Qual a origem do filme negro da escultura “Morte de Cleópatra”?
Autor(a) principal: | |
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Data de Publicação: | 2019 |
Outros Autores: | , |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | http://hdl.handle.net/10362/107251 |
Resumo: | This work arises from the need to identify the origin of a black film which is currently covering a large area of the sculpture DeathofCleopatra, promoting its disfiguration. This piece, sculpted in Carrara marble, belongs to Tropical Botanic Garden, in Lisbon. In situ works involved colorimetric measurements, adhesion tests and mapping of decay patterns. Samples of the black film were taken from the sculpture and also from black areas present in botanic species surrounding the sculpture, which were observed macro and microscopically. Individual samples of the black film were analysed by Fourier-transform infrared spectroscopy. The results obtained show the collected samples possess saccharides such as sucrose, found in honeydew exemplars. Therefore, it is proposed that black film formation is due to sooty mould. This black film is responsible for aesthetic damage, as well as stone corrosion processes, which was observed by scanning electron microscopy. |
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Qual a origem do filme negro da escultura “Morte de Cleópatra”?What is the origin of the black film in the sculpture “Death of Cleopatra”?BiocorrosionBlack filmCarrara marbleDeath of CleopatraMouldSootyConservationMuseologyThis work arises from the need to identify the origin of a black film which is currently covering a large area of the sculpture DeathofCleopatra, promoting its disfiguration. This piece, sculpted in Carrara marble, belongs to Tropical Botanic Garden, in Lisbon. In situ works involved colorimetric measurements, adhesion tests and mapping of decay patterns. Samples of the black film were taken from the sculpture and also from black areas present in botanic species surrounding the sculpture, which were observed macro and microscopically. Individual samples of the black film were analysed by Fourier-transform infrared spectroscopy. The results obtained show the collected samples possess saccharides such as sucrose, found in honeydew exemplars. Therefore, it is proposed that black film formation is due to sooty mould. This black film is responsible for aesthetic damage, as well as stone corrosion processes, which was observed by scanning electron microscopy.DCR - Departamento de Conservação e RestauroVICARTE - Vidro e Cerâmica para as ArtesRUNAzevedo, PedroMacedo, Maria FilomenaDionísio, Amélia2020-11-16T23:57:26Z2019-092019-09-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/article15application/pdfhttp://hdl.handle.net/10362/107251por1646-043XPURE: 17658486https://doi.org/10.14568/cp2018047info:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2024-03-11T04:51:55Zoai:run.unl.pt:10362/107251Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T03:40:53.865379Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Qual a origem do filme negro da escultura “Morte de Cleópatra”? What is the origin of the black film in the sculpture “Death of Cleopatra”? |
title |
Qual a origem do filme negro da escultura “Morte de Cleópatra”? |
spellingShingle |
Qual a origem do filme negro da escultura “Morte de Cleópatra”? Azevedo, Pedro Biocorrosion Black film Carrara marble Death of Cleopatra Mould Sooty Conservation Museology |
title_short |
Qual a origem do filme negro da escultura “Morte de Cleópatra”? |
title_full |
Qual a origem do filme negro da escultura “Morte de Cleópatra”? |
title_fullStr |
Qual a origem do filme negro da escultura “Morte de Cleópatra”? |
title_full_unstemmed |
Qual a origem do filme negro da escultura “Morte de Cleópatra”? |
title_sort |
Qual a origem do filme negro da escultura “Morte de Cleópatra”? |
author |
Azevedo, Pedro |
author_facet |
Azevedo, Pedro Macedo, Maria Filomena Dionísio, Amélia |
author_role |
author |
author2 |
Macedo, Maria Filomena Dionísio, Amélia |
author2_role |
author author |
dc.contributor.none.fl_str_mv |
DCR - Departamento de Conservação e Restauro VICARTE - Vidro e Cerâmica para as Artes RUN |
dc.contributor.author.fl_str_mv |
Azevedo, Pedro Macedo, Maria Filomena Dionísio, Amélia |
dc.subject.por.fl_str_mv |
Biocorrosion Black film Carrara marble Death of Cleopatra Mould Sooty Conservation Museology |
topic |
Biocorrosion Black film Carrara marble Death of Cleopatra Mould Sooty Conservation Museology |
description |
This work arises from the need to identify the origin of a black film which is currently covering a large area of the sculpture DeathofCleopatra, promoting its disfiguration. This piece, sculpted in Carrara marble, belongs to Tropical Botanic Garden, in Lisbon. In situ works involved colorimetric measurements, adhesion tests and mapping of decay patterns. Samples of the black film were taken from the sculpture and also from black areas present in botanic species surrounding the sculpture, which were observed macro and microscopically. Individual samples of the black film were analysed by Fourier-transform infrared spectroscopy. The results obtained show the collected samples possess saccharides such as sucrose, found in honeydew exemplars. Therefore, it is proposed that black film formation is due to sooty mould. This black film is responsible for aesthetic damage, as well as stone corrosion processes, which was observed by scanning electron microscopy. |
publishDate |
2019 |
dc.date.none.fl_str_mv |
2019-09 2019-09-01T00:00:00Z 2020-11-16T23:57:26Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://hdl.handle.net/10362/107251 |
url |
http://hdl.handle.net/10362/107251 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
1646-043X PURE: 17658486 https://doi.org/10.14568/cp2018047 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
15 application/pdf |
dc.source.none.fl_str_mv |
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
instname_str |
Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
instacron_str |
RCAAP |
institution |
RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
collection |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository.name.fl_str_mv |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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1799138022672826368 |