Socio-cultural visions of interactivity within Museums

Detalhes bibliográficos
Autor(a) principal: Tsitoura, Angelina
Data de Publicação: 2010
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10437/4504
Resumo: The ideas on which this paper is based are drawn from my thesis “Interactivity in Museums. A Relationship Building Perspective” written in 2007 for the fulfillment of the Master Degree in Museology at the Reinwardt Academy in Amsterdam. The main arguments are that the notion of Interactivity conceptualized within a technological orientation coupled with the pedagogic approach of mere information transmission need to be reconsidered; that Interactivity in museums is a conception both misinterpreted and under-implemented; and that the problems of understanding Interactivity will resolve by identifying the aspects which define Interactivity and most importantly focus on why they matter in a broader socio-cultural context within museums. Without an intention to attribute all the developments and advances associated with new museological practice, in some deterministic way, solely to politics and economic change, I argue that the new strategies adopted by museums towards progression and broader accessibility –at least regarding interactivity, seem to be linked more with a dominant commercialization of culture and education, than with a belief towards an effect on social change through the promotion of social interaction within a pluralistic and multicultural society, acknowledging the diversity of nature, opinion and practices, which can be combined instead of contrasting each other.
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spelling Socio-cultural visions of interactivity within MuseumsMUSEOLOGIAMUSEUSINTERATIVIDADEMUSEOLOGYMUSEUMSINTERACTIVITYThe ideas on which this paper is based are drawn from my thesis “Interactivity in Museums. A Relationship Building Perspective” written in 2007 for the fulfillment of the Master Degree in Museology at the Reinwardt Academy in Amsterdam. The main arguments are that the notion of Interactivity conceptualized within a technological orientation coupled with the pedagogic approach of mere information transmission need to be reconsidered; that Interactivity in museums is a conception both misinterpreted and under-implemented; and that the problems of understanding Interactivity will resolve by identifying the aspects which define Interactivity and most importantly focus on why they matter in a broader socio-cultural context within museums. Without an intention to attribute all the developments and advances associated with new museological practice, in some deterministic way, solely to politics and economic change, I argue that the new strategies adopted by museums towards progression and broader accessibility –at least regarding interactivity, seem to be linked more with a dominant commercialization of culture and education, than with a belief towards an effect on social change through the promotion of social interaction within a pluralistic and multicultural society, acknowledging the diversity of nature, opinion and practices, which can be combined instead of contrasting each other.Edições Universitárias Lusófonas2014-01-21T11:40:16Z2010-01-01T00:00:00Z2010info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/10437/4504eng1646-3714Tsitoura, Angelinainfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-03-09T14:06:23Zoai:recil.ensinolusofona.pt:10437/4504Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T17:13:56.452734Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Socio-cultural visions of interactivity within Museums
title Socio-cultural visions of interactivity within Museums
spellingShingle Socio-cultural visions of interactivity within Museums
Tsitoura, Angelina
MUSEOLOGIA
MUSEUS
INTERATIVIDADE
MUSEOLOGY
MUSEUMS
INTERACTIVITY
title_short Socio-cultural visions of interactivity within Museums
title_full Socio-cultural visions of interactivity within Museums
title_fullStr Socio-cultural visions of interactivity within Museums
title_full_unstemmed Socio-cultural visions of interactivity within Museums
title_sort Socio-cultural visions of interactivity within Museums
author Tsitoura, Angelina
author_facet Tsitoura, Angelina
author_role author
dc.contributor.author.fl_str_mv Tsitoura, Angelina
dc.subject.por.fl_str_mv MUSEOLOGIA
MUSEUS
INTERATIVIDADE
MUSEOLOGY
MUSEUMS
INTERACTIVITY
topic MUSEOLOGIA
MUSEUS
INTERATIVIDADE
MUSEOLOGY
MUSEUMS
INTERACTIVITY
description The ideas on which this paper is based are drawn from my thesis “Interactivity in Museums. A Relationship Building Perspective” written in 2007 for the fulfillment of the Master Degree in Museology at the Reinwardt Academy in Amsterdam. The main arguments are that the notion of Interactivity conceptualized within a technological orientation coupled with the pedagogic approach of mere information transmission need to be reconsidered; that Interactivity in museums is a conception both misinterpreted and under-implemented; and that the problems of understanding Interactivity will resolve by identifying the aspects which define Interactivity and most importantly focus on why they matter in a broader socio-cultural context within museums. Without an intention to attribute all the developments and advances associated with new museological practice, in some deterministic way, solely to politics and economic change, I argue that the new strategies adopted by museums towards progression and broader accessibility –at least regarding interactivity, seem to be linked more with a dominant commercialization of culture and education, than with a belief towards an effect on social change through the promotion of social interaction within a pluralistic and multicultural society, acknowledging the diversity of nature, opinion and practices, which can be combined instead of contrasting each other.
publishDate 2010
dc.date.none.fl_str_mv 2010-01-01T00:00:00Z
2010
2014-01-21T11:40:16Z
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dc.publisher.none.fl_str_mv Edições Universitárias Lusófonas
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