Time and postphotography
| Autor(a) principal: | |
|---|---|
| Data de Publicação: | 2021 |
| Outros Autores: | |
| Tipo de documento: | Artigo |
| Idioma: | eng |
| Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
| Texto Completo: | https://doi.org/10.21814/2i.3434 |
Resumo: | This article presents a practice-led research project that asks how experienced time can be perceived through manipulated photographic images. The investigation is carried out by a series of digital images whose content is renegotiated over time, while the subject of the photograph remains within the frame. The artwork evidences an unstable space between a photographic composition and a moving image employed to question the power conventions in visualization and to expand the way we can conceive of time as duration in digital photographic images. It contributes to the discourse about practice-led oriented methodologies in the field of practice as a form of research through a comment on the design practice. |
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Time and postphotographyTiempo y posfotografíaArtigosThis article presents a practice-led research project that asks how experienced time can be perceived through manipulated photographic images. The investigation is carried out by a series of digital images whose content is renegotiated over time, while the subject of the photograph remains within the frame. The artwork evidences an unstable space between a photographic composition and a moving image employed to question the power conventions in visualization and to expand the way we can conceive of time as duration in digital photographic images. It contributes to the discourse about practice-led oriented methodologies in the field of practice as a form of research through a comment on the design practice.Este artículo presenta un proyecto de investigación practice-led (guiado por la práctica) que indaga acerca de cómo se puede percibir el tiempo experimentado a través de imágenes fotográficas manipuladas. La investigación se realiza mediante una serie de imágenes digitales, cuyo contenido se renegocia en el tiempo, mientras el sujeto de la fotografía permanece dentro del encuadre. La obra de arte evidencia un espacio inestable entre una composición fotográfica y una imagen en movimiento empleada para cuestionar las convenciones de poder en la visualización y ampliar la forma en que podemos concebir el tiempo como en las imágenes fotográficas digitales. Este trabajo contribuye al discurso sobre metodologías practice-led en el campo de la práctica como una forma de investigación a través de un comentario acerca de la práctica del diseño. UMinho Editora2021-12-31info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articlehttps://doi.org/10.21814/2i.3434eng2184-7010van Vliet, DavidMortensen Steagall, Marcosinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-12-24T08:38:23Zoai:journals.uminho.pt:article/3434Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T00:55:59.732755Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
| dc.title.none.fl_str_mv |
Time and postphotography Tiempo y posfotografía |
| title |
Time and postphotography |
| spellingShingle |
Time and postphotography van Vliet, David Artigos |
| title_short |
Time and postphotography |
| title_full |
Time and postphotography |
| title_fullStr |
Time and postphotography |
| title_full_unstemmed |
Time and postphotography |
| title_sort |
Time and postphotography |
| author |
van Vliet, David |
| author_facet |
van Vliet, David Mortensen Steagall, Marcos |
| author_role |
author |
| author2 |
Mortensen Steagall, Marcos |
| author2_role |
author |
| dc.contributor.author.fl_str_mv |
van Vliet, David Mortensen Steagall, Marcos |
| dc.subject.por.fl_str_mv |
Artigos |
| topic |
Artigos |
| description |
This article presents a practice-led research project that asks how experienced time can be perceived through manipulated photographic images. The investigation is carried out by a series of digital images whose content is renegotiated over time, while the subject of the photograph remains within the frame. The artwork evidences an unstable space between a photographic composition and a moving image employed to question the power conventions in visualization and to expand the way we can conceive of time as duration in digital photographic images. It contributes to the discourse about practice-led oriented methodologies in the field of practice as a form of research through a comment on the design practice. |
| publishDate |
2021 |
| dc.date.none.fl_str_mv |
2021-12-31 |
| dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
| dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
| format |
article |
| status_str |
publishedVersion |
| dc.identifier.uri.fl_str_mv |
https://doi.org/10.21814/2i.3434 |
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https://doi.org/10.21814/2i.3434 |
| dc.language.iso.fl_str_mv |
eng |
| language |
eng |
| dc.relation.none.fl_str_mv |
2184-7010 |
| dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
| eu_rights_str_mv |
openAccess |
| dc.publisher.none.fl_str_mv |
UMinho Editora |
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UMinho Editora |
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reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
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RCAAP |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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