Julião Sarmento: The Innuendo of the Real

Detalhes bibliográficos
Autor(a) principal: Amorim, João Pedro
Data de Publicação: 2021
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.34632/jsta.2021.9848
Resumo: Julião Sarmento’s body of work crosses artistic disciplines and fields. The artist resorts to film and video as a means to reach the artistic expression of an idea, open to an infinitude of interpretations. This audiovisual essay looks at the way Julião Sarmento works with moving images, focusing in three main perspectives: the word, the (feminine) body and rhythm. We conclude that each one of Sarmento’s works builds a system of codes, of communication, that opens new understandings of the human relation with the ‘real’.
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spelling Julião Sarmento: The Innuendo of the RealJulião Sarmento’s body of work crosses artistic disciplines and fields. The artist resorts to film and video as a means to reach the artistic expression of an idea, open to an infinitude of interpretations. This audiovisual essay looks at the way Julião Sarmento works with moving images, focusing in three main perspectives: the word, the (feminine) body and rhythm. We conclude that each one of Sarmento’s works builds a system of codes, of communication, that opens new understandings of the human relation with the ‘real’.Universidade Católica Portuguesa2021-04-05T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfvideo/mp4text/htmlhttps://doi.org/10.34632/jsta.2021.9848oai:ojs.revistas.ucp.pt:article/9848Journal of Science and Technology of the Arts; Vol 13 No 1 (2021): Audible (Art): The Invisible Connections Between Sound, Music, and Sound Art; 72-79Journal of Science and Technology of the Arts; v. 13 n. 1 (2021): Audible (Art): The Invisible Connections Between Sound, Music, and Sound Art; 72-792183-00881646-979810.34632/jsta.2021.13.1reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://revistas.ucp.pt/index.php/jsta/article/view/9848https://doi.org/10.34632/jsta.2021.9848https://revistas.ucp.pt/index.php/jsta/article/view/9848/9721https://revistas.ucp.pt/index.php/jsta/article/view/9848/9722https://revistas.ucp.pt/index.php/jsta/article/view/9848/9730Copyright (c) 2021 João Pedro Amorimhttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessAmorim, João Pedro2022-09-22T16:19:29Zoai:ojs.revistas.ucp.pt:article/9848Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T15:59:07.246132Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Julião Sarmento: The Innuendo of the Real
title Julião Sarmento: The Innuendo of the Real
spellingShingle Julião Sarmento: The Innuendo of the Real
Amorim, João Pedro
title_short Julião Sarmento: The Innuendo of the Real
title_full Julião Sarmento: The Innuendo of the Real
title_fullStr Julião Sarmento: The Innuendo of the Real
title_full_unstemmed Julião Sarmento: The Innuendo of the Real
title_sort Julião Sarmento: The Innuendo of the Real
author Amorim, João Pedro
author_facet Amorim, João Pedro
author_role author
dc.contributor.author.fl_str_mv Amorim, João Pedro
description Julião Sarmento’s body of work crosses artistic disciplines and fields. The artist resorts to film and video as a means to reach the artistic expression of an idea, open to an infinitude of interpretations. This audiovisual essay looks at the way Julião Sarmento works with moving images, focusing in three main perspectives: the word, the (feminine) body and rhythm. We conclude that each one of Sarmento’s works builds a system of codes, of communication, that opens new understandings of the human relation with the ‘real’.
publishDate 2021
dc.date.none.fl_str_mv 2021-04-05T00:00:00Z
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dc.type.driver.fl_str_mv info:eu-repo/semantics/article
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dc.identifier.uri.fl_str_mv https://doi.org/10.34632/jsta.2021.9848
oai:ojs.revistas.ucp.pt:article/9848
url https://doi.org/10.34632/jsta.2021.9848
identifier_str_mv oai:ojs.revistas.ucp.pt:article/9848
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://revistas.ucp.pt/index.php/jsta/article/view/9848
https://doi.org/10.34632/jsta.2021.9848
https://revistas.ucp.pt/index.php/jsta/article/view/9848/9721
https://revistas.ucp.pt/index.php/jsta/article/view/9848/9722
https://revistas.ucp.pt/index.php/jsta/article/view/9848/9730
dc.rights.driver.fl_str_mv Copyright (c) 2021 João Pedro Amorim
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 João Pedro Amorim
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
video/mp4
text/html
dc.publisher.none.fl_str_mv Universidade Católica Portuguesa
publisher.none.fl_str_mv Universidade Católica Portuguesa
dc.source.none.fl_str_mv Journal of Science and Technology of the Arts; Vol 13 No 1 (2021): Audible (Art): The Invisible Connections Between Sound, Music, and Sound Art; 72-79
Journal of Science and Technology of the Arts; v. 13 n. 1 (2021): Audible (Art): The Invisible Connections Between Sound, Music, and Sound Art; 72-79
2183-0088
1646-9798
10.34632/jsta.2021.13.1
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