et son revers du XIII° siècle. La statue en bois polychrome”. Bulletin de l’IRPA, 25. Bruxelles, 1993/94 (1996). SPADA PINTARELLI, Silvia – “Anonimo scultore 1205. Crocifisso, Bolzano vecchia parrocchiale di Gries”. in CASTELNUOVO, Enrico (ed.), Imago Lignea. Sculture lignee nel Trentino dal XIII al XVI secolo. Trento, 1989. TÅNGEBERG, Peter – Holzskulptur und Altarschrein. Studien zu Form, Material und Technik. München, 1989. TÅNGEBERG, Peter – “The Crucifix from Hemse”. Maltechnik Restauro 1, München, 1984. THOBY, Paul – Le crucifix des origines au Concile de Trente. Étude iconographique. Nantes, 1959. UGGLAS, Carl R. – Gotlands medeltida träskulptur till och med höggotikens inbrott. Stockholm, 1915. Studies PRINCIVALLE, Alessandro – Christ en croix en bois polychrome et ancienne croix de la cathédrale de Nevers. Rapport des analyses préalables à la restauration. Montagnana, 2017. FRAITURE, Pascale – Rapport de dendrochronologie, Nevers, Cathédrale Saint-Cyr-et-Sainte-Julitte, Croix d’un Christ en croix. IRPA, Bruxelles, 2017. BOUDIN, Mathieu – Radiocarbon dating report, Cathédrale de Nervers, Croix du Christ, Statue du Christ. IRPA, Bruxelles, 2017.A grande cruz de madeira policromada preservada na Catedral de Saint-Cyr et Sainte-Julitte em Nevers foi danificada com gravidade durante o bombardeamento de Julho de 1944. Restuarada e exposta numa cruz moderna em frente ao coro, a escultura sofreu uma nova queda em 2015. A conservação do trabalho, dirigida pelo DRAC-CRMH de Burdungy-Franche-Comté, foi precedida por uma fase de estudo técnico. Fizeram-se análises micro-estratigráficas, taxinómicas e radiométricas, bem como a dendrocronologia da cruz. A dendrocronologia da cruz de Nevers e a comparação com a datação por radiocarbono situaram a execução do trabalho no último quartel do século XII, confirmando que a. cruz e a escultura são contemporâneas. A qualidade da cruz triunfal de Nevers é ainda mais destacada com esta datação, que dá testemunho da riqueza dos contributos formais na Borgonha no século XII. Referências bibliográficas Fontes impressas BALLESTREM, Agnes; PUISSANT, Martine – “La croix triomphale de l’église de Saint-Denis à Forest. Essai d’identification, examen et traitement”. Bulletin IRPA, XIII. Bruxelles, 1971/72. BEER, Manuela – Triumphkreuze des Mittelalters. Ein Beitrag zu Typus und Genese im 12. Und 13. Jahrhundert. Ratisbone, 2005. BERTONI CREN, Nadia; CREN, Stéphane – “Note dal restauro del crocefisso di San Salvatore”. in PREZZOLINI, Carlo (ed.) – Il crocifisso di Abbadia San Salvatore. Catechesi e Arte. Montepulciano (Siena), 2010. CERVINI, Fulvio – “Di alcuni crocifissi trionfali del secolo XII nell’Italia Settentrionale”. Arte Medievale, VII, 2008, 1. CROSNIER, Abbé Augustin Joseph – Monographie de la Cathédrale de Nevers. Société Nivernaise Des Lettres. Nevers, 1854. FRODL, Walter – Kunst in Südtirol. München, 1960. FALK, Birgitta; HÜLSEN-ESCH, Andrea von (ed.) – Mathilde, Glanzzeit des Essener Frauenstifts. Essen, 2011. FRØYSAKER, Tine; KOLLANDSRUD, Kaja – “The Calvary group in Urnes Stave church, Norway: a technological examination”. in NADOLNY, Jilleen (ed.) – Medieval Painting in Northern Europe. Techniques, analysis, art history. London, 2006. HOFFMANN, Konrad (ed.) – The Year 1200. The Centennial exhibition at Metropolitan Museum of Art, the Cloisters. New York, 1970. MOR, Luca – “Anno 1205 circa: la Croce trionfale di Gries”. in CANTONE, Valentina; FUMIAN, Silvia (ed.) – Le Arti a confronto con il Sacro. Metodi di ricerca e nuove prospettive d’indagine in ottica interdisciplinare. Padova, 2009. MÜLLER, Theodor – “Ein romanicher Crocifixus aus Tirol”. Pantheon, LIV, 1974. MÜLLER, Theodor – Gotische Skulptur in Tirol. Bozen-Innsbruck-Wien, 1976. NADOLNY, Jilleen (ed.) – Medieval Painting in Northern Europe. Techniques, analysis, art history. London, 2006. NYBORG, Ebbe – “Danish Panel Painting until c. 1300”. in