Implicit knowledge of the colours of natural scenes matches real colours

Detalhes bibliográficos
Autor(a) principal: Nascimento, Sérgio M. C.
Data de Publicação: 2016
Outros Autores: Linhares, João M. M., Pastilha, Ruben Carpinteiro, Montagner, Cristina
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/1822/54525
Resumo: Some studies suggest that there is a memory colour effect for familiar objects but whether this effect generalizes to natural scenes is unclear. Here we tested this hypothesis with an experiment where observers adjust the colour gamut of unknown natural scenes to produce realistic images. The stimuli were images of natural scenes unknown to the observers synthesized from hyperspectral imaging data. The images were rendered under D65 and could be manipulated to adjust the colour gamut in the CIELAB (a*, b*) by a multiplicative factor between 1.5 and 0.5. The images were presented on a calibrated CRT computer screen driven by a ViSaGe MKII. In the experiment the observers adjusted the gamut by actuating freely on a joy-pad. At the beginning of each trial each image was presented with its colour gamut compressed or expanded by a random factor. The task of the observers was to adjust the gamut such that the image appeared real. Data from five observers with normal colour vision shows that, on average, the gamut selected by observers was within 2% of the original one. These results suggest that observers have implicit unbiased knowledge of the colours of natural scenes.
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spelling Implicit knowledge of the colours of natural scenes matches real coloursScience & TechnologySocial SciencesSome studies suggest that there is a memory colour effect for familiar objects but whether this effect generalizes to natural scenes is unclear. Here we tested this hypothesis with an experiment where observers adjust the colour gamut of unknown natural scenes to produce realistic images. The stimuli were images of natural scenes unknown to the observers synthesized from hyperspectral imaging data. The images were rendered under D65 and could be manipulated to adjust the colour gamut in the CIELAB (a*, b*) by a multiplicative factor between 1.5 and 0.5. The images were presented on a calibrated CRT computer screen driven by a ViSaGe MKII. In the experiment the observers adjusted the gamut by actuating freely on a joy-pad. At the beginning of each trial each image was presented with its colour gamut compressed or expanded by a random factor. The task of the observers was to adjust the gamut such that the image appeared real. Data from five observers with normal colour vision shows that, on average, the gamut selected by observers was within 2% of the original one. These results suggest that observers have implicit unbiased knowledge of the colours of natural scenes.info:eu-repo/semantics/publishedVersionSAGE Publications LtdUniversidade do MinhoNascimento, Sérgio M. C.Linhares, João M. M.Pastilha, Ruben CarpinteiroMontagner, Cristina2016-082016-08-01T00:00:00Zconference posterinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://hdl.handle.net/1822/54525eng0301-0066info:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2024-05-11T06:15:43Zoai:repositorium.sdum.uminho.pt:1822/54525Portal AgregadorONGhttps://www.rcaap.pt/oai/openairemluisa.alvim@gmail.comopendoar:71602024-05-11T06:15:43Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Implicit knowledge of the colours of natural scenes matches real colours
title Implicit knowledge of the colours of natural scenes matches real colours
spellingShingle Implicit knowledge of the colours of natural scenes matches real colours
Nascimento, Sérgio M. C.
Science & Technology
Social Sciences
title_short Implicit knowledge of the colours of natural scenes matches real colours
title_full Implicit knowledge of the colours of natural scenes matches real colours
title_fullStr Implicit knowledge of the colours of natural scenes matches real colours
title_full_unstemmed Implicit knowledge of the colours of natural scenes matches real colours
title_sort Implicit knowledge of the colours of natural scenes matches real colours
author Nascimento, Sérgio M. C.
author_facet Nascimento, Sérgio M. C.
Linhares, João M. M.
Pastilha, Ruben Carpinteiro
Montagner, Cristina
author_role author
author2 Linhares, João M. M.
Pastilha, Ruben Carpinteiro
Montagner, Cristina
author2_role author
author
author
dc.contributor.none.fl_str_mv Universidade do Minho
dc.contributor.author.fl_str_mv Nascimento, Sérgio M. C.
Linhares, João M. M.
Pastilha, Ruben Carpinteiro
Montagner, Cristina
dc.subject.por.fl_str_mv Science & Technology
Social Sciences
topic Science & Technology
Social Sciences
description Some studies suggest that there is a memory colour effect for familiar objects but whether this effect generalizes to natural scenes is unclear. Here we tested this hypothesis with an experiment where observers adjust the colour gamut of unknown natural scenes to produce realistic images. The stimuli were images of natural scenes unknown to the observers synthesized from hyperspectral imaging data. The images were rendered under D65 and could be manipulated to adjust the colour gamut in the CIELAB (a*, b*) by a multiplicative factor between 1.5 and 0.5. The images were presented on a calibrated CRT computer screen driven by a ViSaGe MKII. In the experiment the observers adjusted the gamut by actuating freely on a joy-pad. At the beginning of each trial each image was presented with its colour gamut compressed or expanded by a random factor. The task of the observers was to adjust the gamut such that the image appeared real. Data from five observers with normal colour vision shows that, on average, the gamut selected by observers was within 2% of the original one. These results suggest that observers have implicit unbiased knowledge of the colours of natural scenes.
publishDate 2016
dc.date.none.fl_str_mv 2016-08
2016-08-01T00:00:00Z
dc.type.driver.fl_str_mv conference poster
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://hdl.handle.net/1822/54525
url http://hdl.handle.net/1822/54525
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv 0301-0066
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv SAGE Publications Ltd
publisher.none.fl_str_mv SAGE Publications Ltd
dc.source.none.fl_str_mv reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron:RCAAP
instname_str Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron_str RCAAP
institution RCAAP
reponame_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
collection Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
repository.mail.fl_str_mv mluisa.alvim@gmail.com
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