Implicit knowledge of the colours of natural scenes matches real colours
Autor(a) principal: | |
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Data de Publicação: | 2016 |
Outros Autores: | , , |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | http://hdl.handle.net/1822/54525 |
Resumo: | Some studies suggest that there is a memory colour effect for familiar objects but whether this effect generalizes to natural scenes is unclear. Here we tested this hypothesis with an experiment where observers adjust the colour gamut of unknown natural scenes to produce realistic images. The stimuli were images of natural scenes unknown to the observers synthesized from hyperspectral imaging data. The images were rendered under D65 and could be manipulated to adjust the colour gamut in the CIELAB (a*, b*) by a multiplicative factor between 1.5 and 0.5. The images were presented on a calibrated CRT computer screen driven by a ViSaGe MKII. In the experiment the observers adjusted the gamut by actuating freely on a joy-pad. At the beginning of each trial each image was presented with its colour gamut compressed or expanded by a random factor. The task of the observers was to adjust the gamut such that the image appeared real. Data from five observers with normal colour vision shows that, on average, the gamut selected by observers was within 2% of the original one. These results suggest that observers have implicit unbiased knowledge of the colours of natural scenes. |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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7160 |
spelling |
Implicit knowledge of the colours of natural scenes matches real coloursScience & TechnologySocial SciencesSome studies suggest that there is a memory colour effect for familiar objects but whether this effect generalizes to natural scenes is unclear. Here we tested this hypothesis with an experiment where observers adjust the colour gamut of unknown natural scenes to produce realistic images. The stimuli were images of natural scenes unknown to the observers synthesized from hyperspectral imaging data. The images were rendered under D65 and could be manipulated to adjust the colour gamut in the CIELAB (a*, b*) by a multiplicative factor between 1.5 and 0.5. The images were presented on a calibrated CRT computer screen driven by a ViSaGe MKII. In the experiment the observers adjusted the gamut by actuating freely on a joy-pad. At the beginning of each trial each image was presented with its colour gamut compressed or expanded by a random factor. The task of the observers was to adjust the gamut such that the image appeared real. Data from five observers with normal colour vision shows that, on average, the gamut selected by observers was within 2% of the original one. These results suggest that observers have implicit unbiased knowledge of the colours of natural scenes.info:eu-repo/semantics/publishedVersionSAGE Publications LtdUniversidade do MinhoNascimento, Sérgio M. C.Linhares, João M. M.Pastilha, Ruben CarpinteiroMontagner, Cristina2016-082016-08-01T00:00:00Zconference posterinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://hdl.handle.net/1822/54525eng0301-0066info:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2024-05-11T06:15:43Zoai:repositorium.sdum.uminho.pt:1822/54525Portal AgregadorONGhttps://www.rcaap.pt/oai/openairemluisa.alvim@gmail.comopendoar:71602024-05-11T06:15:43Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Implicit knowledge of the colours of natural scenes matches real colours |
title |
Implicit knowledge of the colours of natural scenes matches real colours |
spellingShingle |
Implicit knowledge of the colours of natural scenes matches real colours Nascimento, Sérgio M. C. Science & Technology Social Sciences |
title_short |
Implicit knowledge of the colours of natural scenes matches real colours |
title_full |
Implicit knowledge of the colours of natural scenes matches real colours |
title_fullStr |
Implicit knowledge of the colours of natural scenes matches real colours |
title_full_unstemmed |
Implicit knowledge of the colours of natural scenes matches real colours |
title_sort |
Implicit knowledge of the colours of natural scenes matches real colours |
author |
Nascimento, Sérgio M. C. |
author_facet |
Nascimento, Sérgio M. C. Linhares, João M. M. Pastilha, Ruben Carpinteiro Montagner, Cristina |
author_role |
author |
author2 |
Linhares, João M. M. Pastilha, Ruben Carpinteiro Montagner, Cristina |
author2_role |
author author author |
dc.contributor.none.fl_str_mv |
Universidade do Minho |
dc.contributor.author.fl_str_mv |
Nascimento, Sérgio M. C. Linhares, João M. M. Pastilha, Ruben Carpinteiro Montagner, Cristina |
dc.subject.por.fl_str_mv |
Science & Technology Social Sciences |
topic |
Science & Technology Social Sciences |
description |
Some studies suggest that there is a memory colour effect for familiar objects but whether this effect generalizes to natural scenes is unclear. Here we tested this hypothesis with an experiment where observers adjust the colour gamut of unknown natural scenes to produce realistic images. The stimuli were images of natural scenes unknown to the observers synthesized from hyperspectral imaging data. The images were rendered under D65 and could be manipulated to adjust the colour gamut in the CIELAB (a*, b*) by a multiplicative factor between 1.5 and 0.5. The images were presented on a calibrated CRT computer screen driven by a ViSaGe MKII. In the experiment the observers adjusted the gamut by actuating freely on a joy-pad. At the beginning of each trial each image was presented with its colour gamut compressed or expanded by a random factor. The task of the observers was to adjust the gamut such that the image appeared real. Data from five observers with normal colour vision shows that, on average, the gamut selected by observers was within 2% of the original one. These results suggest that observers have implicit unbiased knowledge of the colours of natural scenes. |
publishDate |
2016 |
dc.date.none.fl_str_mv |
2016-08 2016-08-01T00:00:00Z |
dc.type.driver.fl_str_mv |
conference poster |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://hdl.handle.net/1822/54525 |
url |
http://hdl.handle.net/1822/54525 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
0301-0066 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
SAGE Publications Ltd |
publisher.none.fl_str_mv |
SAGE Publications Ltd |
dc.source.none.fl_str_mv |
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
instname_str |
Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
instacron_str |
RCAAP |
institution |
RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
collection |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository.name.fl_str_mv |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
repository.mail.fl_str_mv |
mluisa.alvim@gmail.com |
_version_ |
1817544909865877504 |