The use of the Art Collection of the University of Porto in teaching and research

Detalhes bibliográficos
Autor(a) principal: Cláudia Garradas
Data de Publicação: 2010
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://hdl.handle.net/10216/51919
Resumo: The Art Collection of the Faculty of Fine Arts of the University of Porto (FBAUP) mainly consists of works created in class by young artists during their learning and educational period. These works are collected primarily to provide a learning and teaching tool for fine arts students. In its formation and development, the collection has undergone significant changes. Some of these changes were caused by the affiliation of the collection to the first public art museum in Portugal, the Museu Portuense de Pinturas e estampas, created in 1833. When the Academia Portuense de Belas Artes was founded in 1836, both the museum and the academy were placed under the responsibility of the same director. Additionally, the collection suffered from the effect of national education reforms to teaching and learning methods, which influenced students' art works and the development of the collection. However, the original purpose of constituting the art collection remains the support of fine art education and training. Throughout the last decade, our strategy has focused on the co-ordination of museum activities with the teaching and research goals of the Faculty of Fine Arts in particular and of the university in general. It has also focused on its future role as a place dedicated to cultural and artistic knowledge more closely connected with society at large. This paper concentrates on the teaching and research projects that have been developed since the official constitution of the Fine Arts Museum of the University of Porto in 1996.
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spelling The use of the Art Collection of the University of Porto in teaching and researchHistória da arte, ArtesArt History, ArtsThe Art Collection of the Faculty of Fine Arts of the University of Porto (FBAUP) mainly consists of works created in class by young artists during their learning and educational period. These works are collected primarily to provide a learning and teaching tool for fine arts students. In its formation and development, the collection has undergone significant changes. Some of these changes were caused by the affiliation of the collection to the first public art museum in Portugal, the Museu Portuense de Pinturas e estampas, created in 1833. When the Academia Portuense de Belas Artes was founded in 1836, both the museum and the academy were placed under the responsibility of the same director. Additionally, the collection suffered from the effect of national education reforms to teaching and learning methods, which influenced students' art works and the development of the collection. However, the original purpose of constituting the art collection remains the support of fine art education and training. Throughout the last decade, our strategy has focused on the co-ordination of museum activities with the teaching and research goals of the Faculty of Fine Arts in particular and of the university in general. It has also focused on its future role as a place dedicated to cultural and artistic knowledge more closely connected with society at large. This paper concentrates on the teaching and research projects that have been developed since the official constitution of the Fine Arts Museum of the University of Porto in 1996.20102010-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://hdl.handle.net/10216/51919eng2071-7229Cláudia Garradasinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-29T13:39:07Zoai:repositorio-aberto.up.pt:10216/51919Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T23:44:50.111240Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv The use of the Art Collection of the University of Porto in teaching and research
title The use of the Art Collection of the University of Porto in teaching and research
spellingShingle The use of the Art Collection of the University of Porto in teaching and research
Cláudia Garradas
História da arte, Artes
Art History, Arts
title_short The use of the Art Collection of the University of Porto in teaching and research
title_full The use of the Art Collection of the University of Porto in teaching and research
title_fullStr The use of the Art Collection of the University of Porto in teaching and research
title_full_unstemmed The use of the Art Collection of the University of Porto in teaching and research
title_sort The use of the Art Collection of the University of Porto in teaching and research
author Cláudia Garradas
author_facet Cláudia Garradas
author_role author
dc.contributor.author.fl_str_mv Cláudia Garradas
dc.subject.por.fl_str_mv História da arte, Artes
Art History, Arts
topic História da arte, Artes
Art History, Arts
description The Art Collection of the Faculty of Fine Arts of the University of Porto (FBAUP) mainly consists of works created in class by young artists during their learning and educational period. These works are collected primarily to provide a learning and teaching tool for fine arts students. In its formation and development, the collection has undergone significant changes. Some of these changes were caused by the affiliation of the collection to the first public art museum in Portugal, the Museu Portuense de Pinturas e estampas, created in 1833. When the Academia Portuense de Belas Artes was founded in 1836, both the museum and the academy were placed under the responsibility of the same director. Additionally, the collection suffered from the effect of national education reforms to teaching and learning methods, which influenced students' art works and the development of the collection. However, the original purpose of constituting the art collection remains the support of fine art education and training. Throughout the last decade, our strategy has focused on the co-ordination of museum activities with the teaching and research goals of the Faculty of Fine Arts in particular and of the university in general. It has also focused on its future role as a place dedicated to cultural and artistic knowledge more closely connected with society at large. This paper concentrates on the teaching and research projects that have been developed since the official constitution of the Fine Arts Museum of the University of Porto in 1996.
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