Envy and “corporeal lockdown” in Maracatu de baque solto (Brazil)

Detalhes bibliográficos
Autor(a) principal: Baraldi, Filippo
Data de Publicação: 2022
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10362/143945
Resumo: UIDB/00472/2020 UIDP/00472/2020
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spelling Envy and “corporeal lockdown” in Maracatu de baque solto (Brazil)MusicAnthropologyHealth(social science)UIDB/00472/2020 UIDP/00472/2020In this short paper, I briefly discuss how music and dance are related to health and emotions in Maracatu de baque solto (free-beat Maracatu), also known as Maracatu rural (rural Maracatu), a Carnival performance staged in Pernambuco state, Northeast Brazil. Several Maracatu groups, with some founded in the early 20th century, are present in the small cities and rural settlements that dot the Zona da Mata Norte, a region dominated by the sugarcane monoculture. They are highly variable in size (from 20 to 200 performers) but are always composed of several masqueraded dancers, two poets improvising chanted verses (mestres de apito), a brass section formed by two to four musicians (músicos) playing trumpets and trombones, and a group of five percussionists called terno. The men and women performing in these groups are mostly rural workers and sugarcane cutters earning very modest incomes. Every year, they spend an impressive amount of time, effort and money on participating in the Carnival competition taking place in Recife, the state capital[2]. I first approached Maracatu within the scope of the anthropology of the emotions, a topic I explored in my previous research among the Romanian Roma (Bonini Baraldi, 2021a). Working on these matters implies, among other things, seeking to understand which emotions, affects, feelings or, more generally speaking, subjective experiences are involved in musical performances (Wolf, 2001; Becker, 2004). In this regard, it came as no surprise to learn from my hosts, the inhabitants of Condado, that “Carnival brings happiness” (O Carnaval traz alegria), an emotion that for Judith Becker (2004) is universally associated to musical performances. However, as my fieldwork progressed and my relationship with the “Leão de Ouro” (Golden Lion) Maracatu members became closer, I understood that other feelings are also at stake in Maracatu performances, specifically, envy (inveja).Instituto de Etnomusicologia - Centro de Estudos em Música e Dança (INET-md), Faculty of Social and Human Sciences, NOVA University LisbonInstituto de Etnomusicologia - Centro de Estudos em Música e Dança (INET-MD - NOVA FCSH)RUNBaraldi, Filippo2022-09-22T22:05:41Z2022-052022-05-01T00:00:00Zbook partinfo:eu-repo/semantics/publishedVersion4application/pdfhttp://hdl.handle.net/10362/143945engPURE: 46630931info:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2024-05-22T18:05:16Zoai:run.unl.pt:10362/143945Portal AgregadorONGhttps://www.rcaap.pt/oai/openairemluisa.alvim@gmail.comopendoar:71602024-05-22T18:05:16Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Envy and “corporeal lockdown” in Maracatu de baque solto (Brazil)
title Envy and “corporeal lockdown” in Maracatu de baque solto (Brazil)
spellingShingle Envy and “corporeal lockdown” in Maracatu de baque solto (Brazil)
Baraldi, Filippo
Music
Anthropology
Health(social science)
title_short Envy and “corporeal lockdown” in Maracatu de baque solto (Brazil)
title_full Envy and “corporeal lockdown” in Maracatu de baque solto (Brazil)
title_fullStr Envy and “corporeal lockdown” in Maracatu de baque solto (Brazil)
title_full_unstemmed Envy and “corporeal lockdown” in Maracatu de baque solto (Brazil)
title_sort Envy and “corporeal lockdown” in Maracatu de baque solto (Brazil)
author Baraldi, Filippo
author_facet Baraldi, Filippo
author_role author
dc.contributor.none.fl_str_mv Instituto de Etnomusicologia - Centro de Estudos em Música e Dança (INET-MD - NOVA FCSH)
RUN
dc.contributor.author.fl_str_mv Baraldi, Filippo
dc.subject.por.fl_str_mv Music
Anthropology
Health(social science)
topic Music
Anthropology
Health(social science)
description UIDB/00472/2020 UIDP/00472/2020
publishDate 2022
dc.date.none.fl_str_mv 2022-09-22T22:05:41Z
2022-05
2022-05-01T00:00:00Z
dc.type.driver.fl_str_mv book part
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://hdl.handle.net/10362/143945
url http://hdl.handle.net/10362/143945
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv PURE: 46630931
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv 4
application/pdf
dc.publisher.none.fl_str_mv Instituto de Etnomusicologia - Centro de Estudos em Música e Dança (INET-md), Faculty of Social and Human Sciences, NOVA University Lisbon
publisher.none.fl_str_mv Instituto de Etnomusicologia - Centro de Estudos em Música e Dança (INET-md), Faculty of Social and Human Sciences, NOVA University Lisbon
dc.source.none.fl_str_mv reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron:RCAAP
instname_str Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron_str RCAAP
institution RCAAP
reponame_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
collection Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
repository.mail.fl_str_mv mluisa.alvim@gmail.com
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