What Is Important When We Evaluate Movies? Insights from Computational Analysis of Online Reviews
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Outros Autores: | , |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://doi.org/10.17645/mac.v8i3.3134 |
Resumo: | The question of what is important when we evaluate movies is crucial for understanding how lay audiences experience and evaluate entertainment products such as films. In line with this, subjective movie evaluation criteria (SMEC) have been conceptualized as mental representations of important attitudes toward specific film features. Based on exploratory and confirmatory factor analyses of self-report data from online surveys, previous research has found and validated eight dimensions. Given the large-scale evaluative information that is available in online users’ comments in movie databases, it seems likely that what online users write about movies may enrich our knowledge about SMEC. As a first fully exploratory attempt, drawing on an open-source dataset including movie reviews from IMDb, we estimated a correlated topic model to explore the underlying topics of those reviews. In 35,136 online movie reviews, the most prevalent topics tapped into three major categories—Hedonism, Actors’ Performance, and Narrative—and indicated what reviewers mostly wrote about. Although a qualitative analysis of the reviews revealed that users mention certain SMEC, results of the topic model covered only two SMEC: Story Innovation and Light-heartedness. Implications for SMEC and entertainment research are discussed. |
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What Is Important When We Evaluate Movies? Insights from Computational Analysis of Online Reviewsentertainment media; IMDb; movie evaluation; movie reviews; topic modeling; self-reportsThe question of what is important when we evaluate movies is crucial for understanding how lay audiences experience and evaluate entertainment products such as films. In line with this, subjective movie evaluation criteria (SMEC) have been conceptualized as mental representations of important attitudes toward specific film features. Based on exploratory and confirmatory factor analyses of self-report data from online surveys, previous research has found and validated eight dimensions. Given the large-scale evaluative information that is available in online users’ comments in movie databases, it seems likely that what online users write about movies may enrich our knowledge about SMEC. As a first fully exploratory attempt, drawing on an open-source dataset including movie reviews from IMDb, we estimated a correlated topic model to explore the underlying topics of those reviews. In 35,136 online movie reviews, the most prevalent topics tapped into three major categories—Hedonism, Actors’ Performance, and Narrative—and indicated what reviewers mostly wrote about. Although a qualitative analysis of the reviews revealed that users mention certain SMEC, results of the topic model covered only two SMEC: Story Innovation and Light-heartedness. Implications for SMEC and entertainment research are discussed.Cogitatio2020-08-13info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.17645/mac.v8i3.3134oai:ojs.cogitatiopress.com:article/3134Media and Communication; Vol 8, No 3 (2020): Computational Approaches to Media Entertainment Research; 153-1632183-2439reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://www.cogitatiopress.com/mediaandcommunication/article/view/3134https://doi.org/10.17645/mac.v8i3.3134https://www.cogitatiopress.com/mediaandcommunication/article/view/3134/3134https://www.cogitatiopress.com/mediaandcommunication/article/downloadSuppFile/3134/1236Copyright (c) 2020 Frank M. Schneider, Emese Domahidi, Felix Dietrichhttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessSchneider, Frank M.Domahidi, EmeseDietrich, Felix2022-12-20T10:58:42Zoai:ojs.cogitatiopress.com:article/3134Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T16:21:00.291264Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
What Is Important When We Evaluate Movies? Insights from Computational Analysis of Online Reviews |
title |
What Is Important When We Evaluate Movies? Insights from Computational Analysis of Online Reviews |
spellingShingle |
What Is Important When We Evaluate Movies? Insights from Computational Analysis of Online Reviews Schneider, Frank M. entertainment media; IMDb; movie evaluation; movie reviews; topic modeling; self-reports |
title_short |
What Is Important When We Evaluate Movies? Insights from Computational Analysis of Online Reviews |
title_full |
What Is Important When We Evaluate Movies? Insights from Computational Analysis of Online Reviews |
title_fullStr |
What Is Important When We Evaluate Movies? Insights from Computational Analysis of Online Reviews |
title_full_unstemmed |
What Is Important When We Evaluate Movies? Insights from Computational Analysis of Online Reviews |
title_sort |
What Is Important When We Evaluate Movies? Insights from Computational Analysis of Online Reviews |
author |
Schneider, Frank M. |
author_facet |
Schneider, Frank M. Domahidi, Emese Dietrich, Felix |
author_role |
author |
author2 |
Domahidi, Emese Dietrich, Felix |
author2_role |
author author |
dc.contributor.author.fl_str_mv |
Schneider, Frank M. Domahidi, Emese Dietrich, Felix |
dc.subject.por.fl_str_mv |
entertainment media; IMDb; movie evaluation; movie reviews; topic modeling; self-reports |
topic |
entertainment media; IMDb; movie evaluation; movie reviews; topic modeling; self-reports |
description |
The question of what is important when we evaluate movies is crucial for understanding how lay audiences experience and evaluate entertainment products such as films. In line with this, subjective movie evaluation criteria (SMEC) have been conceptualized as mental representations of important attitudes toward specific film features. Based on exploratory and confirmatory factor analyses of self-report data from online surveys, previous research has found and validated eight dimensions. Given the large-scale evaluative information that is available in online users’ comments in movie databases, it seems likely that what online users write about movies may enrich our knowledge about SMEC. As a first fully exploratory attempt, drawing on an open-source dataset including movie reviews from IMDb, we estimated a correlated topic model to explore the underlying topics of those reviews. In 35,136 online movie reviews, the most prevalent topics tapped into three major categories—Hedonism, Actors’ Performance, and Narrative—and indicated what reviewers mostly wrote about. Although a qualitative analysis of the reviews revealed that users mention certain SMEC, results of the topic model covered only two SMEC: Story Innovation and Light-heartedness. Implications for SMEC and entertainment research are discussed. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-08-13 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://doi.org/10.17645/mac.v8i3.3134 oai:ojs.cogitatiopress.com:article/3134 |
url |
https://doi.org/10.17645/mac.v8i3.3134 |
identifier_str_mv |
oai:ojs.cogitatiopress.com:article/3134 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
https://www.cogitatiopress.com/mediaandcommunication/article/view/3134 https://doi.org/10.17645/mac.v8i3.3134 https://www.cogitatiopress.com/mediaandcommunication/article/view/3134/3134 https://www.cogitatiopress.com/mediaandcommunication/article/downloadSuppFile/3134/1236 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2020 Frank M. Schneider, Emese Domahidi, Felix Dietrich http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2020 Frank M. Schneider, Emese Domahidi, Felix Dietrich http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Cogitatio |
publisher.none.fl_str_mv |
Cogitatio |
dc.source.none.fl_str_mv |
Media and Communication; Vol 8, No 3 (2020): Computational Approaches to Media Entertainment Research; 153-163 2183-2439 reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
instacron_str |
RCAAP |
institution |
RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
collection |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository.name.fl_str_mv |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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