Editorial

Detalhes bibliográficos
Autor(a) principal: Neves, Pedro Soares
Data de Publicação: 2021
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.48619/cap.v3i1.537
Resumo: Remote interpretation is now digitally distorted. Something considered distant can be equally close, pervasive, a-spatial. With this topic, we intend to open the debate on the tensions caused by the multiple interpretations that the word “remote” in relation with (the complex binomial) “public art”. Is it a remote feeling that will remain? What path did the remote word take to us, today? Is the remote as a medium here to stay? Will the far, off-center (eccentric), have a component of unexpected surprise? What scale is remote, sustainable, green, universal, atomic? With this call for articles, essays, reviews of book or exhibitions, we will seek to draw an overview of the present and the past, crossing views (among many others) from the history of art, sculpture, artistic practices, design, architecture and urbanism.
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spelling EditorialRemote interpretation is now digitally distorted. Something considered distant can be equally close, pervasive, a-spatial. With this topic, we intend to open the debate on the tensions caused by the multiple interpretations that the word “remote” in relation with (the complex binomial) “public art”. Is it a remote feeling that will remain? What path did the remote word take to us, today? Is the remote as a medium here to stay? Will the far, off-center (eccentric), have a component of unexpected surprise? What scale is remote, sustainable, green, universal, atomic? With this call for articles, essays, reviews of book or exhibitions, we will seek to draw an overview of the present and the past, crossing views (among many others) from the history of art, sculpture, artistic practices, design, architecture and urbanism.Urbancreativity.org2021-12-30T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.48619/cap.v3i1.537oai:journals.ap2.pt:article/537CAP - Public Art Journal; Vol 3 No 1 (2021): Remote: Geographies; 1 - 7Cadernos de Arte Pública; v. 3 n. 1 (2021): Remote: Geographies; 1 - 7CAP - Cadernos de Arte Pública / Public Art Journal; v. 3 n. 1 (2021): Remote: Geographies; 1 - 72184-6197reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://journals.ap2.pt/index.php/CAP/article/view/537https://doi.org/10.48619/cap.v3i1.537https://journals.ap2.pt/index.php/CAP/article/view/537/317Neves, Pedro Soaresinfo:eu-repo/semantics/openAccess2022-09-20T11:04:29Zoai:journals.ap2.pt:article/537Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T15:49:00.971087Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Editorial
title Editorial
spellingShingle Editorial
Neves, Pedro Soares
title_short Editorial
title_full Editorial
title_fullStr Editorial
title_full_unstemmed Editorial
title_sort Editorial
author Neves, Pedro Soares
author_facet Neves, Pedro Soares
author_role author
dc.contributor.author.fl_str_mv Neves, Pedro Soares
description Remote interpretation is now digitally distorted. Something considered distant can be equally close, pervasive, a-spatial. With this topic, we intend to open the debate on the tensions caused by the multiple interpretations that the word “remote” in relation with (the complex binomial) “public art”. Is it a remote feeling that will remain? What path did the remote word take to us, today? Is the remote as a medium here to stay? Will the far, off-center (eccentric), have a component of unexpected surprise? What scale is remote, sustainable, green, universal, atomic? With this call for articles, essays, reviews of book or exhibitions, we will seek to draw an overview of the present and the past, crossing views (among many others) from the history of art, sculpture, artistic practices, design, architecture and urbanism.
publishDate 2021
dc.date.none.fl_str_mv 2021-12-30T00:00:00Z
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dc.identifier.uri.fl_str_mv https://doi.org/10.48619/cap.v3i1.537
oai:journals.ap2.pt:article/537
url https://doi.org/10.48619/cap.v3i1.537
identifier_str_mv oai:journals.ap2.pt:article/537
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://journals.ap2.pt/index.php/CAP/article/view/537
https://doi.org/10.48619/cap.v3i1.537
https://journals.ap2.pt/index.php/CAP/article/view/537/317
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Urbancreativity.org
publisher.none.fl_str_mv Urbancreativity.org
dc.source.none.fl_str_mv CAP - Public Art Journal; Vol 3 No 1 (2021): Remote: Geographies; 1 - 7
Cadernos de Arte Pública; v. 3 n. 1 (2021): Remote: Geographies; 1 - 7
CAP - Cadernos de Arte Pública / Public Art Journal; v. 3 n. 1 (2021): Remote: Geographies; 1 - 7
2184-6197
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collection Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
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