Two Films of João Salaviza: Towards a Cinema of Impermanence, After an Audiovisual Essay by Cátia Diogo

Detalhes bibliográficos
Autor(a) principal: Florêncio, Pedro
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.34632/jsta.2022.11819
Resumo: After a brief overview about aesthetic and dramatic common motives in Salaviza’s work, we will focus on the hypothesis raised by the Cátia Diogo’s audiovisual essay Rafa and David (2022). The essay juxtaposes two scenes in Rafa (2012) and Montanha (2015), in which the condition of the “operative image” (Harun Farocki) is revealed. Taking into account a number of ideas that are expressed by the formal strategy that this audiovisual essay takes, we will speculate about how, in the intertextual relation between these films, is possible to envision a change of course in the work of João Salaviza, towards a cinema of impermanence.    
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spelling Two Films of João Salaviza: Towards a Cinema of Impermanence, After an Audiovisual Essay by Cátia DiogoAfter a brief overview about aesthetic and dramatic common motives in Salaviza’s work, we will focus on the hypothesis raised by the Cátia Diogo’s audiovisual essay Rafa and David (2022). The essay juxtaposes two scenes in Rafa (2012) and Montanha (2015), in which the condition of the “operative image” (Harun Farocki) is revealed. Taking into account a number of ideas that are expressed by the formal strategy that this audiovisual essay takes, we will speculate about how, in the intertextual relation between these films, is possible to envision a change of course in the work of João Salaviza, towards a cinema of impermanence.    Universidade Católica Portuguesa2022-12-30info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.34632/jsta.2022.11819https://doi.org/10.34632/jsta.2022.11819Journal of Science and Technology of the Arts; Vol 14 No 3 (2022): On Animation: In-Between Frames; 72-77Journal of Science and Technology of the Arts; v. 14 n. 3 (2022): On Animation: In-Between Frames; 72-772183-00881646-979810.34632/jsta.2022.14.3reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://revistas.ucp.pt/index.php/jsta/article/view/11819https://revistas.ucp.pt/index.php/jsta/article/view/11819/11341Copyright (c) 2022 Pedro Florênciohttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessFlorêncio, Pedro2023-02-17T07:15:19Zoai:ojs.revistas.ucp.pt:article/11819Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T16:46:43.953934Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Two Films of João Salaviza: Towards a Cinema of Impermanence, After an Audiovisual Essay by Cátia Diogo
title Two Films of João Salaviza: Towards a Cinema of Impermanence, After an Audiovisual Essay by Cátia Diogo
spellingShingle Two Films of João Salaviza: Towards a Cinema of Impermanence, After an Audiovisual Essay by Cátia Diogo
Florêncio, Pedro
title_short Two Films of João Salaviza: Towards a Cinema of Impermanence, After an Audiovisual Essay by Cátia Diogo
title_full Two Films of João Salaviza: Towards a Cinema of Impermanence, After an Audiovisual Essay by Cátia Diogo
title_fullStr Two Films of João Salaviza: Towards a Cinema of Impermanence, After an Audiovisual Essay by Cátia Diogo
title_full_unstemmed Two Films of João Salaviza: Towards a Cinema of Impermanence, After an Audiovisual Essay by Cátia Diogo
title_sort Two Films of João Salaviza: Towards a Cinema of Impermanence, After an Audiovisual Essay by Cátia Diogo
author Florêncio, Pedro
author_facet Florêncio, Pedro
author_role author
dc.contributor.author.fl_str_mv Florêncio, Pedro
description After a brief overview about aesthetic and dramatic common motives in Salaviza’s work, we will focus on the hypothesis raised by the Cátia Diogo’s audiovisual essay Rafa and David (2022). The essay juxtaposes two scenes in Rafa (2012) and Montanha (2015), in which the condition of the “operative image” (Harun Farocki) is revealed. Taking into account a number of ideas that are expressed by the formal strategy that this audiovisual essay takes, we will speculate about how, in the intertextual relation between these films, is possible to envision a change of course in the work of João Salaviza, towards a cinema of impermanence.    
publishDate 2022
dc.date.none.fl_str_mv 2022-12-30
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://doi.org/10.34632/jsta.2022.11819
https://doi.org/10.34632/jsta.2022.11819
url https://doi.org/10.34632/jsta.2022.11819
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://revistas.ucp.pt/index.php/jsta/article/view/11819
https://revistas.ucp.pt/index.php/jsta/article/view/11819/11341
dc.rights.driver.fl_str_mv Copyright (c) 2022 Pedro Florêncio
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Pedro Florêncio
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Católica Portuguesa
publisher.none.fl_str_mv Universidade Católica Portuguesa
dc.source.none.fl_str_mv Journal of Science and Technology of the Arts; Vol 14 No 3 (2022): On Animation: In-Between Frames; 72-77
Journal of Science and Technology of the Arts; v. 14 n. 3 (2022): On Animation: In-Between Frames; 72-77
2183-0088
1646-9798
10.34632/jsta.2022.14.3
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron:RCAAP
instname_str Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron_str RCAAP
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reponame_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
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repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
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