War on the Walls
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://doi.org/10.48619/uxuc.v4i1.649 |
Resumo: | In the last few decades, political scientists, historians, psychologists, and sociologists’ interest in “collective memory” increased significantly (Assman & Czaplicka, 1995; Olick & Robins, 1998; Mistzal, 2003; Hałas, 2008; Maier, 2009). There are ongoing discussions about the coverage and the exact meaning of terms such as “social memory,” “social remembrance,” “collective memory’’, ‘’public’’ and ‘national’’ memory (Wood, 1999; Kansteiner, 2002). It seems that between all the bearers of these discussions, there is a consensus around one thing - a collective and often debatable representation of the past, which demarcates the boundaries between social groups, and at the same time, represents the fabrics from which social (thus, political) identity is woven, deserves to be the subject of a more detailed scientific inquiry. |
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War on the WallsIn the last few decades, political scientists, historians, psychologists, and sociologists’ interest in “collective memory” increased significantly (Assman & Czaplicka, 1995; Olick & Robins, 1998; Mistzal, 2003; Hałas, 2008; Maier, 2009). There are ongoing discussions about the coverage and the exact meaning of terms such as “social memory,” “social remembrance,” “collective memory’’, ‘’public’’ and ‘national’’ memory (Wood, 1999; Kansteiner, 2002). It seems that between all the bearers of these discussions, there is a consensus around one thing - a collective and often debatable representation of the past, which demarcates the boundaries between social groups, and at the same time, represents the fabrics from which social (thus, political) identity is woven, deserves to be the subject of a more detailed scientific inquiry.Urbancreativity.org2022-12-23info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.48619/uxuc.v4i1.649https://doi.org/10.48619/uxuc.v4i1.649UXUC - User Experience and Urban Creativity; Vol 4 No 1 (2022): Art, Urban Commons and Social Change; 23 - 40reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://journals.ap2.pt/index.php/UXUC/article/view/649https://journals.ap2.pt/index.php/UXUC/article/view/649/363Moskovljevic, Milosinfo:eu-repo/semantics/openAccess2022-12-25T08:00:15Zoai:journals.ap2.pt:article/649Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T16:28:53.282230Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
War on the Walls |
title |
War on the Walls |
spellingShingle |
War on the Walls Moskovljevic, Milos |
title_short |
War on the Walls |
title_full |
War on the Walls |
title_fullStr |
War on the Walls |
title_full_unstemmed |
War on the Walls |
title_sort |
War on the Walls |
author |
Moskovljevic, Milos |
author_facet |
Moskovljevic, Milos |
author_role |
author |
dc.contributor.author.fl_str_mv |
Moskovljevic, Milos |
description |
In the last few decades, political scientists, historians, psychologists, and sociologists’ interest in “collective memory” increased significantly (Assman & Czaplicka, 1995; Olick & Robins, 1998; Mistzal, 2003; Hałas, 2008; Maier, 2009). There are ongoing discussions about the coverage and the exact meaning of terms such as “social memory,” “social remembrance,” “collective memory’’, ‘’public’’ and ‘national’’ memory (Wood, 1999; Kansteiner, 2002). It seems that between all the bearers of these discussions, there is a consensus around one thing - a collective and often debatable representation of the past, which demarcates the boundaries between social groups, and at the same time, represents the fabrics from which social (thus, political) identity is woven, deserves to be the subject of a more detailed scientific inquiry. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-12-23 |
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info:eu-repo/semantics/publishedVersion |
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info:eu-repo/semantics/article |
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article |
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dc.identifier.uri.fl_str_mv |
https://doi.org/10.48619/uxuc.v4i1.649 https://doi.org/10.48619/uxuc.v4i1.649 |
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https://doi.org/10.48619/uxuc.v4i1.649 |
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eng |
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eng |
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https://journals.ap2.pt/index.php/UXUC/article/view/649 https://journals.ap2.pt/index.php/UXUC/article/view/649/363 |
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info:eu-repo/semantics/openAccess |
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openAccess |
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application/pdf |
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Urbancreativity.org |
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Urbancreativity.org |
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UXUC - User Experience and Urban Creativity; Vol 4 No 1 (2022): Art, Urban Commons and Social Change; 23 - 40 reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
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RCAAP |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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