Modernism and the Portuguese Teatro de Revista
Autor(a) principal: | |
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Data de Publicação: | 2015 |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | http://hdl.handle.net/10400.26/12131 |
Resumo: | Largely due to the conservatism of audiences and critics, Portuguese theatre was mostly indifferent, if not downright hostile, to the avant-garde theatre coming from elsewhere in Europe. Therefore, naturalistic theatre and historical drama were the staple of Portuguese theatres until the 1950s, with the only exception of the plays of Almada Negreiros and symbolist plays by Fernando Pessoa, Raul Brandão and António Patrício. However, modernism found its place on stage in one of the most typical Portuguese theatre forms: «Revista à Portuguesa», the Portuguese revue theatre, which welcomed the first generation of Portuguese modernist painters to work as set and costume designers. Artists like Jorge Barradas, Milly Possoz, José Barbosa, among others, took the influence of the Ballets Russes of Diaghlev, and the avant-garde visual arts, to change the appearance of the most typically Portuguese theatre genre, Revista à Portuguesa. With this paper I will try to document how modernist painters gained entry in «Revista à Portuguesa» and created an art that fused the commercial interests of theatre entrepreneurs, the tastes of the bourgeois audiences and their own artistic sensibilities. |
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Modernism and the Portuguese Teatro de RevistaScenographyTeatro de RevistaModernismPortuguese TheatreLargely due to the conservatism of audiences and critics, Portuguese theatre was mostly indifferent, if not downright hostile, to the avant-garde theatre coming from elsewhere in Europe. Therefore, naturalistic theatre and historical drama were the staple of Portuguese theatres until the 1950s, with the only exception of the plays of Almada Negreiros and symbolist plays by Fernando Pessoa, Raul Brandão and António Patrício. However, modernism found its place on stage in one of the most typical Portuguese theatre forms: «Revista à Portuguesa», the Portuguese revue theatre, which welcomed the first generation of Portuguese modernist painters to work as set and costume designers. Artists like Jorge Barradas, Milly Possoz, José Barbosa, among others, took the influence of the Ballets Russes of Diaghlev, and the avant-garde visual arts, to change the appearance of the most typically Portuguese theatre genre, Revista à Portuguesa. With this paper I will try to document how modernist painters gained entry in «Revista à Portuguesa» and created an art that fused the commercial interests of theatre entrepreneurs, the tastes of the bourgeois audiences and their own artistic sensibilities.ESAP/2015/P24/SATHCentro de Estudos Arnaldo Araújo e Instituto de História de ArteRepositório ComumPalinhos, Jorge2016-03-11T12:48:00Z2015-052015-05-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/10400.26/12131eng9789728784669info:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-10T01:46:51Zoai:comum.rcaap.pt:10400.26/12131Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T22:34:02.718817Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Modernism and the Portuguese Teatro de Revista |
title |
Modernism and the Portuguese Teatro de Revista |
spellingShingle |
Modernism and the Portuguese Teatro de Revista Palinhos, Jorge Scenography Teatro de Revista Modernism Portuguese Theatre |
title_short |
Modernism and the Portuguese Teatro de Revista |
title_full |
Modernism and the Portuguese Teatro de Revista |
title_fullStr |
Modernism and the Portuguese Teatro de Revista |
title_full_unstemmed |
Modernism and the Portuguese Teatro de Revista |
title_sort |
Modernism and the Portuguese Teatro de Revista |
author |
Palinhos, Jorge |
author_facet |
Palinhos, Jorge |
author_role |
author |
dc.contributor.none.fl_str_mv |
Repositório Comum |
dc.contributor.author.fl_str_mv |
Palinhos, Jorge |
dc.subject.por.fl_str_mv |
Scenography Teatro de Revista Modernism Portuguese Theatre |
topic |
Scenography Teatro de Revista Modernism Portuguese Theatre |
description |
Largely due to the conservatism of audiences and critics, Portuguese theatre was mostly indifferent, if not downright hostile, to the avant-garde theatre coming from elsewhere in Europe. Therefore, naturalistic theatre and historical drama were the staple of Portuguese theatres until the 1950s, with the only exception of the plays of Almada Negreiros and symbolist plays by Fernando Pessoa, Raul Brandão and António Patrício. However, modernism found its place on stage in one of the most typical Portuguese theatre forms: «Revista à Portuguesa», the Portuguese revue theatre, which welcomed the first generation of Portuguese modernist painters to work as set and costume designers. Artists like Jorge Barradas, Milly Possoz, José Barbosa, among others, took the influence of the Ballets Russes of Diaghlev, and the avant-garde visual arts, to change the appearance of the most typically Portuguese theatre genre, Revista à Portuguesa. With this paper I will try to document how modernist painters gained entry in «Revista à Portuguesa» and created an art that fused the commercial interests of theatre entrepreneurs, the tastes of the bourgeois audiences and their own artistic sensibilities. |
publishDate |
2015 |
dc.date.none.fl_str_mv |
2015-05 2015-05-01T00:00:00Z 2016-03-11T12:48:00Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://hdl.handle.net/10400.26/12131 |
url |
http://hdl.handle.net/10400.26/12131 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
9789728784669 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Centro de Estudos Arnaldo Araújo e Instituto de História de Arte |
publisher.none.fl_str_mv |
Centro de Estudos Arnaldo Araújo e Instituto de História de Arte |
dc.source.none.fl_str_mv |
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
instname_str |
Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
instacron_str |
RCAAP |
institution |
RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
collection |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository.name.fl_str_mv |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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1799134902754476032 |