The Portuguese Reception of the Theater of Plínio Marcos
Autor(a) principal: | |
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Data de Publicação: | 2024 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://doi.org/10.34639/rpea.v12i2.218 |
Resumo: | What this essay proposes is to survey, ascertain, catalog and analyze the academic, critical and media reception of Plínio Marcos’ theater in Portugal. It has been increasingly hot to carry out studies that bring together different culturalcontexts, especially in the Brazil-Portugal case, because, in addition to the history that unites the two nations from a broader point of view, there are also more political recent context elements that are equally important for comparativeinvestigations. The experience of playwrights and theatrical operators with dictatorial traumatic situations is one of them. Plínio Marcos was the Brazilian playwright most persecuted by the Military Dictatorship between the 1960s and 1980s. In the specific case of this research project, the interest is to know more deeply if there is and how was the insertion of Plínio Marcos’ theater in the academic, critical and mediatic scenario, without, however, failing to determine if his plays were staged by Portuguese theater groups. Thus, it is expected to understand if there was a resonance ofthe Plinian theater in Portugal and how this process influenced or not the Lusitanian theater scene, especially betweenthe 1970s and 1990s. |
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The Portuguese Reception of the Theater of Plínio MarcosA Recepção Portuguesa do Teatro de Plínio MarcosPlínio MarcosTheaterReceptionPortugalPlínio MarcosTeatroRecepçãoPortugalWhat this essay proposes is to survey, ascertain, catalog and analyze the academic, critical and media reception of Plínio Marcos’ theater in Portugal. It has been increasingly hot to carry out studies that bring together different culturalcontexts, especially in the Brazil-Portugal case, because, in addition to the history that unites the two nations from a broader point of view, there are also more political recent context elements that are equally important for comparativeinvestigations. The experience of playwrights and theatrical operators with dictatorial traumatic situations is one of them. Plínio Marcos was the Brazilian playwright most persecuted by the Military Dictatorship between the 1960s and 1980s. In the specific case of this research project, the interest is to know more deeply if there is and how was the insertion of Plínio Marcos’ theater in the academic, critical and mediatic scenario, without, however, failing to determine if his plays were staged by Portuguese theater groups. Thus, it is expected to understand if there was a resonance ofthe Plinian theater in Portugal and how this process influenced or not the Lusitanian theater scene, especially betweenthe 1970s and 1990s.O que se propõe com este ensaio é levantar, apurar, catalogar e analisar a recepção acadêmica, crítica e midiática do teatro de Plínio Marcos em Portugal. Tem sido cada vez mais candente realizar estudos que aproximem contextosculturais diferentes, sobretudo no caso Brasil-Portugal, pois, além da história que une as duas nações do ponto devista mais amplo, há também elementos de contexto político mais recentes que são igualmente importantes para investigações comparativas. A experiência de dramaturgos e operadores teatrais com quadros traumáticos ditatoriais é um deles. Plínio Marcos foi o dramaturgo brasileiro mais perseguido pela Ditadura Militar entre as décadas de 1960-1980. No caso concreto deste artigo, o interesse é conhecer mais profundamente se existe e como se deu a inserçãodo teatro de Plínio Marcos no cenário acadêmico, crítico e midiático, sem, contudo, deixar de apurar se suas peças foramencenadas por grupos teatrais portugueses. Assim, espera-se entender se houve ressonância do teatro pliniano em Portugal e como esse processo influenciou ou não a cena teatral lusitana, em especial entre as décadas de 1970-1990.CEPAM2024-02-07info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.34639/rpea.v12i2.218https://doi.org/10.34639/rpea.v12i2.218Portuguese Journal of Artistic Education; Vol. 12 No. 2 (2022): Portuguese Journal of Arts Education; 95 a 108Revista Portuguesa de Educação Artística; Vol. 12 N.º 2 (2022): Revista Portuguesa de Educação Artística; 95 a 1082183-74811647-905X10.34639/5teatk26reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPporhttps://rpea.madeira.gov.pt/index.php/rpea/article/view/218https://rpea.madeira.gov.pt/index.php/rpea/article/view/218/180Direitos de Autor (c) 2024 Helciclever Barros da Silva Sales, Wagner Corsino Enedinoinfo:eu-repo/semantics/openAccessBarros da Silva Sales, HelcicleverCorsino Enedino, WagnerBarros da Silva Sales, HelcicleverCorsino Enedino, Wagner2024-02-21T21:33:05Zoai:rpea.madeira.gov.pt:article/218Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T02:38:15.017346Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
