Editorial

Detalhes bibliográficos
Autor(a) principal: Neves, Pedro Soares
Data de Publicação: 2020
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.25765/sauc.v5i2.201
Resumo: The SAUC V5 Issue 2, “Desire Lines: Metaphorical” is about: The Disappearance/Virtualisation of Graffiti and Street Art – From Urban to Institutional to Virtual Space; Whose Wall is it Anyway? Using street art to navigate the private and the public in a community; Polysemiotic Communication vs. Multimodality: a conceptual and terminological distinction applied in street art; The Past in Public Space “Der Jahrhundertschritt”: A Lieu de Memoire As An Urban Intervention of Memory (2018); Zero Tolerance = 100 New Techniques Swedish / Nordic Street Art; Contextualizing graffiti and street art in suitable museum settings: Street Art Today’s upcoming museum in Amsterdam; There and Back Again: Redistributing Visibility between the Virtual and Real Alleys of Graffiti; From Post-Posters to Un gilet; Streetness & Inopinatum: the “sense of the street” and the “unexpected impertinence”. For a binary code in street art.; Street Art is dead. Again and again. Brief State of the (Urban) Art. With contributions from Sweden, Switzerland, Canada, Netherlands, Spain, China, France and Italy.
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spelling EditorialThe SAUC V5 Issue 2, “Desire Lines: Metaphorical” is about: The Disappearance/Virtualisation of Graffiti and Street Art – From Urban to Institutional to Virtual Space; Whose Wall is it Anyway? Using street art to navigate the private and the public in a community; Polysemiotic Communication vs. Multimodality: a conceptual and terminological distinction applied in street art; The Past in Public Space “Der Jahrhundertschritt”: A Lieu de Memoire As An Urban Intervention of Memory (2018); Zero Tolerance = 100 New Techniques Swedish / Nordic Street Art; Contextualizing graffiti and street art in suitable museum settings: Street Art Today’s upcoming museum in Amsterdam; There and Back Again: Redistributing Visibility between the Virtual and Real Alleys of Graffiti; From Post-Posters to Un gilet; Streetness & Inopinatum: the “sense of the street” and the “unexpected impertinence”. For a binary code in street art.; Street Art is dead. Again and again. Brief State of the (Urban) Art. With contributions from Sweden, Switzerland, Canada, Netherlands, Spain, China, France and Italy.AP22020-02-11info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.25765/sauc.v5i2.201https://doi.org/10.25765/sauc.v5i2.201SAUC - Street Art and Urban Creativity; Vol 5 No 2 (2019): Desire Lines: Metaphorical; 1 - 52183-99562183-3869reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://journals.ap2.pt/index.php/sauc/article/view/201https://journals.ap2.pt/index.php/sauc/article/view/201/137Copyright (c) 2020 SAUC - Street Art & Urban Creativity Scientific Journalinfo:eu-repo/semantics/openAccessNeves, Pedro Soares2024-01-26T14:15:37Zoai:journals.ap2.pt:article/201Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T01:57:50.581587Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Editorial
title Editorial
spellingShingle Editorial
Neves, Pedro Soares
title_short Editorial
title_full Editorial
title_fullStr Editorial
title_full_unstemmed Editorial
title_sort Editorial
author Neves, Pedro Soares
author_facet Neves, Pedro Soares
author_role author
dc.contributor.author.fl_str_mv Neves, Pedro Soares
description The SAUC V5 Issue 2, “Desire Lines: Metaphorical” is about: The Disappearance/Virtualisation of Graffiti and Street Art – From Urban to Institutional to Virtual Space; Whose Wall is it Anyway? Using street art to navigate the private and the public in a community; Polysemiotic Communication vs. Multimodality: a conceptual and terminological distinction applied in street art; The Past in Public Space “Der Jahrhundertschritt”: A Lieu de Memoire As An Urban Intervention of Memory (2018); Zero Tolerance = 100 New Techniques Swedish / Nordic Street Art; Contextualizing graffiti and street art in suitable museum settings: Street Art Today’s upcoming museum in Amsterdam; There and Back Again: Redistributing Visibility between the Virtual and Real Alleys of Graffiti; From Post-Posters to Un gilet; Streetness & Inopinatum: the “sense of the street” and the “unexpected impertinence”. For a binary code in street art.; Street Art is dead. Again and again. Brief State of the (Urban) Art. With contributions from Sweden, Switzerland, Canada, Netherlands, Spain, China, France and Italy.
publishDate 2020
dc.date.none.fl_str_mv 2020-02-11
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dc.identifier.uri.fl_str_mv https://doi.org/10.25765/sauc.v5i2.201
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url https://doi.org/10.25765/sauc.v5i2.201
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://journals.ap2.pt/index.php/sauc/article/view/201
https://journals.ap2.pt/index.php/sauc/article/view/201/137
dc.rights.driver.fl_str_mv Copyright (c) 2020 SAUC - Street Art & Urban Creativity Scientific Journal
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 SAUC - Street Art & Urban Creativity Scientific Journal
eu_rights_str_mv openAccess
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dc.publisher.none.fl_str_mv AP2
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dc.source.none.fl_str_mv SAUC - Street Art and Urban Creativity; Vol 5 No 2 (2019): Desire Lines: Metaphorical; 1 - 5
2183-9956
2183-3869
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