NADOLNY Jilleen (ed.) – Medieval Painting in Northern Europe. Techniques, analysis, art history. London, 2006. PAWLIK, Anna – “Mathildes Gedächtnisstiftung in Aschaffenburg”. in FALK, Birgitta; HÜLSEN-ESCH, Andrea von (ed.) – Mathilde, Glanzzeit des Essener Frauenstifts. Essen, 2011. PLAHTER, Unn – “The Crucifix from Hemse. Analyses of the Painting Technique”. Maltechnik Restauro, 1. München, 1984. RASMO, Nicolò – “Note sulla scultura medioevale atesina”, Cultura Atesina, I, 1947. RASMO, Nicolò – “La scultura romanica nell’Alto Adige. Note e revisioni”, Cultura Atesina, VII, 1953. SAUERLÄNDER, Willibald – Von Sens bis Strasburg. En beitrag zur kunstgeschichtlichen Stellung der Strasburger Querhausskulpturen. Berlin, 1966. SERK DEWAIDE, Myriam; VERFAILLE, Simone – Le vieux Bon Dieu de Tancrémont. Bruxelles, 1987. SERCK DEWAIDE, Myriam M.; KOCKAERT, Leopold; VAN STRYDONCK, Marc; VERFAILLE, Simone – “Le vieux Bon Dieu de Tancrémont. Histoire et traitement”. Bulletin de l’IRPA, XXIII. Bruxelles. 1991. SERK DEWAIDE, Myriam – “Notre-Dame de Walcourt, une Vierge ottonienne et son revers du XIII° siècle. La statue en bois polychrome”. Bulletin de l’IRPA, 25. Bruxelles, 1993/94 (1996). SPADA PINTARELLI, Silvia – “Anonimo scultore 1205. Crocifisso, Bolzano vecchia parrocchiale di Gries”. in CASTELNUOVO, Enrico (ed.), Imago Lignea. Sculture lignee nel Trentino dal XIII al XVI secolo. Trento, 1989. TÅNGEBERG, Peter – Holzskulptur und Altarschrein. Studien zu Form, Material und Technik. München, 1989. TÅNGEBERG, Peter – “The Crucifix from Hemse”. Maltechnik Restauro 1, München, 1984. THOBY, Paul – Le crucifix des origines au Concile de Trente. Étude iconographique. Nantes, 1959. UGGLAS, Carl R. – Gotlands medeltida träskulptur till och med höggotikens inbrott. Stockholm, 1915. Estudos PRINCIVALLE, Alessandro – Christ en croix en bois polychrome et ancienne croix de la cathédrale de Nevers. Rapport des analyses préalables à la restauration. Montagnana, 2017. FRAITURE, Pascale – Rapport de dendrochronologie, Nevers, Cathédrale Saint-Cyr-et-Sainte-Julitte, Croix d’un Christ en croix. IRPA, Bruxelles, 2017. BOUDIN, Mathieu – Radiocarbon dating report, Cathédrale de Nervers, Croix du Christ, Statue du Christ. IRPA, Bruxelles, 2017.IEM - Instituto de Estudos Medievais2019-07-01info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.4000/medievalista.2321https://doi.org/10.4000/medievalista.2321Medievalista; No 26 (2019): Medievalista - "Medieval Europe in Motion. The Middle Ages: a Global Context” Thematic DossierMedievalista; No 26 (2019): Medievalista - Dossier thématique "Medieval Europe in Motion. The Middle Ages: a Global Context"Medievalista; n. 26 (2019): Medievalista - Dossier Temático "Medieval Europe in Motion. The Middle Ages: a Global Context”1646-740Xreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://medievalista.iem.fcsh.unl.pt/index.php/medievalista/article/view/66https://medievalista.iem.fcsh.unl.pt/index.php/medievalista/article/view/66/52Direitos de Autor (c) 2019 Medievalistainfo:eu-repo/semantics/openAccessCren, Nadia BertoniCren, Stéphane2023-03-28T12:32:05Zoai:ojs2.medteste.fcsh.unl.pt:article/66Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T17:46:45.100968Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
The triumphal cross of the cathedral of Nevers: painting technique and examination A cruz triunfal da Catedral de Nevers: técnica e exame de pintura |
title |
The triumphal cross of the cathedral of Nevers: painting technique and examination |
spellingShingle |
The triumphal cross of the cathedral of Nevers: painting technique and examination Cren, Nadia Bertoni Wooden cross, Sculpture, Polychromy, Walnut, Azurite Cruz de madeira, Escultura, Policromia, Nogueira, Azurite |
title_short |
The triumphal cross of the cathedral of Nevers: painting technique and examination |
title_full |
