O génio e o mal

Detalhes bibliográficos
Autor(a) principal: Macieira, Luís Gonçalo Faro
Data de Publicação: 2020
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10451/44283
Resumo: Based on Joseph Conrad's Heart of Darkness and its film adaptation Apocalypse Now by Francis Ford Coppola, my aim in this dissertation is to put two powerful human constituents head to head - genius (the gift of artistic creation) and evil, that is, the physis and its negative. Following an initial examination of the relationship between these forces which are so integral to and primordial in the construction of human identity, I follow the clues that both Conrad and Copolla leave us in the abovementioned works, building the concept, throughout this theoretical text, that both the gift of artistic creation and evil can reside in the same identity abyss which exists in the innermost part of each one of us. There, the possibility of creation and destruction may simultaneously exist. This premise immediately begs the question - Could it be that the artistic representation of evil allows us to touch upon it without leading to contamination from it or, in contrast, like Conrad's Kurtz, we take the risk of entering the Heart of Darkness and from there be restrained by our inner evil? The answer that we rehearse here sets of from the following hypothesis: The horror of the abyss of otherness may, therefore, be what compels those who possess the gift of artistic creation - or genius - to go on a journey into their own inner void, into their heart of darkness. However, when confronted with what Philippe Lacoue-Labarthe refers to as the "complete absence of the self" by going on this journey into their own abyss, artists may succumb to vertigo. And, if they do not adhere to the plan that Nature intended for them by bestowing this gift upon them - not bringing a masterpiece back from the abyss - they may unload evil (in another way).
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spelling O génio e o malConrad, Joseph, 1857-1924Coppola, Francis Ford, 1939-Rimbaud, Arthur, 1854-1891KurtzMarlow, CharlesPinturaMalDomAbismoIdentidadeDomínio/Área Científica::Humanidades::ArtesBased on Joseph Conrad's Heart of Darkness and its film adaptation Apocalypse Now by Francis Ford Coppola, my aim in this dissertation is to put two powerful human constituents head to head - genius (the gift of artistic creation) and evil, that is, the physis and its negative. Following an initial examination of the relationship between these forces which are so integral to and primordial in the construction of human identity, I follow the clues that both Conrad and Copolla leave us in the abovementioned works, building the concept, throughout this theoretical text, that both the gift of artistic creation and evil can reside in the same identity abyss which exists in the innermost part of each one of us. There, the possibility of creation and destruction may simultaneously exist. This premise immediately begs the question - Could it be that the artistic representation of evil allows us to touch upon it without leading to contamination from it or, in contrast, like Conrad's Kurtz, we take the risk of entering the Heart of Darkness and from there be restrained by our inner evil? The answer that we rehearse here sets of from the following hypothesis: The horror of the abyss of otherness may, therefore, be what compels those who possess the gift of artistic creation - or genius - to go on a journey into their own inner void, into their heart of darkness. However, when confronted with what Philippe Lacoue-Labarthe refers to as the "complete absence of the self" by going on this journey into their own abyss, artists may succumb to vertigo. And, if they do not adhere to the plan that Nature intended for them by bestowing this gift upon them - not bringing a masterpiece back from the abyss - they may unload evil (in another way).Maia, Tomás SantosRepositório da Universidade de LisboaMacieira, Luís Gonçalo Faro2020-08-27T18:38:17Z2020-07-292020-07-29T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisimage/jpegapplication/pdfhttp://hdl.handle.net/10451/44283TID:202506010porinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-08T16:45:13Zoai:repositorio.ul.pt:10451/44283Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T21:56:53.939265Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv O génio e o mal
title O génio e o mal
spellingShingle O génio e o mal
Macieira, Luís Gonçalo Faro
Conrad, Joseph, 1857-1924
Coppola, Francis Ford, 1939-
Rimbaud, Arthur, 1854-1891
Kurtz
Marlow, Charles
Pintura
Mal
Dom
Abismo
Identidade
Domínio/Área Científica::Humanidades::Artes
title_short O génio e o mal
title_full O génio e o mal
title_fullStr O génio e o mal
title_full_unstemmed O génio e o mal
title_sort O génio e o mal
author Macieira, Luís Gonçalo Faro
author_facet Macieira, Luís Gonçalo Faro
author_role author
dc.contributor.none.fl_str_mv Maia, Tomás Santos
Repositório da Universidade de Lisboa
dc.contributor.author.fl_str_mv Macieira, Luís Gonçalo Faro
dc.subject.por.fl_str_mv Conrad, Joseph, 1857-1924
Coppola, Francis Ford, 1939-
Rimbaud, Arthur, 1854-1891
Kurtz
Marlow, Charles
Pintura
Mal
Dom
Abismo
Identidade
Domínio/Área Científica::Humanidades::Artes
topic Conrad, Joseph, 1857-1924
Coppola, Francis Ford, 1939-
Rimbaud, Arthur, 1854-1891
Kurtz
Marlow, Charles
Pintura
Mal
Dom
Abismo
Identidade
Domínio/Área Científica::Humanidades::Artes
description Based on Joseph Conrad's Heart of Darkness and its film adaptation Apocalypse Now by Francis Ford Coppola, my aim in this dissertation is to put two powerful human constituents head to head - genius (the gift of artistic creation) and evil, that is, the physis and its negative. Following an initial examination of the relationship between these forces which are so integral to and primordial in the construction of human identity, I follow the clues that both Conrad and Copolla leave us in the abovementioned works, building the concept, throughout this theoretical text, that both the gift of artistic creation and evil can reside in the same identity abyss which exists in the innermost part of each one of us. There, the possibility of creation and destruction may simultaneously exist. This premise immediately begs the question - Could it be that the artistic representation of evil allows us to touch upon it without leading to contamination from it or, in contrast, like Conrad's Kurtz, we take the risk of entering the Heart of Darkness and from there be restrained by our inner evil? The answer that we rehearse here sets of from the following hypothesis: The horror of the abyss of otherness may, therefore, be what compels those who possess the gift of artistic creation - or genius - to go on a journey into their own inner void, into their heart of darkness. However, when confronted with what Philippe Lacoue-Labarthe refers to as the "complete absence of the self" by going on this journey into their own abyss, artists may succumb to vertigo. And, if they do not adhere to the plan that Nature intended for them by bestowing this gift upon them - not bringing a masterpiece back from the abyss - they may unload evil (in another way).
publishDate 2020
dc.date.none.fl_str_mv 2020-08-27T18:38:17Z
2020-07-29
2020-07-29T00:00:00Z
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