The drowned and the saved: Alves Redol’s approximations to the Holocaust
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://doi.org/10.34624/fb.v0i16.25167 |
Resumo: | Picking up on Primo Levi’s famous formulation on The Drowned and the Saved (1987), this paper shows two examples of fictional works by Redol, in which his usual political views are conveyed through connections to the Holocaust: A Barca dos Sete Lemes [The Man with Seven Names] (1958) and O Cavalo Espantado (1960). The first work displays the journey of a young man born on the banks of the Tagus, who then fought in the Marocco War and ended up in a Nazi-ruled prison in France during the Second World War, his African experience in the war being seen as potentially useful for a concentration camp guard; the second novel narrates the story of a rich Austrian Jewish couple in Lisbon, who fled a regime with which they had collaborated that now was sending people like them to work and die at the Mauthausen quarry. While the hero of the former escapes from a miserable Portugal but drowns close to the drama of the Holocaust, the couple of the latter is saved from that drama via Lisbon. Two different directions during the catastrophe, one common figure in the novel: Alves Redol as a literary alter ego in contact with these characters, witnessing how one drowns or is chosen for salvation in apocalyptic times. |
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The drowned and the saved: Alves Redol’s approximations to the HolocaustOs que sucumbem e os que se salvam: aproximações ao Holocausto em Alves RedolPicking up on Primo Levi’s famous formulation on The Drowned and the Saved (1987), this paper shows two examples of fictional works by Redol, in which his usual political views are conveyed through connections to the Holocaust: A Barca dos Sete Lemes [The Man with Seven Names] (1958) and O Cavalo Espantado (1960). The first work displays the journey of a young man born on the banks of the Tagus, who then fought in the Marocco War and ended up in a Nazi-ruled prison in France during the Second World War, his African experience in the war being seen as potentially useful for a concentration camp guard; the second novel narrates the story of a rich Austrian Jewish couple in Lisbon, who fled a regime with which they had collaborated that now was sending people like them to work and die at the Mauthausen quarry. While the hero of the former escapes from a miserable Portugal but drowns close to the drama of the Holocaust, the couple of the latter is saved from that drama via Lisbon. Two different directions during the catastrophe, one common figure in the novel: Alves Redol as a literary alter ego in contact with these characters, witnessing how one drowns or is chosen for salvation in apocalyptic times.Partindo da célebre formulação de Primo Levi (Os que Sucumbem e os que se Salvam, 1987), propomos expor dois exemplos da obra de ficção redoliana nas quais o autor concretiza o pendor político que lhe é reconhecido através de aproximações ao Holocausto: A Barca dos Sete Lemes (1958) e O Cavalo Espantado (1960). Na primeira, descreve o percurso de um jovem nascido nas margens do Tejo, até se ver em combate na guerra de Marrocos, culminando na sua prisão em território francês sob ocupação nazi, e deixando entrever a sua potencial utilização como guarda de campos de concentração alemães pela experiência de guerra que entretanto adquirira; no segundo caso, através da história de um casal de judeus austríacos abastados em Lisboa, que escaparam a um regime com o qual colaboraram e que agora envia cidadãos como eles para as pedreiras de Mauthausen. Se o herói do primeiro romance escapa a um Portugal miserável sucumbindo às portas do drama do Holocausto, a díade do segundo romance salva-se desse drama através da porta de saída que Lisboa lhes proporciona. Perante as diferentes direções da catástrofe apresentadas nos dois romances, uma personagem em comum: a de Alves Redol enquanto alter ego literário, testemunhando, em diálogo com estas personagens, de que forma se falha ou se é eleito para a salvação em tempos apocalípticos.UA Editora - Universidade de Aveiro2020-06-28info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.34624/fb.v0i16.25167https://doi.org/10.34624/fb.v0i16.25167Forma Breve; No 16 (2020): Arca de Noé: Catástrofe e Redenção; 71-87Forma Breve; n.º 16 (2020): Arca de Noé: Catástrofe e Redenção; 71-872183-47091645-927Xreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPporhttps://proa.ua.pt/index.php/formabreve/article/view/25167https://proa.ua.pt/index.php/formabreve/article/view/25167/17915http://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessLopes, Luís Pimenta2023-11-30T18:45:30Zoai:proa.ua.pt:article/25167Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T16:03:14.037345Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
The drowned and the saved: Alves Redol’s approximations to the Holocaust Os que sucumbem e os que se salvam: aproximações ao Holocausto em Alves Redol |
title |
The drowned and the saved: Alves Redol’s approximations to the Holocaust |
spellingShingle |
The drowned and the saved: Alves Redol’s approximations to the Holocaust Lopes, Luís Pimenta |
title_short |
The drowned and the saved: Alves Redol’s approximations to the Holocaust |
title_full |
The drowned and the saved: Alves Redol’s approximations to the Holocaust |
title_fullStr |
The drowned and the saved: Alves Redol’s approximations to the Holocaust |
title_full_unstemmed |
The drowned and the saved: Alves Redol’s approximations to the Holocaust |
title_sort |
The drowned and the saved: Alves Redol’s approximations to the Holocaust |
author |
Lopes, Luís Pimenta |
author_facet |
Lopes, Luís Pimenta |
author_role |
author |
dc.contributor.author.fl_str_mv |
Lopes, Luís Pimenta |
description |
Picking up on Primo Levi’s famous formulation on The Drowned and the Saved (1987), this paper shows two examples of fictional works by Redol, in which his usual political views are conveyed through connections to the Holocaust: A Barca dos Sete Lemes [The Man with Seven Names] (1958) and O Cavalo Espantado (1960). The first work displays the journey of a young man born on the banks of the Tagus, who then fought in the Marocco War and ended up in a Nazi-ruled prison in France during the Second World War, his African experience in the war being seen as potentially useful for a concentration camp guard; the second novel narrates the story of a rich Austrian Jewish couple in Lisbon, who fled a regime with which they had collaborated that now was sending people like them to work and die at the Mauthausen quarry. While the hero of the former escapes from a miserable Portugal but drowns close to the drama of the Holocaust, the couple of the latter is saved from that drama via Lisbon. Two different directions during the catastrophe, one common figure in the novel: Alves Redol as a literary alter ego in contact with these characters, witnessing how one drowns or is chosen for salvation in apocalyptic times. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-06-28 |
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info:eu-repo/semantics/publishedVersion |
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info:eu-repo/semantics/article |
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article |
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publishedVersion |
dc.identifier.uri.fl_str_mv |
https://doi.org/10.34624/fb.v0i16.25167 https://doi.org/10.34624/fb.v0i16.25167 |
url |
https://doi.org/10.34624/fb.v0i16.25167 |
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por |
language |
por |
dc.relation.none.fl_str_mv |
https://proa.ua.pt/index.php/formabreve/article/view/25167 https://proa.ua.pt/index.php/formabreve/article/view/25167/17915 |
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http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
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http://creativecommons.org/licenses/by/4.0 |
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openAccess |
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application/pdf |
dc.publisher.none.fl_str_mv |
UA Editora - Universidade de Aveiro |
publisher.none.fl_str_mv |
UA Editora - Universidade de Aveiro |
dc.source.none.fl_str_mv |
Forma Breve; No 16 (2020): Arca de Noé: Catástrofe e Redenção; 71-87 Forma Breve; n.º 16 (2020): Arca de Noé: Catástrofe e Redenção; 71-87 2183-4709 1645-927X reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
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RCAAP |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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