The triumphal cross of the cathedral of Nevers: painting technique and examination |
title_fullStr |
The triumphal cross of the cathedral of Nevers: painting technique and examination |
title_full_unstemmed |
The triumphal cross of the cathedral of Nevers: painting technique and examination |
title_sort |
The triumphal cross of the cathedral of Nevers: painting technique and examination |
author |
Cren, Nadia Bertoni |
author_facet |
Cren, Nadia Bertoni Cren, Stéphane |
author_role |
author |
author2 |
Cren, Stéphane |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Cren, Nadia Bertoni Cren, Stéphane |
dc.subject.por.fl_str_mv |
Wooden cross, Sculpture, Polychromy, Walnut, Azurite Cruz de madeira, Escultura, Policromia, Nogueira, Azurite |
topic |
Wooden cross, Sculpture, Polychromy, Walnut, Azurite Cruz de madeira, Escultura, Policromia, Nogueira, Azurite |
description |
The large polychrome wooden cross preserved in the Saint-Cyr et Sainte-Julitte cathedral in Nevers was badly damaged during the bombing in July 1944. Restored and put on display on a modern cross in front of the choir, the sculpture suffered a new fall in 2015. The conservation of the work, directed by DRAC-CRMH of Burgundy-Franche-Comté, was preceded by a phase of technical study. Micro-stratigraphic, taxonomic and radiometric analyses and the dendrochronology of the cross were carried out. The dendrochronology of the cross of Nevers and the comparison with radiocarbon dating place the elaboration of the work in the last quarter of the 12th century while confirming the contemporaneousness of the cross with the sculpture. The quality of the triumphal cross of Nevers is highlighted even more by this dating which testifies to the richness of the formal contributions in Burgundy in the 12th century. Bibliography Printed sources BALLESTREM, Agnes; PUISSANT, Martine – “La croix triomphale de l’église de Saint-Denis à Forest. Essai d’identification, examen et traitement”. Bulletin IRPA, XIII. Bruxelles, 1971/72. BEER, Manuela – Triumphkreuze des Mittelalters. Ein Beitrag zu Typus und Genese im 12. Und 13. Jahrhundert. Ratisbone, 2005. BERTONI CREN, Nadia; CREN, Stéphane – “Note dal restauro del crocefisso di San Salvatore”. in PREZZOLINI, Carlo (ed.) – Il crocifisso di Abbadia San Salvatore. Catechesi e Arte. Montepulciano (Siena), 2010. CERVINI, Fulvio – “Di alcuni crocifissi trionfali del secolo XII nell’Italia Settentrionale”. Arte Medievale, VII, 2008, 1. CROSNIER, Abbé Augustin Joseph – Monographie de la Cathédrale de Nevers. Société Nivernaise Des Lettres. Nevers, 1854. FRODL, Walter – Kunst in Südtirol. München, 1960. FALK, Birgitta; HÜLSEN-ESCH, Andrea von (ed.) – Mathilde, Glanzzeit des Essener Frauenstifts. Essen, 2011. FRØYSAKER, Tine; KOLLANDSRUD, Kaja – “The Calvary group in Urnes Stave church, Norway: a technological examination”. in NADOLNY, Jilleen (ed.) – Medieval Painting in Northern Europe. Techniques, analysis, art history. London, 2006. HOFFMANN, Konrad (ed.) – The Year 1200. The Centennial exhibition at Metropolitan Museum of Art, the Cloisters. New York, 1970. MOR, Luca – “Anno 1205 circa: la Croce trionfale di Gries”. in CANTONE, Valentina; FUMIAN, Silvia (ed.) – Le Arti a confronto con il Sacro. Metodi di ricerca e nuove prospettive d’indagine in ottica interdisciplinare. Padova, 2009. MÜLLER, Theodor – “Ein romanicher Crocifixus aus Tirol”. Pantheon, LIV, 1974. MÜLLER, Theodor – Gotische Skulptur in Tirol. Bozen-Innsbruck-Wien, 1976. NADOLNY, Jilleen (ed.) – Medieval Painting in Northern Europe. Techniques, analysis, art history. London, 2006. NYBORG, Ebbe – “Danish Panel Painting until c. 1300”. in NADOLNY Jilleen (ed.) – Medieval Painting in Northern Europe. Techniques, analysis, art history. London, 2006. PAWLIK, Anna – “Mathildes Gedächtnisstiftung in Aschaffenburg”. in FALK, Birgitta; HÜLSEN-ESCH, Andrea von (ed.) – Mathilde, Glanzzeit des Essener Frauenstifts. Essen, 2011. PLAHTER, Unn – “The Crucifix from Hemse. Analyses of the Painting Technique”. Maltechnik Restauro, 1. München, 1984. RASMO, Nicolò – “Note sulla scultura medioevale atesina”, Cultura Atesina, I, 1947. RASMO, Nicolò – “La scultura romanica nell’Alto Adige. Note e revisioni”, Cultura Atesina, VII, 1953. SAUERLÄNDER, Willibald – Von Sens bis Strasburg. En beitrag zur kunstgeschichtlichen Stellung der Strasburger Querhausskulpturen. Berlin, 1966. SERK DEWAIDE, Myriam; VERFAILLE, Simone – Le vieux Bon Dieu de Tancrémont. Bruxelles, 1987. SERCK DEWAIDE, Myriam M.; KOCKAERT, Leopold; VAN STRYDONCK, Marc; VERFAILLE, Simone – “Le vieux Bon Dieu de Tancrémont. Histoire et traitement”. Bulletin de l’IRPA, XXIII. Bruxelles. 1991. SERK DEWAIDE, Myriam – “Notre-Dame de Walcourt, une Vierge ottonienne et son revers du XIII° siècle. La statue en bois polychrome”. Bulletin de l’IRPA, 25. Bruxelles, 1993/94 (1996). SPADA PINTARELLI, Silvia – “Anonimo scultore 1205. Crocifisso, Bolzano vecchia parrocchiale di Gries”. in CASTELNUOVO, Enrico (ed.), Imago Lignea. Sculture lignee nel Trentino dal XIII al XVI secolo. Trento, 1989. TÅNGEBERG, Peter – Holzskulptur und Altarschrein. Studien zu Form, Material und Technik. München, 1989. TÅNGEBERG, Peter – “The Crucifix from Hemse”. Maltechnik Restauro 1, München, 1984. THOBY, Paul – Le crucifix des origines au Concile de Trente. Étude iconographique. Nantes, 1959. UGGLAS, Carl R. – Gotlands medeltida träskulptur till och med höggotikens inbrott. Stockholm, 1915. Studies PRINCIVALLE, Alessandro – Christ en croix en bois polychrome et ancienne croix de la cathédrale de Nevers. Rapport des analyses préalables à la restauration. Montagnana, 2017. FRAITURE, Pascale – Rapport de dendrochronologie, Nevers, Cathédrale Saint-Cyr-et-Sainte-Julitte, Croix d’un Christ en croix. IRPA, Bruxelles, 2017. BOUDIN, Mathieu – Radiocarbon dating report, Cathédrale de Nervers, Croix du Christ, Statue du Christ. IRPA, Bruxelles, 2017. |
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2019 |
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2019-07-01 |
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info:eu-repo/semantics/publishedVersion |
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info:eu-repo/semantics/article |
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publishedVersion |
dc.identifier.uri.fl_str_mv |
https://doi.org/10.4000/medievalista.2321 https://doi.org/10.4000/medievalista.2321 |
url |
https://doi.org/10.4000/medievalista.2321 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
https://medievalista.iem.fcsh.unl.pt/index.php/medievalista/article/view/66 https://medievalista.iem.fcsh.unl.pt/index.php/medievalista/article/view/66/52 |
dc.rights.driver.fl_str_mv |
Direitos de Autor (c) 2019 Medievalista info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Direitos de Autor (c) 2019 Medievalista |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
IEM - Instituto de Estudos Medievais |
publisher.none.fl_str_mv |
IEM - Instituto de Estudos Medievais |
dc.source.none.fl_str_mv |
Medievalista; No 26 (2019): Medievalista - "Medieval Europe in Motion. The Middle Ages: a Global Context” Thematic Dossier Medievalista; No 26 (2019): Medievalista - Dossier thématique "Medieval Europe in Motion. The Middle Ages: a Global Context" Medievalista; n. 26 (2019): Medievalista - Dossier Temático "Medieval Europe in Motion. The Middle Ages: a Global Context” 1646-740X reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
instname_str |
Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
instacron_str |
RCAAP |
institution |
RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
collection |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository.name.fl_str_mv |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
repository.mail.fl_str_mv |
|
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1799131550447566848 |