The Portuguese Reception of the Theater of Plínio Marcos A Recepção Portuguesa do Teatro de Plínio Marcos |
title |
The Portuguese Reception of the Theater of Plínio Marcos |
spellingShingle |
The Portuguese Reception of the Theater of Plínio Marcos Barros da Silva Sales, Helciclever Plínio Marcos Theater Reception Portugal Plínio Marcos Teatro Recepção Portugal |
title_short |
The Portuguese Reception of the Theater of Plínio Marcos |
title_full |
The Portuguese Reception of the Theater of Plínio Marcos |
title_fullStr |
The Portuguese Reception of the Theater of Plínio Marcos |
title_full_unstemmed |
The Portuguese Reception of the Theater of Plínio Marcos |
title_sort |
The Portuguese Reception of the Theater of Plínio Marcos |
author |
Barros da Silva Sales, Helciclever |
author_facet |
Barros da Silva Sales, Helciclever Corsino Enedino, Wagner |
author_role |
author |
author2 |
Corsino Enedino, Wagner |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Barros da Silva Sales, Helciclever Corsino Enedino, Wagner Barros da Silva Sales, Helciclever Corsino Enedino, Wagner |
dc.subject.por.fl_str_mv |
Plínio Marcos Theater Reception Portugal Plínio Marcos Teatro Recepção Portugal |
topic |
Plínio Marcos Theater Reception Portugal Plínio Marcos Teatro Recepção Portugal |
description |
What this essay proposes is to survey, ascertain, catalog and analyze the academic, critical and media reception of Plínio Marcos’ theater in Portugal. It has been increasingly hot to carry out studies that bring together different culturalcontexts, especially in the Brazil-Portugal case, because, in addition to the history that unites the two nations from a broader point of view, there are also more political recent context elements that are equally important for comparativeinvestigations. The experience of playwrights and theatrical operators with dictatorial traumatic situations is one of them. Plínio Marcos was the Brazilian playwright most persecuted by the Military Dictatorship between the 1960s and 1980s. In the specific case of this research project, the interest is to know more deeply if there is and how was the insertion of Plínio Marcos’ theater in the academic, critical and mediatic scenario, without, however, failing to determine if his plays were staged by Portuguese theater groups. Thus, it is expected to understand if there was a resonance ofthe Plinian theater in Portugal and how this process influenced or not the Lusitanian theater scene, especially betweenthe 1970s and 1990s. |
publishDate |
2024 |
dc.date.none.fl_str_mv |
2024-02-07 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://doi.org/10.34639/rpea.v12i2.218 https://doi.org/10.34639/rpea.v12i2.218 |
url |
https://doi.org/10.34639/rpea.v12i2.218 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://rpea.madeira.gov.pt/index.php/rpea/article/view/218 https://rpea.madeira.gov.pt/index.php/rpea/article/view/218/180 |
dc.rights.driver.fl_str_mv |
Direitos de Autor (c) 2024 Helciclever Barros da Silva Sales, Wagner Corsino Enedino info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Direitos de Autor (c) 2024 Helciclever Barros da Silva Sales, Wagner Corsino Enedino |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
CEPAM |
publisher.none.fl_str_mv |
CEPAM |
dc.source.none.fl_str_mv |
Portuguese Journal of Artistic Education; Vol. 12 No. 2 (2022): Portuguese Journal of Arts Education; 95 a 108 Revista Portuguesa de Educação Artística; Vol. 12 N.º 2 (2022): Revista Portuguesa de Educação Artística; 95 a 108 2183-7481 1647-905X 10.34639/5teatk26 reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
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RCAAP |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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